Daily Trust Sunday

Mandala art serves as gateway to inner peace and self-reflection – Halima

- By Rosemary Etim Bassey

Halima Abubakar is a self-taught artist specialisi­ng in Mandala, Dotilism, Tezhip and muralism. In this interview with she narrates the creative process behind her craft and her passion as an artist.

What drew you to specialise in murals, mandala art and dotilism? Were they particular experience­s or influences that shaped your artistic journey?

I have always loved uniformity and attention to details. I would say what really drew me to do what I am doing now is how intricate the patterns of tezhip and geometry are. Additional­ly, I’m influenced by the precision and beauty of dotilism and I find joy in the process of creating intricate designs with dots by hand resulting to masterpiec­es.

Mandala art is often associated with spirituali­ty and meditation. How do you infuse these elements into your mandala designs, and what significan­ce do they hold for you personally?

For me, mandala art are decorative pieces that serve as a gateway to inner peace and self-reflection. Each stroke and pattern become a meditation in itself, helping me to centre my thoughts and find a sense of harmony. They bring some sort of calmness when looked at. I find that sitting and tracing the shapes and patterns with the eyes is so soothing and most times one gets lost deep in thought and appears to be lost in space for a moment, and I think in some ways that’s a form of meditation.

Can you share a memorable experience you’ve had while creating a mural in a public space? How did the interactio­n with the community impact your artistic process?

I have had quite a fair share of memorable experience­s while painting walls in different communitie­s. However, the one that stood out for me was back in 2021 when I first painted my first mosque in Ilorin. A man walked up to me and said “I struggle with my faith a lot, but ever since I have been walking into this mosque you are designing, all I just want to do is sit down longer in front of it and pray and make lots of duas”. The way each community welcomes and appreciate­s my works makes me believe in my purpose stronger.

Dotilism requires meticulous attention to details. What techniques or tools do you use to maintain precision and consistenc­y in your dot art pieces?

I started out using things I could find around the home like bottoms of pencil, dropper, cotton bud and broomstick­s back in 2020 during the lockdown. I got the tools (Dotilism toolkit) at my earliest convenienc­e. Additional­ly, techniques like controllin­g pressure and spacing between dots can contribute to achieving detailed and precise results. Practice and patience are also key elements in mastering the technique of dotilism, allowing you to refine your skills over time and produce

Daily Trust on Sunday,

intricate artwork with precision.

Murals have the power to transform a space and evoke emotional responses from viewers. Is there a particular message or feeling you aim to convey through your mural work?

Through my mural work, I aim to evoke a sense of unity and connection with the surroundin­g environmen­t. Each mural is an opportunit­y to tell a story, promoting environmen­tal awareness, and simply bringing joy and inspiratio­n to those who encounter it. Ultimately, I strive to create immersive experience­s that spark curiosity, ignite imaginatio­ns, and foster a deeper appreciati­on for the world around us.

Mandala art often incorporat­es intricate patterns and symmetry. How do you strike a balance between precision and creativity when designing mandalas?

I start by sketching a rough outline, establishi­ng the basic symmetry and structure of the mandala. Then, as I progress, I allow myself to explore and improvise within that framework, embracing imperfecti­ons as part of the creative process. By alternatin­g between careful attention to detail and spontaneou­s expression, I achieve a balance.

Can you walk us through your creative process when starting a new mural project? How do you translate your initial concept into a tangible work of art?

I begin by brainstorm­ing ideas and concepts based on the theme or message I want. Once I have a clear concept in mind, I create preliminar­y sketches and design drafts to map out the compositio­n, scale, and colour palette of the mural. Before starting the actual painting process, I prepare the surface of the wall by cleaning, priming, and sometimes applying a base coat. I usually start with outlining the main elements and gradually fill in details, layering colours and textures to bring the mural to life. By following these steps, I translate my initial concept into a tangible work of art that not only enhances the physical space but also resonates with and inspires those who encounter it.

Dotilism involves layering countless dots to create texture and depth. How do you decide on the colour palette for your dot art pieces, and how does it contribute to the overall impact of the artwork?

The layering of dots allows for the blending of colours and the creation of subtle gradients, adding texture and depth to the artwork. I consider how different colours will blend and interact when layered on top of each other, before adjusting the placement of dots accordingl­y.

Murals can serve as a form of public art activism, addressing social or political issues. Have you ever used your murals as a platform to advocate for a cause or convey a message?

Yes, I’ve used my murals as a platform to advocate for various causes and convey meaningful messages. For example, I’ve created murals that promote inclusivit­y, murals that highlight social justice issues such as gender empowermen­t. Through the powerful visual medium of murals, I strive to spark conversati­ons and inspire positive change in the community.

Mandalas are often associated with different cultures and traditions. How do you incorporat­e cultural influences into your mandala designs while maintainin­g authentici­ty and respect?

Whenever possible, I collaborat­e with artists or community members who have direct knowledge and expertise in the cultural traditions I’m drawing inspiratio­ns from.

Dotilism requires a great deal of patience and precision. How do you stay motivated during the time-consuming process of creating dot art?

Staying motivated during the timeconsum­ing process of creating dot art requires a combinatio­n of passion, discipline and mindfulnes­s. I remind myself of my love for dot art and the satisfacti­on I feel when seeing a piece come together. Cultivatin­g a deep passion for the art form fuels my motivation and drives me to persevere through the process.

Murals have the potential to transform not only physical spaces but also the perception of those spaces. How do you believe your murals contribute to the cultural identity of the communitie­s where they’re located?

Beyond conveying specific messages or themes, my murals also contribute to the aesthetic enhancemen­t of public spaces, transformi­ng drab walls into vibrant, visually engaging works of art. This beautifica­tion and design not only improve the physical environmen­t but also enhances the overall quality of life for residents as art serves as therapy.

Mandala art is often used as a form of therapy and self-expression. Have you found creating mandalas to be personally transforma­tive, and if so, in what ways?

The process of creating mandalas requires focused attention and a meditative mind-set, which helps me quiet my thoughts and cultivate a sense of calm and inner peace. Mandala art also provides a creative outlet for self-expression and exploratio­n, allowing me to express my thoughts, emotions, and experience­s in a visual and symbolic form. Through the act of creating mandalas, I’ve gained deeper insights into myself and discovered new level of my creativity.

 ?? ?? Mandala art by Halima
Mandala art by Halima
 ?? ?? Halima Abubakar
Halima Abubakar
 ?? ?? Art by Halima
Art by Halima

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