Waikato Times

All talk, no action saved Bougainvil­le

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Soldiers Without Guns (M, 92 mins) Directed by Will Watson Reviewed by Graeme Tuckett ★★★★

Bougainvil­le spent a century being passed around like a gambling chip. It was at various times occupied and ruled by England (which separated the archipelag­o from the Solomons, with which Bougainvil­le had previously been one nation), Germany, Japan, Australia and then Papua New Guinea.

Sometime in the 1960s, the people of Bougainvil­le had the great misfortune to discover they were living on top of an immense amount of copper ore.

The eye of the giant Rio Tinto corporatio­n – which has turned up as the bad guy in movies in two consecutiv­e weeks – swivelled across the globe and engines of capitalism roared into life.

Soon, Bougainvil­le was the nonplussed host of the world’s biggest hole (this is official – it was in The Guinness Book of Records) and an explosion of the unrest that always results when massive amounts of capital are poured unequally into an economy.

The first protests against the mining operation were met by armed police and soldiers acting on behalf of the Papua government, which was now a functionar­y of Rio Tinto in Bougainvil­le.

The men of Bougainvil­le became factionali­sed, the violence escalated and the mostly white Australian engineers went home.

With the mine shut, the Papua forces left and the country spiralled into a brutal civil war that, over a decade, killed 20,000. That’s onesixth of the entire population.

Before the mining company arrived, Bougainvil­le had been a peaceful and matrilinea­l nation. Property rights were passed down from mother to daughter, not father to son.

And, as so often in war, it was the women who suffered disproport­ionately in Bougainvil­le. Nothing empowers a cowardly man to act on his cowardice quite like a gun. Rape became epidemic.

Fourteen peace missions were launched over a decade – and all of them failed.

Soldiers Without Guns is the story of the New Zealand initiative that finally worked.

Working unarmed, the Kiwi forces embarked on a mission of communicat­ion. A peace imposed on a people is destined to fail, fast. But a peace grown within a nation might take root.

The New Zealanders – many of whom were women – reached out to the local women on all sides of the conflict. They had far more in common with each other than they did with the men doing the fighting, and this got them talking to each other. The men followed.

Soldiers Without Guns is an engrossing and fascinatin­g film. Auckland-based film-maker Will Watson (Haka and Guitars) weaves his material together well, and Lucy Lawless’ narration tells us what we need to know to understand what we are seeing.

This is a convention­al documentar­y, made without undue flourish, and sometimes that’s exactly what a story needs.

In a great couple of months for local documentar­y – Celia and

The Heart Dances are superb too – Soldiers Without Guns made me prouder to live in this country than any other film in recent memory. Go see it.

 ??  ?? Soldiers Without Guns isa convention­al documentar­y that works.
Soldiers Without Guns isa convention­al documentar­y that works.

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