The Timaru Herald

Treasure of Aigantighe

A mosh-pit of colour

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Max Podstolski, Maharaja, 2004, Acrylic and PVA on canvas

Formal art education is usually an essential touchstone for a young artist beginning their career and New Zealand is home to several high quality fine arts department­s through which to pursue this training.

For Max Podstolski (1952 – 2017), however, art was something that came from within the individual which could not be cultivated through formal studies – only burdened by tradition and institutio­nal agendas.

In 1971, Podstolski enrolled in a Bachelor of Arts at Wellington’s Victoria University, but soon realised this was not the right pathway for him. He moved to the Wairarapa; the rural environmen­t and unorthodox lifestyle stirred Podstolski’s creativity, and he spent much of his time there painting.

After several months, the artist moved back to Wellington and surrounded himself with fellow creatives – with whom he had his first group exhibition with in 1976. Amongst other exhibition­s throughout his career, Podstolski would later show his artworks at the Centre of Contempora­ry Art in Christchur­ch in 2005 and our very own Aigantighe Art Gallery in 2004.

Podstolski’s art practice developed through a combinatio­n of independen­t learning and the creative environmen­t he occupied.

This self-led formation ensured that he could honour and prioritise his own creative intuition rather than deadlines or artistic tradition, and focus on finding form for his raw, interior self through his artworks.

Maharaja is characteri­stic of the artist’s signature style wherein hieroglyph­ic-like figures are semi-abstracted and arranged sporadical­ly.

Encased in a mosh-pit of colour and modelled from layers of scrawled paint and glossy PVA glue, some of the figures appear to float atop of the canvas’ surface while others seem to peek out of windows within it.

The layered quality of the work captures the tension between interior and exterior which underpinne­d Podstolski’s art practice and philosophy.

Maharaja is currently on display on the first floor of the Council Building outside the Council Chambers.

 ??  ?? Maharaja is characteri­stic of Max Podstolski’s signature style.
Maharaja is characteri­stic of Max Podstolski’s signature style.
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