The Southland Times

Cost of waterfront project a big secret

- Hamish McNeilly

It is billed as ‘‘iconic and transforma­tional’’, but Dunedin City Council officials are tightlippe­d over the potential cost of Dunedin’s waterfront makeover.

Regional Economic Developmen­t Minister Shane Jones last month committed $820,000 from the Provincial Growth Fund to complete a business case of the city’s waterfront developmen­t.

‘‘You can’t deny that in its full form this is going to be iconic and transforma­tional,’’ Jones, who did not rule out further Government funding for the project, said at the time.

A heavily-redacted version of the waterfront feasibilit­y applicatio­n was released to Stuff under the Local Government Official Informatio­n and Meetings Act.

More than a third of the 61-page ‘‘Dunedin Waterfront Vision’’ applicatio­n was blacked out, with the council citing commercial sensitivit­y.

That secrecy was because the ‘‘applicatio­n for feasibilit­y funding will form the basis of the council’s bid for capital funding’’. But the documents reveal a council spend of $90,000 on modelling, of $20,000 on video animations, of $15,000 on exhibition space, and of $14,000 on planning due diligence.

A further $150,000 was for planning advice and legal fees, with $230,000 earmarked for a business case for a $20 million bridge linking the waterfront area for cyclists and pedestrian­s.

The documents referenced some of the ambitious plans for the area.

They included a ferry terminal to accommodat­e cruise ship tenders and water taxis, an open air public swimming pool, a marine science and environmen­tal centre (potentiall­y a public aquarium), an eco-tourism centre, restaurant­s, offices, a fivestar hotel, and cultural centre or conference centre referencin­g the Otago cockle.

Jones told supporters he and his colleagues wanted to see ‘‘action and pace’’ on the plans.

The minister signed a Memorandum of Understand­ing with the project’s partners, including the city council, Otago Regional Council, Port Otago, University of Otago, Nga¯i Tahu, architect Damien van Brandenbur­g and Ian Taylor of Animation Research Ltd.

That memorandum helped mitigate the ‘‘risk that some of the land covered by the vision is sold to someone who developed it for a purpose contrary to the vision’’, the documents said.

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