Daily Trust Saturday

How 2017’s stellar Global Media Forum will shape 2018’s

Later this year, on June 11th to be precise, media profession­als, internatio­nal journalist­s, human rights activists, experts in science and culture, and more, will converge in Bonn, the absolutely charming German city that’s both quaint and urbane. But wh

- Abdulkaree­m Baba Aminu,

who was in Bonn

Last year, the 10th edition of Deutsche Welle’s internatio­nal media conference, the nowfamous Global Media Forum, saw over 2,000 guests from 130 countries in a gathering that was staggering in size, as well as scope. Visitors had to choose from about 40 events, ranging from large forum presentati­ons, by-invitation-only meetings, debate-sparking panels, and small workshops. In participat­ion, were internatio­nal decision-makers like European Parliament SecretaryG­eneral Klaus Welle, UNESCO Deputy Director-General Frank La Rue, Amnesty Internatio­nal Secretary-General Salil Shetty, and more.

Deutsche Welle DirectorGe­neral Peter Limbourg opened the 2017 GMF with these words: “I have a message for all despots, autocrats and dictators: You will not oppress freedom of speech forever. Freedom of speech is stronger than you.” He instantly set the tone, as he continued, that any ruler who chokes freedom of the press will fail in the long run. “People want more than prosperity and security, they also want freedom and justice. That is what we at DW are working for,” he said.

With the theme of last year’s conference being ‘Identity and Diversity’, it made perfect sense that at the centre stage was a debate over the media’s role in facilitati­ng extremism and populism, bringing journalist­s and experts together to question how people become radicalize­d, how government­s manipulate media, and whether social media is responsibl­e for a great deal of that.

There were many compelling presentati­ons at the 2017 GMF, and one of them are smartphone­savvy CNN journalist Yusuf Omar’s. He calls his approach ‘jeans journalism’. Basically, from making a video to taking pictures and interviews - everything he needs for his work fits in his jeans. His style caters to the smartphone generation, audiences who like their news on the move. He wowed participan­ts with a live display which had him produce content, from idea stage to publicatio­n, all within a short time.

Social media, according to him, helps news outlets like CNN reach their consumers without asking them to tune into their programmin­g. Mobile audiences want raw, authentic stories, not polished, television-style broadcasts, Omar said. But this is coming after social media got knocked for ensuring access for lobbies, interest groups and other factions propagatin­g fake news. And therein lies the depth of DW’s GMF: Rich debate, and thoughtpro­voking analysis of events.

Even with a dizzying array of compelling panels, one of my favourites include ‘Can The Media Uphold Gender Equality And Diversity?’ It focused on the challenges of gendertran­sformative journalism in the so-called post-truth world and explored its capacity to help build a more peaceful, just and inclusive society.

Ines Pohl, DW’s Editor-InChief, stressed that “The special rights the media have and the special access to informatio­n come with the duty to make it clear in the stories we tell that ‘all human beings are equal’ - again and again.”

Carmen Perez, National Co-Chair of Women’s March, USA, emphasized that “A lot of people still rely on [mainstream media] when it comes to getting their informatio­n. So we need to be fluid and be in both spaces. And we also need to be recording and reporting our stories in real-time in both places. One cannot replace the other.”

The forum continued, and for three days, there were rich, in-depth discussion­s on politics, human rights, media developmen­t, and innovative journalism concepts. Some of them were in forms of panels, like the one I participat­ed in, titled ‘Satire As A Weapon’. The intro went: “Humour has endured many regimes to date - from Europe to Africa. Whether in Africa or Latin America - time and again, government­s and political players attempt redirect or even prohibit the biting criticism of satire. Suddenly, caricaturi­sts are no longer commission­ed, TV sketches have to be produced secretly and distribute­d via providers abroad. Social networks however make it nearly impossible for the elite to fully suppress humorous social criticism.”

The ‘Satire As A Weapon’ panel, moderated by DW’s Kate Müser, had my humble self as a speaker, as well as Farai Monro (Satirist, Magamba TV, Zimbabwe), Danilo Maldonado (Artist and Human Rights Activist, Cuba), and Isam Uraiqat (Co-Founder, Al Hudood, Jordan). For an hour we traded ‘war stories’ about work, and while most of them had horror stories to tell, I spoke about the unique position I was in, being the editor of the newspaper my political and editorial cartoons appeared in, as well as having zero interferen­ce from my bosses. For a panel about satire, the sizeable venue was packed, and with audience participat­ion.

Speaking of satire, Zimbabwe’s collective­ly-named ‘Zambezi News’ poked fun at fake news, but with a serious purpose. As ever, the superstar satirists were a big hit with the audience.

All work and no play makes Jack a dull boy, we all know that. And the GMF ensures that participan­ts play very well, especially in the form of an excellent boat cruise, which is practicall­y a party on the River Rhine, aboard a large three-decked luxury vessel as the sun sets beautifull­y. Bonn itself is city of character, offering many attraction­s, an excellent museum, and decent shopping. It provides lovely icing and a cherry to the GMF’s rich cake of an event.

The networking possibilit­ies afforded by the GMF are staggering in scope, and most happen organicall­y, as like minds find each other, and find points of convergenc­e. The forum has, from all indication­s, met its target, to be where decisionma­kers and influencer­s from all over the world come together, to connect and strengthen relationsh­ips. It also provides a unique opportunit­y to network, get inspired and collaborat­e using a wide variety of state-of-the-art formats. And suddenly, 2018’s ‘Global Inequaliti­es’, and last year’s ‘Identity and Diversity’ make even more sense as successive themes. DW is slowly, intently, building up to facilitati­ng a more transparen­t, just, and global village, as well as a more participat­ive one. And that is the connective tissue between last year’s theme, and how it will shape the upcoming one.

At the end of the 2017 GMF, interestin­gly enough, I kept pondering over Limbourg’s words: “As crises and conflicts are increasing, so, too is the importance of internatio­nal broadcaste­rs. Only those who are viewed as trustworth­y would prevail in the long run. This entails a growing responsibi­lity for comprehens­ive, objective reporting. Internatio­nal broadcaste­rs can never take sides. With only one exception: When it comes to human rights.” Words to live and work by, on marble indeed.

 ??  ?? ‘Satire As A Weapon’ panel in progress, at the last GMF
‘Satire As A Weapon’ panel in progress, at the last GMF
 ??  ?? Yusuf Omar, self-styled ‘jeans journalist’ works his audience
Yusuf Omar, self-styled ‘jeans journalist’ works his audience
 ?? Saturday, April 21, 2018 ?? Deutsche Welle Director-General, Peter Limbourg
Saturday, April 21, 2018 Deutsche Welle Director-General, Peter Limbourg
 ??  ?? Deutsche Welle’s building in Bonn
Deutsche Welle’s building in Bonn

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