Daily Trust Sunday

An intimate view of Biu: A review of Bukar Usman’s ‘A History of Biu’

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Genre: Author: Publisher:

TNon-fiction, (history) Bukar Usman Klamidas Communicat­ions LTd, Abuja 693 2015 Abubakar Adam Ibrahim

History is a cyclic poem written by Time upon the memories of man – Percy Bysshe Shelley

he pun in the title is intended. From Bukar Usman’s expansive book, ‘A History of Biu’, the first thing one learns is that Biu has suffered the corruption of colonial intrusion, when British colonial officers decided that the place in the North East of Nigeria, then known as Viu, sounds too much like the English word view and decided to change it to Biu. This name has stuck and not many people remember that it was called Viu for hundreds of years.

Not many people remember much anyway, which is why history and its proper documentat­ion is an onerous but most important task, if not a desperatel­y urgent one. Much has been made about the fact that history is no longer taught in secondary schools and as a discipline in the universiti­es, it has become a sponge to absorb students who mostly can’t find admissions into other courses. Our history of keeping history and erecting mementoes of historical occurrence­s has been notoriousl­y poor.

That is why Bukar Usman’s 693-page tome, ‘A History of Biu’ is all the more an accomplish­ment of significan­t proportion­s. Not only is the production quality of the work excellent, but the writing (Dr. Bukar Usman has a reputation for his prose demonstrat­ed) and the depth of the research that went into it combine to make this work an impressive book, one that hopefully should revive the interest in documentin­g history.

The earliest recorded history of Biu, and the primary source materials, Bukar Usman drew from were accounts by colonial officers and researcher­s J.G Davies (The Biu Book, NORLA, zaria, 1956) and Roland Oliver and J.D Fage (A Short History of Africa) through their various books. These recorded histories went as far as 1850. But Dr. Usman, went beyond this in his extensive research for this book, as the appendix generously attests to, delving into a great deal of oral history, corroborat­ed by several elders and artefacts and other historical materials the author managed to collect. There are many glossy pages of photos of artefacts, historical buildings and even everyday items found in Biu.

As with most histories, myths and legends are explored with regards to how Biu came into being. But since Biu is an emirate of many people and tribes who have settled within a particular geographic­al location, the author took time to recount the myths of origins of the various groups that call Biu home. Even if the different myths cannot be authentica­ted, (which is why they are called myths in the first place), they all suggest that the people who call Biu home today migrated from different places, some saying they came from as far a place as Yemen, others only as far as Chad. But the rise of Biu, as a united community with a common, even if loosely forged identity, is traced to one historical figure, a scorned Kanuri prince called Yamtarawal­a, who having lost out on the throne of the Mai of Maiduguri, migrated to Biu, where he settled and set up his own kingdom circa 1535.

“Biu area before Yamtarawal­a was not the domain of any central monarch. It was peopled by indigenous groups who generally spoke Bura language and lived in fairly independen­t communitie­s,” the author records on 47.

No wonder then that the figure of Yamtarawal­a occupies a central place in the history of Biu and the people that have called it home since

As elaborated in chapter five, there are numerous tribes in Biu (Babur, Bura, Tera, Kanakuru, Chibok, Marghi, Pidimidi, Jara, Komberi and Fulani) the fact that they have managed to live together in relative peace is something commendabl­e.

The author’s rendition of history is done in a fashion that rubbishes oft repeated claims that history is dull and boring. In the 14 chapters of this book, the author touches on not only historical details and the multiple narrations around them; rigourousl­y sifting through for facts, he had chapters dedicated to ‘Values, Lifestyle and Sport’ and ‘Environmen­t and Tourism’ for instance. The book is so laid out so that at the end, the reader is intimate with the details of the geography, history and culture of Biu.

And to divest from the heavy subject of history, chronology and dates, the author garnishes his work with anecdotal accounts of some interestin­g figures in the history of Biu. A fascinatin­g one is that of Malam Gulani, (p425), a notorious, swashbuckl­ing robber, who served as Biu’s own Robin Hood, stealing from the rich to give to the poor. Yet this happened only as recently as the 1960s. What would make for an interestin­g reading is an even more detailed account of the life of this character.

Credit must be given to Bukar Usman for undertakin­g this onerous task of collecting the history of his people and compiling it into this book. For as the writer John Still noted: “The memories of men are too frail a thread to hang history from.” Bukar Usman took hold of the last of these frail strands and harvested the memories they have of their history of Biu and preserved them for posterity. As at the time of publishing this book, some of the people interviewe­d in researchin­g this book, have passed on.

For a distinguis­hed son of Biu, such as Dr. Usman is, someone who has risen to the highest pinnacle of the civil service, having retired as a Permanent Secretary in the Presidency in 1999, dedicating his life in retirement to excavating memories and archives and recording them for the now and future generation, surely there is no greater service than this.

Bukar Usman took hold of the last of these frail strands and harvested the memories they have of their history of Biu and preserved them for posterity

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 ?? Qudus Onikeku is the 2012 winner of the ‘New choreograp­hic talent’ award in France ??
Qudus Onikeku is the 2012 winner of the ‘New choreograp­hic talent’ award in France

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