The Guardian (Nigeria)

OMAWUMI: I Sing Without Hiding My Feelings

- By Chinonso Ihekire Read the remainder of this interview on www. guardian. ng

WHEN IT comes to making music, Omawumi Megbele does it the same way she dresses; graciously vibrant. The Warri Queen has tarried in the Naija showbiz scene for more than a decade, decorating her discograph­y with hit- laden albums. Four words: Love, Deep, High, Life... which are concepts that have underlined the 39- year- old’smost recent artistic evolution and have reflected in her latest project, a studio album with the same title.

Love Deep High Life captures Omawumi in a very emotive, confident, and self- assuring record, all of which remind fans of what exactly makes this Afro- fusion queen one of the most charismati­c voices in the music industry.

From the opening track, Joy, Omawumi begins an adventure down different themes of love, self- motivation/ developmen­t and positivity. It voyages down several hits such as Billionair­e ( Go Baby), My Darling ( feat Waje),

Life ( feat Phyno), Bullshit, Milk and Honey ( feat Brymo), down to Fefe and Mr Whiny, to complete a balanced diet of honest and stellar songwritin­g plus, of course, beautiful vocalizati­on. The entire album – which is love dominated – is a feel- good album that really has no flaws.

Another amazing highlight is the sound production. Omawumi brings on the wealth of her ‘ veteran’ musiciansh­ip into this project, stretching with something fresh and vibrant, yet retaining her own unique ‘ native’ flavour. It is like a new recipe, but with a particular signature ingredient. The album is well- woven, with new classics, especially My Darling and My Life, which feature Waje and Phyno, and is one that would age well with time.

Catching up with Guardian Music, she talks about the inspiratio­n behind the new project, her new artistic evolution, life as a media executive, as well as her fashion style.

What really inspired your latest project Love, Deep, High, Life?

Wemake music and as we grow, we are constantly evolving. I got to this point where I just needed to express how I am feeling. Music is now at that point where you have to exude how you are feeling, abi no be so? The love now is not fickle; it is intentiona­l, it is deep. The way I live my life now, I feel like I am on a higher plane. That is why I called the album Love Deep High Life.

If I don’t like you, I don’t like you; there are no in- betweens, I am not sitting on any fence right now. So, that was my state of mind. When it came to love, that was the way I was communicat­ing it and interpreti­ng it. When it came to interpreti­ng it with songs like BS

( B* llshit), that was it.

Some might even think the title is wordplay on the highlife?

I always flow with that genre a lot, but this project is different. They are actually four separate words.

You are known for a unique sound, but with this project it seems you experiment­ed a little?

As creative people, we constantly challenge ourselves. I, for one, do not like to play safe. The only genre I think I have not experiment­ed with is Fuji. Give me anything and I would jump on it; I like how it challenges me. When I hear myself, it is as if I am hearing a different expression of myself.

You’re racing to become a veteran in showbiz. How have you tarried for so long?

I don’t have an exact blueprint. I am just a well- grounded individual that makes music and is not afraid to speak her mind when she feels the need to.

So, looking back, how does it feel?

I feel really humbled by that, but that is just one aspect of my life. When I feel really humbled, it is not just about the fame; the fame doesn’t really do anything for me. The love, however, I appreciate. But the numbers and all that are very fickle. The least I can do is to be true to myself and continue to give the kind of music I want to give.

Let’s go back to the project, what drove you to the choice of features you used?

I am very intentiona­l about the kind of music I put out. In fact, all the time I am creating music, I already know whom I want in it. It is not like we are confused about who we would look for. From the scratch, I know the person I want to create this specific project. I have never worked with Brymo before this album. Funnily, I have never worked with

Waje on this scale before on my own album, even as everyone knows she is my close friend. We have not really put out music together. I had never worked with Ric Hassani before. I had worked with Phyno before, and I wanted someone as unruly as Phyno is. Phyno is well grounded; him no send anybody o. I needed someone like him to express the message that needed to be passed across on that song, My Life, and that is why I went with him.

I feel there might be storylines behind some of these songs?

Not really. Everybody, of course, expresses music through past experience­s or you just want to pass a message across. I have always been one to do that as well. I dey do my own. E no concern me.

You recently had a grand performanc­e at the Olu of Warri’s Coronation. How was the experience like?

I go home regularly; it is always beautiful to go home. I am a core daughter of the Niger Delta. My mother is also from Binima Town in Bonny Island; her culture is also very rich. When you grow up in that kind of environmen­t, you cannot help but express through one of the things that you do. Of course, the coronation was a glorious moment; it was something to witness. I was filled with so much joy.

Tell us a bit about how you found your love for music?

I have always loved music; my elders influenced me. I am the 12th child of 15 children. And in our home, everyone had different genres of music they were into. I had brothers in Reggae and RNB. My mother was into Mariam Makeba, Brenda Fassie and Yvonne Chaka Chaka. My father was a Jazz Connoisseu­r for as long as I could remember.

I was influenced by different genres of music first of all. I have always known that I have had a thing for the arts. I was in Primary 4 when I joined the children’s choir in my church. By the time I got into secondary school, I was in another choir and we were acting and singing. I had always just been in that space for as long as I can remember.

Before I went into West African Idols, I was hearing conversati­ons like, ‘ they are doing singing contests now and you won’t participat­e; you would start making noise in the house. Go and sing o.’ It was pretty much expected that that was the route I was going to take.

Do you ever feel like you could have loved to use your law degree full- time?

Definitely. I wouldn’t do something that I did not love. I loved law very much. However, I found an easier way. It doesn’t mean that I do not have love and respect for the law profession, but na God dey direct us.

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