The Timaru Herald

Carmen takes her place in gallery

- Felix Desmarais

The image of one of New Zealand’s most well-known transgende­r personalit­ies will soon have her portrait added to the New Zealand Portrait Gallery collection.

A portrait of Carmen Rupe will be added to the collection on Wednesday as part of a new exhibition at the gallery, called Poutokoman­awa: The Carmen Rupe Generation.

The exhibition was aimed at honouring a generation of transgende­r women in New Zealand who had broken down barriers for today’s transgende­r community.

A poutokoman­awa, also known as the ‘‘heart-post’’, is the central supporting pole of a whare.

Co-curator Chanel Hati said figures like Rupe acted as pou (pillars) for the transgende­r community using their visibility and positions in the community to pave the way for future generation­s.

‘‘Carmen’s charm and charisma were undeniable and she remains an iconic symbol of the Wellington transgende­r community.

‘‘She was a well-loved public kuia who was driven to create a safe space for us all, locally and politicall­y.’’

The exhibition will feature portraits and stories of other trailblazi­ng transgende­r women Georgina Beyer, Dana de Milo and Chrissy Witoko, and work by transgende­r artists.

It will also include ‘‘Carmen’’ condom packaging produced by the New Zealand AIDS Foundation, and a police helmet given by Wellington police to Rupe on her 70th birthday. The helmet was purple, covered in glitter and had a pink feather boa wrapped around it. ‘‘It was a sort of reconcilia­tion gift because Carmen and her friends had a strained relationsh­ip with the police in the 60s and 70s who often arrested them for prostituti­on,’’ said Hati.

The centrepiec­e of the exhibition, however, was the portrait of Rupe, painted by her friend Nicolette Page, who gifted it to the gallery.

Gallery administra­tor Talei Langley said the gallery had a collection of around 200 portraits of all sorts of people, such as the Queen and politician­s.

Rupe’s image, however, would be the first out transgende­r person’s portrait in the gallery’s permanent collection.

‘‘We want to be able to tell the stories of all New Zealanders, including those that might be a little bit more marginalis­ed.’’

Rupe was a ‘‘colourful personalit­y’’.

‘‘She touched more than just her community,’’ Langley said.

 ??  ?? ‘‘Carmen 2012’’ by Nicolette Page depicts Carmen Rupe in her trinket-filled Sydney home.
‘‘Carmen 2012’’ by Nicolette Page depicts Carmen Rupe in her trinket-filled Sydney home.

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