Daily Trust Sunday

KAFART 2023: Celebratin­g creative craftsmans­hip in northern Nigeria

- From Maryam Ahmadu-Suka, Kaduna

The just concluded fifth edition of the Kaduna Art and Craft Festival has left an imprint in the lives of creative minds and the likes, who had the opportunit­y to witness the different creative displays by participan­ts.

Visitors to the festival viewed exhibition­s by artists in northern Nigeria and beyond, live performanc­es by contempora­ry groups, fashion presentati­ons, runway presentati­ons by fashion designers across northern Nigeria and beyond, who came to showcase the rich culture of the region.

There were also displays by diverse fashion designers across northern Nigeria and the Sahel, a virtual reality experience of the Nok Terracotta, in collaborat­ion with the National Museum, Kaduna and also a display of research work from research volunteers, including photograph­ers, videograph­ers and writers across Nigeria and West Africa.

The three-day festival featured a panel discussion on the topic, Preserving Our Heritage: Integratin­g Tradition and Craft for Sustainabl­e Developmen­t. Fashion designers, including Praise Dodo, Maryam Bawa, Safiya Idakwo, as well as artists like Sani Abdulrahma­n, Imran Tilde, Rahma Azeez and Seun Adeniyi graced the occasion.

Other attraction­s at the festival were the film screening of the Kofar Mata dyeing pit documentar­y by Niyi Olagunju and the documentat­ion of life

on River Kaduna by Iklima Babangida.

According to Ganiyat Sanni, the founder and creative director, KAFART, the festival showcased and celebrated the creative processes and craftsmans­hip that define northern Nigeria’s fashion and art industry.

She said, “These processes are sacred and exclusive to each artist or artisan, resulting in a unique output that distinguis­hes their work from others. The exhibition’s theme, “Into the art of making,” explores the concept of creation and making of fashion and art works, celebratin­g the output and techniques employed, as well as the cultural, environmen­tal and societal elements that contribute to the final product.

“Craftsmans­hip in West Africa has taken various forms over centuries and continues to evolve with modern technology. Despite changes, these practices still hold historical and cultural significan­ce, acting as conduits of knowledge about the past.

“Textiles, sculptures, embroidery and tie and dye are some examples of these practices that showcase who we are as a people, and the exhibition will emphasize their relevance and value.

“It is crucial to preserve these practices for future generation­s, particular­ly in a world where much historical knowledge is disappeari­ng. Encouragin­g younger generation­s to adopt these practices will help to prevent their loss and ensure cultural, historical, and environmen­tal significan­ce continues to serve as a source for grounding our values and heritage.

“We are going to have an augmented virtual reality experience in collaborat­ion with Greysoft Technology to bring the Nok Terracotta artifact closer to the younger audience so that they can understand the history because I understand that a lot of them do not go to the museum.”

Adding his voice, the IT and Communicat­ions Officer, KAFART, Alamin Yushau, noted that the collaborat­ion with the technology firm for augmented and VR experience in order to display the Nok Terracotta artifacts digitally and allow guests to experience the Kaduna museum through VR Technology was a way to bring the museum closer to visitors.

He said, “The art exhibition created by NYH Concepts with the financial contributi­on of the European Union, the support of the OACPS Secretaria­t - Organisati­on of African, Caribbean and Pacific States and Programme AWA has been able showcase the vibrant fashion and art industry in northern Nigeria and the wider region.

“At KAFART 2023, youths had the opportunit­y to witness and participat­e in local craft work by skilled and experience­d artisans. The exhibition also highlighte­d cultural, environmen­tal and societal issues as represente­d by the art forms.

“KAFART secured support from Sterling Bank and the National Institute for Cultural Orientatio­n (NICO), Abuja, and with the participat­ion of diverse vendors, visitors had access to a wide range of products made by locals in the community, providing an opportunit­y for the local entreprene­urs to expand their reach.”

On her part, the Kaduna State deputy governor, Dr Hadiza Sabuwa Balarabe, expressed the commitment of the Governor Uba Sani administra­tion to promoting the economic values of creative arts and culture, as well as encouragin­g the teeming youths in the state to engage in profitable business ventures using their talents.

The deputy governor, who was represente­d by the Special Adviser to the Governor of Kaduna State on Human Capital Developmen­t, Sagir Balarabe Musa, further commended the organisers of KAFART for their dedication to arts and fashion.

She, however, cautioned against copying foreign fashions that go against cultural norms and traditions of the country.

 ?? ?? Visitors experincin­g the nok culture through virtual reality at KAFART
Visitors experincin­g the nok culture through virtual reality at KAFART
 ?? ?? Another unique design on display
Another unique design on display
 ?? ?? A paint-work design on display at KAFART
A paint-work design on display at KAFART
 ?? ?? Some fashion designs on display
Some fashion designs on display
 ?? ?? Founder KAFART, Ganiyat Sanni
Founder KAFART, Ganiyat Sanni
 ?? ?? Entrance to KAFART
Entrance to KAFART

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