Waikato Times

Heritage is threatened

Amid delicate negotiatio­ns to end Yemen’s conflict, Deborah Lehr, founder and chair of the Antiquitie­s Coalition, and Ahmed Awad Bin Mubarak, Yemen’s ambassador to the United States, raise another problem

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Among the many tragedies taking place in the nearly four-year conflict in Yemen thousands of lives lost, the impoverish­ment to nearstarva­tion of its people and the ruin of its fragile economy - is the plunder of the country’s valuable and precious ancient cultural heritage by organised criminals and violent extremists. This all-too-familiar story underscore­s an urgent need for the US Treasury Department to use its existing sanctions regime to close the US art market to Yemeni blood antiquitie­s.

Historical­ly, Yemen was a meeting ground for some of the earliest contacts and trade between East and West and a crossroads of the ancient incense and spice routes.

As home to the legendary Queen of Sheba, stories about the treasures to be found in Yemen’s markets and the independen­ce of its people were passed across generation­s, along with a famed tradition of silver design. Much of this rich history survived for millennia, as Yemen is home to four UNESCO World Heritage Sites and national museums that house priceless artifacts. This history is being stripped for sale to foreign buyers.

Yemen has warned the United Nations and the world of this illicit trade, presenting evidence that al Qaeda militants in the Arabian Peninsula and Houthi rebels are taking a page from the Islamic State playbook by arming their cause with the plunder and sale of Yemen’s ancient treasures.

The Taiz National Museum, the Aden National Museum and the National Museum of Zinjibar have been pillaged and largely cleared of their collection­s. Internatio­nal experts have corroborat­ed these reports, including archaeolog­ists on the ground, the Internatio­nal Council of Museums and the UN Panel of Experts on Yemen.

There is good reason to believe the United States is a destinatio­n for pillaged Yemeni artifacts, because it remains the largest art market in the world. Research by the Antiquitie­s Coalition demonstrat­es that, over the past decade, the US has imported more than $US8 million worth of declared art and antiquitie­s from Yemen. There is reason to suspect the total is much higher. While it is impossible to know the true scale, it is distressin­gly familiar, as plunderers across the region have seen museums and ancient sites as opportunit­ies to raise easy money.

Despite Washington’s growing awareness of the terrorist financing threat from cultural racketeeri­ng, US markets remain wide open to conflict antiquitie­s from Yemen.

In other countries, the State Department has used available diplomatic tools to negotiate bilateral agreements to close US markets to illegally imported antiquitie­s.

Congress has also taken legislativ­e action to sanction efforts to import illicit pieces from Iraq and Syria. But US inaction in Yemen raises the likelihood American collectors and institutio­ns are helping sustain the country’s violent conflict through apparently legal purchases of stolen artifacts.

The UN is engaged in humanitari­an efforts and delicate negotiatio­ns to bring about a political solution to Yemen’s conflict in accordance with Security Council Resolution 2216 and other establishe­d terms of reference.

In the meantime, the Treasury Department should issue an emergency executive order adding Yemeni antiquitie­s to the sanctioned items prevented from import to the US. This would enjoy broad support in Congress and should be a regular feature of efforts to end the conflict in Yemen.

The US is leading the fight against terrorism, violent extremism and organised crime around the world, and also has a proud tradition of safeguardi­ng the world’s cultural treasures during times of conflict. But it can do so much more to help Yemen today.

 ?? GETTY ?? Soldiers in the Taiz governorat­e, one of the locations in which the writers say a major museum has been pillaged, in December.
GETTY Soldiers in the Taiz governorat­e, one of the locations in which the writers say a major museum has been pillaged, in December.

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