Weekend Herald - Canvas

ADVICE ABOUT VICE

The defining drug of the 70s was heroin. The Mr Asia Syndicate was the big name in the news, touching many lives for a decade. David Herkt tells of his own experience­s and what he’s learned.

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Iwas given my first heroin, somehow appropriat­ely, by a gay undertaker’s assistant in a basement flat in a building opposite the Auckland High Court.

It was the autumn of 1975. Waterloo Quadrant was deep in the orange and yellows of fallen autumn leaves, and New Zealand had been flooded with some of the cheapest and purest heroin in the Western world, courtesy of Terry Clark and Marty Johnson. White powder heroin. Heroin No. 4.

As Christchur­ch criminolog­ist and associatep­rofessor Greg Newbold would later remark, at that time heroin was cheaper than beer.

Just like everything else, there are fashions in drugs. For New Zealanders in the 1960s and early 1970s, there had been marijuana and LSD. At first our marijuana was the home-grown and low-strength New Zealand Green. Then Johnson and Clark began importing Thai Buddha Sticks, resinous marijuana heads wrapped around a satay stick of bamboo.

It might have been a revelation to a dopesmoker, but it was a high-bulk product and it smelled. You didn’t have to be a Customs’ drugdog to recognise the odour. Intercepti­on at the border was easy. So Johnson and Clark switched to importing low-bulk, powerful and relatively undetectab­le heroin.

It was a drug that also had one other advantage for a budding entreprene­ur. Habitformi­ng heroin is “capitalism in action”; an addicted user is a paying customer with an everincrea­sing need.

Clark insisted on quality being preserved right down the chain. It was an era where the first fast-food outlets were opening in New Zealand, and both Johnson and Clark were early adopters of the business model.

They effectivel­y franchised their operation, initially advancing their product to allow the establishm­ent of a business, then demanding payment on delivery thereafter.

It was an immensely profitable revolution in drug distributi­on.

I couldn’t watch that first injection. I’d never

been good at the doctor’s. Male bravado and the faces of the two friends who accompanie­d me were the only things that got me through it.

The drug itself is an instant whoosh through the body, where every care and knotted muscle is eased and lifted. It wasn’t until we got out on to the street a few moments later that I felt the effects fully.

There was a vague lurch of nausea, then a spreading feeling of contentmen­t. Somewhere, insulated, way back, there was a sense that every promise of advertisem­ent was coming home to roost. Later, I’d catch hints of that feeling in thousands of songs, but, for a second, back in 1975, standing on the corner, it was a moment of perfectly contained bliss on a leaf-strewn Auckland street.

“This is wonderful,” I remember saying.

Initially, heroin was a glamour product. It was cool.

It was on-sold by entreprene­urs, risk-takers, dealers who came with leather jackets, swaggering reputation­s, and beautiful girlfriend­s. Clark’s crime family, generally graduates from Witako Prison, met greater New Zealand and establishe­d social, legal and police links that would see them flourish. Kiwis discovered that money does talk and forgetting where it came from was convenient­ly easy.

And never ever forget that when Terry Clark later claimed that the New South Wales Police Force was the best money could buy, he had acquired his experience in New Zealand.

HEROIN CAN be heard in the music of the era. Music was its barometer. There were bands like Dragon, fronted by Marc Hunter with Paul Hewson on keyboards. But April Sun in Cuba was quickly followed by Are You Old Enough? and Dragon’s drummer Ian Storey would succumb to an overdose in 1976 at the age of 22. Hewson, too, would go from another.

Their rivals, Hello Sailor, featured Graham

Brazier, their charming, opiate-dependant lead singer, whose signature song Blue Lady, concerned a Venetian-blue glass syringe. I found myself a Blue Lady To help me through the night …

Punk rock followed to reflect a country that was in turmoil as a result of Muldoon’s financial reforms. “There is no Depression in New Zealand” — yeah, right.

Study any of the photograph­s from punk clubs like Zwines or the afternoon Windsor Castle gigs, and there is likely to be the daughter of a Cabinet Minister.

She was a well-known Auckland heroin dealer and a desirable flatmate because it was believed she was immune from prosecutio­n. The same photograph­s will show you the giveaway pinpoint pupils and fingers frozen on itchy noses.

Given the strength of the syndicate’s heroin, overdosing was a simple fact of life. I saw my first overdose in Parnell while visiting my nextdoor neighbours. A restaurant owner who had been sitting on the sofa next to me stopped breathing and started turning blue. I raised the subject with the only other person present, a nurse, who was mixing up a dose for himself.

“Not again!” the nurse said, and after failing to stir the restaurant owner, gave him mouth-to-mouth for a minute before returning to organising his dose. There was another mouth-to-mouth, another break to actually have his dose, another mouth-to-mouth, then the nurse slapped the restaurant owner hard across his face. He promptly revived. “Why did you do that?” he groggily asked. It taught me never to panic, that a heroin overdose was generally just the suppressio­n of the breathing reflex. Keeping the patient breathing before administer­ing a sudden painful stimulus was just what the textbooks prescribed.

In combinatio­n with a country’s economic misfortune, the last of the Mr Asia years were a spiral into grunge that New Zealanders prefer to forget. The syndicate itself had moved offshore, shifting their business concept profitably to Australia and to the United Kingdom.

For the first time, New Zealanders had just taken drug-crime global.

Then one murder led to another and it all ended up in the dock of the Lancaster Crown Court in the UK in 1981, where Terry Clark and a number of other defendants were sentenced for both drug conspiracy and the murder of Marty Johnson.

The Mr Asia money, in the hands of solicitors and others, somehow just disappeare­d as if it had never existed.

While opiate withdrawal symptoms were never as bad as those depicted in television or movie dramas, the longer anyone is dependent the worse the symptoms will be. The simple knowledge that administra­tion of a drug will solve the problem doesn’t help at all. The fear of withdrawal would build up in people’s minds even when physically it may have only been a few days of flu-like symptoms and insomnia.

And the consequenc­es were there for all to see. For some people, the perceived need for another dose meant chemist shop burglaries, rip-offs, anything and everything for a quick buck. Others would deal the drug for their daily dose.

However, eventually you just get bored with all the junky business — or at least I did. WHEN I finally stopped, it wasn’t easy. Firstly, it means keeping away from everyone you know. There are only so many people strong enough to continue in the same group of friends and the same world, and not use. I wasn’t one of them. I moved countries.

The aches and pains, however, are eventually just that. They are physical symptoms that simply have to be endured: aching joints, shivers, diarrhoea, sleeplessn­ess. There is also a vast chemical loneliness as the insulation is stripped away and everything exposed.

But what doesn’t kill you makes you stronger. When the supply of heroin dried up in New Zealand, the problem only moved sideways. New Zealanders began making their own: homebake. Take headache pills from a chemist, add a few chemicals and you had a potent heroin equivalent. It was another worldfirst for Kiwis, but definitely more impure and damaging.

It wouldn’t be until the 1990s that another unsuspecte­d consequenc­e came home to roost with the ability to detect the previously unknown Hepatitis C. Users hadn’t been able to buy previously syringes, so they’d shared them, with rudimentar­y sterilisat­ion. More than 50,000 New Zealanders would eventually be carrying the virus.

With the arrival of successful treatments in the new century, suddenly waiting rooms in Hep C clinics were a who’s who of 1970s and 1980s New Zealand culture, from former band members to successful businesspe­ople.

But now that the members of New Zealand’s heroin generation are about to receive their pensions, it does seem time to ask what we have learned.

Not much. Our drug policy is still the same knee-jerk reaction. After the fairly benign Ecstasy, we got stuck with the more destructiv­e methamphet­amine. One drug might be prohibited but a new and frequently more damaging one arrives to take its place.

Drugs have always been with us and always will be, but it is the way we deal with them that causes the problem.

We might not be able to stop them, but we can always reduce the harm.

Eventually, you just get bored with all the junky business — or at least I did.

 ?? PICTURE / CHRIS SLANE/AUDIOCULTU­RE ?? Iggy Pop (foreground) at Taste Records in 1979 with writer David Herkt on Iggy’s left, looking at future record-label entreprene­ur and producer, Simon Grigg (far left). Looking over Iggy’s shoulder on the right is future Oscar-winner Kim Sinclair (Best Art Direction, Avatar).
PICTURE / CHRIS SLANE/AUDIOCULTU­RE Iggy Pop (foreground) at Taste Records in 1979 with writer David Herkt on Iggy’s left, looking at future record-label entreprene­ur and producer, Simon Grigg (far left). Looking over Iggy’s shoulder on the right is future Oscar-winner Kim Sinclair (Best Art Direction, Avatar).

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