Weekend Herald

Busy, busyHavelo­ck

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In the stable of Australasi­an crime writers, Alan Carter is a piebald. He “divides his time between his house near the beach in Fremantle, and a hobby farm up a remote valley in New Zealand”. Royalties must be flowing; well done, that author. He’s been praised for his Cato Kwang stories, with their Austro- Asian copper. But this is a stand- alone, set in the sophistica­ted surrounds of Havelock, the green mussel mecca with its herons, marinas, fence of shoes.

It’s a lovely place, except for unemployme­nt and rapacious landscrape­rs. Police sergeant Nick knows that claws are reaching for him from the past. Plus he’s got major relationsh­ip issues. Don’t they all? It would be really original to have a contented cop.

A serial slayer called the Pied Piper is abducting and killing small boys. Creepy; compelling. In between flicking back to the UKand the origins of his apprehensi­ons, Nick gets involved in his own irregular way.

A lot happens. Two itinerants drift in; a paedophile is persecuted; there’s vigilante arson and pet- shooting. Various genre tropes appear — feisty ethnic female officer, discord with superiors, false directions, one- line paragraphs, detailed local geography, a monster who muses in italics — and Carter handles them all deftly.

Bodies accumulate. The arrogant rich appear as do a white convertibl­e and some pre- packaged Maori issues. A shuttle of scenes builds to a skilfully scary resolution with multiple abductions, mocking mobile messages, a derelict visionary and a rotting bush hut.

Multiple plot strands, which Carter threads neatly. The dialogue often reads like recitation but that’s par for the genre. A springy present tense and some pleasing irreverent comedy ( you’ll like the rotisserie chicken theft) keep it striding along.

There’s a curious tendency in some crime fiction to strive for philosophi­cal/ literary significan­ce. If it walks like a duck and talks like a duck, why try to turn it into a swan? The result is usually clunky moralising and swollen metaphors and Carter lapses into these a few times.

Overall, it’s profession­al, packed and pacy. I’ll look for his next but I won’t mind if it’s a little less portentous.

 ??  ?? MARLBOROUG­H MAN by Alan Carter ( Fremantle Press, $ 38) Reviewed by David Hill
MARLBOROUG­H MAN by Alan Carter ( Fremantle Press, $ 38) Reviewed by David Hill

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