Daily Trust Sunday

Oops! A gallery selfie gone wrong causes $200,000 in damage

- Source: https://www.nytimes. com

The selfie no-no Hall of Fame may have found its Babe Ruth.

Simon Birch, a British multimedia artist based in Hong Kong, has been displaying his latest immersive exhibition at the 14th Factory pop-up gallery in Los Angeles. In one room were placed a series of crowns on pedestals of varying heights - all very close to one another. They were the very definition of selfie bait.

So it was perhaps no surprise that a woman two weeks ago would get a bit too close to the art and, mid-selfie, lose her balance, sending pedestals and crowns crashing in a cascading domino effect. Damage estimate: Roughly $200,000, according to Mr. Birch.

A video of the incident, uploaded to YouTube has racked up nearly 300,000 views.

It is possible this was staged. The video was uploaded by someone who claims to know Mr. Birch and its descriptio­n ends with a plug: “The rest of The 14th Factory is one of its kind . .... Go visit before it closes end of July (or before a few more pieces break).”

But in an email, Mr. Birch said it was a true accident. Still, he said, he would not be putting signs up urging visitors to be careful. “We trust people.” Mr. Birch said. “Crowns are fragile things. They are symbols of power. Perhaps it’s ironic and meaningful that they fell.”

Museum selfies have become a thing, and are even encouraged by some museums to draw younger visitors. There are entire blogs dedicated to museum selfies. Museum Hack, which gives quirky, unofficial tours of major museums around the country says on its website, “Museum selfies are an awesome way to engage audiences with your museum and collection­s.”

Lisa Krassner, chief member and visitor services officer for the Metropolit­an Museum of Art, said, “Visitors are here to enjoy our collection and exhibition­s and the entire experience, and we welcome individual­s capturing and sharing that experience through photograph­y - as long as it’s done in a way that doesn’t endanger the art or interfere with the experience of others.”

Our Los Angeles woman is hardly alone in the annals of the selfie-clumsy. At the “Yayoi Kusama: Infinity Mirrors” exhibition at the Hirshhorn Museum and Sculpture Garden in Washington, a huge hit featuring immersive mirrors, part of the museum closed for three days after a patron shattered a glowing LED pumpkin in February.

In 2015, in Cremona, a city in northern Italy, a sculpture “Statue of the Two Hercules,” carved more than 300 years ago - was partially shattered thanks to a pair of overindulg­ent selfphotog­raphers.

In these cases, the selfie-takers damaged the art. In other cases, the art has damaged the selfietake­r. In 2014, an American student, on a dare, decided to take a photograph from inside a 32-ton sculpture in the shape of a vagina at Tubingen University in Germany. He got stuck. Firefighte­rs got a call to rescue a man “stuck in a stone vulva .”

In other instances that didn’t go well for the art: at the Academy of Fine Arts of Brera in Milan, also in 2014, a student decided to climb a sculpture from the early 1800s that was a copy of an ancient Greek sculpture, “Drunken Satyr.” The statue’s left leg fell off.

Last year, in Lisbon, a tourist in his mid-20s climbed a train station to take a selfie with a statue of Dom Sebastiao, a 16th-century king in Portugal. The statue crashed and shattered and and he was arrested and charged with destructio­n of public property.

We could go on, but won’t. Advice for selfie-seeking museum goers: Keep your distance - the likes will come anyway.

 ??  ?? Simon Birch’s latest installmen­t was the victim of a selfie gone wrong. Credit 14th Factory Foundation Gallery
Simon Birch’s latest installmen­t was the victim of a selfie gone wrong. Credit 14th Factory Foundation Gallery

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