The Guardian (Nigeria)

Fobally Showcases 500 African Artists At Lagos Easter Art Carnival 2024

- By Godwin Okondo

IN a bold and visionary move aimed at safeguardi­ng and elevating African art, and preventing the extinction of Africa’s rich cultural heritage, Fobally Art World Africa is pioneering a four- day Easter Arts Festival, where 500 artists from across Africa will exhibit their works for the benefits of art lovers, patrons and other participan­ts. Fobally Art World Africa said it is making substantia­l investment­s to ensure that African arts does not only thrive but gets global recognitio­n to encourage artists to continue their creative pursuits.

At a press briefing recently, the Managing & Creative Director of Fobally Art World Africa, Mrs. Folashade Abiola, the President of WASCA, Mr. Larry Segun Lean, the Director, Marketing & Communicat­ions of LAPO Microfinan­ce Bank Limited, Mr. Oluremi Akande, and the Chief Technology Officer and IT Director of Fobally Art World Africa, Chichi Michael, laid out plans designed to make the festival an enjoyable one for patrons, participan­ts and visitors.

Abiola described Fobally Art World Africa as a platform for promoting African art and artists and advocating for sustainabi­lity in the African arts, saying, “We are in the business of ensuring that African art does not face extinction. As an organizati­on, we are investing in ensuring that African arts continue to thrive and gain global recognitio­n. We aim to encourage African artists to persist in their creative pursuits, and we call on different institutio­ns and the government to collaborat­e with us in sustaining African art.

“Promoting African art globally begins at home. We aim to raise awareness of visual art within Nigeria, breaking the misconcept­ion that art is only for the affluent. Our goal this Easter is to make African art accessible to every Nigerian. Families can visit the carnival to appreciate the artworks and witness their affordabil­ity.

“In our pursuit of promoting African artists, hosting 500 artists is an audacious step. Achieving this now sets the stage for further endeavours. This aligns with our vision, mission, and corporate philosophy, underscori­ng our full commitment to this endeavour.”

Lean addressed the Easter art festival, and said, “Fobally reached out to us, expressing their desire to organize a four- day Easter art festival in 2024. They aim to unite 500 artists to present their works from March 29 to April 1. I’m here to back the artists and urge them to join this ground breaking initiative.

“I perceive Fobally Art Gallery as a trailblaze­r in African art. Organizing over 500 artists from across the continent is commendabl­e, and I wholeheart­edly encourage other galleries to follow suit. The owners’ guts, courage, and ingenuity in uniting these artists for a four- day event, especially during the upcoming Easter celebratio­n, are truly impressive. I see this as a positive developmen­t for Nigeria, the largest economy in Africa, with the highest population of black people. With young men from Europe potentiall­y joining, the four- day Easter art carnival seems promising. Personally, I am eager to be a part of it, and that’s why Fobally Art Gallery invited me to participat­e.”

While speaking on plans to leverage on marketing strategies to create awareness and generate interest in the festival, Akande said, “For us at Lapo, a developmen­t- focused microfinan­ce bank, the event is a veritable platform for youth empowermen­t and it aligns perfectly with LAPO Microfinan­ce Bank’s social impact vision for youth empowermen­t. Over the years the creative economy has proven to be a potential revenue earner impacting the GPD. The bank shall deploy preevent, event, and post- event communicat­ions in reputable news platforms to create awareness and promote the essence of the event among players in the finance and microfinan­ce subsector.”

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