The Timaru Herald

Marvellous entertainm­ent

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storytelli­ng and visual flair.

Inspired by a real-life incident in the late 1920s, this is a tale that draws you in with its colourful characters and grips, haunts and outrages with its scenarios and injustice

Three Billboards Outside Ebbing, Missouri

Built around grieving mother Mildred Hayes’ (a quite brilliant Frances McDormand) quest for justice in a small town, Martin McDonagh brings all his playwright­ing and film-making skills to bear in creating a simply stunning, subversive tale.

This is a movie that will leave you exhilarate­d, exhausted and entertaine­d as you experience a vast range of emotions during its near two-hour running time.

Three Identical Strangers

Perfectly paced and cleverly constructe­d using archival footage and modern-day interviews, Tim Wardle’s documentar­y draws you into this fascinatin­g mystery from the opening moments and will leave you shellshock­ed by its revelation­s.

A kind of Project Nim-meetsThe Truman Show by way of The Wolfpack, the director does a terrific job of slowly revealing the real horrors of the situation when Eddy Galland, David Kellman and Bobby Shafran discovered the truth about their doppelgang­er looks.

They Shall Not Grow Old

Aimed at creating a soldier’s eyeview of the four-year conflict, this World War I documentar­y is a stunning piece of cinema, an engrossing and enlighteni­ng look at historic events and a moving tribute to those who fought for Britain in the fields of Europe.

What is particular­ly striking is how understate­d director Sir Peter Jackson is in his approach. There’s no sign of a syrupy score, the soldiers’ reflection­s are supplement­ed only by dialogue Jackson and his cohorts have attempted to ‘‘recreate’’ (using lip readers) from the silent footage and the colour only comes in when we reach the trenches.

The Wife

Based on Meg Wolitzer’s 2003 novel of the same name, this is a slow-burning drama that richly rewards the patient viewer.

It helps greatly that this features a trio of terrific performanc­es. Christian Slater and Jonathan Pryce are fabulous as deliciousl­y flawed characters, but it’s Glenn Close whose turn sears into the memory. She’s always had an ability to switch emotional gears in an instant, but here, her ‘‘awakening’’ offers truly compelling viewing.

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The Wife.
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Three Billboards.

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