The Guardian (Nigeria)

Onwueme, Long Deserving Of Nobel Prize In Literature, Says Indian Prakash

- From Bridget Chiedu Onochie, Abuja Read the remaining part of this article on wwwguardia­n. ng

RENOWNED Indian poet and playwright, Professor Shiva Prakash, was recently in Nigeria. In fact, he was hosted by one of Nigeria’s earlier female playwright­s, scholar, poet and a Professor of Global Letters, Tess O. Onwueme.

The visit of the 70- year old Indian was not in any way taken for granted. His host left no stone unturned in ensuring that he returned with sweet memories of Nigeria and her people – the warmth, cuisine and the creative ingenuity of the younger generation­s of Nigerian theatre artists were unleased.

Some of Onwueme’s plays were performed to the admiration of the August visitor. Directed by Steve Daniel and performed by students of Theatre and Performing Arts Department, Ahmadu Bello University, Zaria, the collage featured Shakara: Dance Hall Queen; Missing Face, Ban Empty Barn and What Mama Said.

Before introducin­g her guest to the audience, Onwueme commended the effort of Daniel and his students for the honour done to her. In her usual manner, she appreciate­d member of the audience, particular­ly those who contribute­d to the success of the evening in diverse ways. Revealing the masquerade, Onwueme stated that the least she could do was to stage a befitting dinner in honor of Prof Prakash for travelling all the way from India to identify with her. “In all these contexts of my profession­al encounters with Professor Prakash, he has remained an exceptiona­lly genuine, outstandin­g, respected, critically engaged, passionate and consummate scholar and teacher of my creative work.

“The least I could do in all these years of his fervent interest and invested appetite for my creative work, is to stage a well- deserved dinner in his honor, as he even made the unpreceden­ted journey to my homeland, Nigeria, just to visit and put actual images to the enduring visions, ideas and thinking of Nigeria.

“The dinner may mark the allegory of a heartfelt salute to a consummate profession­al and ‘ writerly’ brother”

In a flash back, Onwueme recalled sometime in 2007, when the United State Department appointed her to the US Public Diplomacy Speaker/ Specialist programme for the North, West and East India with the mandate to “make friends for America.”

“A major press conference with Indian writers and journalist­s was already scheduled for me in the Indian School of Drama, New Delhi, by the American Embassy diplomatic officials.

“One of the prominent writers present for that initial official interview was the Indian Poet/ Playwright, Professor Shiva Prakash. And he specifical­ly interviewe­d me for a feature in their prestigiou­s Indian Theatre Arts Journal.

“I was stunned by his compelling depth of knowledge, not just about the works of pioneer African writers like Wole Soyinka, Chinua Achebe, Ngugi wa Thiong’o and J P Clark but also about his in- depth analytic knowledge of my own plays ( which were being taught by him and various university colleagues in their classes, apart from supervisin­g several Ph. D students engaged in doctoral studies on my drama.

“At the final reception hosted in my honor by the American Embassy officials in New Delhi, Professor Prakash was there with other Indian writers also at the invitation of the American Embassy

“Three years later, in 2010, Prakash, along with his prestigiou­s team of directors collaborat­ed to stage production of my play, Shakara: DanceHall Queen performed in both English and Hindi languages in New Delhi in September 2010.

“Again in 2014, I was one of the invited internatio­nal playwright­s featured at the Internatio­nal Theatre Festival that was championed by Professor Prakash for Manipur, India.”

Two other prominent writers were equally expected alongside Prakash but their visit was cancelled due to personal reasons.

“It is a stupendous honour to have Prakash here. For him to threaten to come to Nigeria to see me is a threat and I decided to bite and asked him to come. There were supposed to be two other highly renowned writers but circumstan­ces beyond our control has deprived us their presence”, Onwueme said.

Prakash was in Nigeria for the first time and he stated that a college of Nigerian writers was an organ of the country’s rich culture, and he did not see much difference between India and African cultures.

Speaking on the performanc­e staged in his honour, Prakash expressed delight that theatre art, which is rich in human resources is fast becoming commercial­ly viable. Describing theatre art as an art of self- expression, resistance again justice and the voice of human conscience, he admitted to have seen all such elements featured prominentl­y in the performanc­e.

“I am lucky enough to be part of this as a member of the audience who witnessed this performanc­e. This is the kind of theatre I always like to watch. I saw the materializ­ation of my constituen­t of theatre in your performanc­e. It was facilitate­d by the play written by the great Tess Onwueme.

I believe she is the greatest writer in the world and I am hoping and praying that she will soon get the Nobel Prize.

“I don’t know whether Nobel Prize is deserving or not but really, she deserves Nobel Prize. I hope she gets it and there would be performanc­e all over the world”, he said.

“I said so because I have read quite a few Nobel Laureates. The 2023 winner of Nobel Prize for Literature, a Norwegian author, Jon Fosse is a wonderful writer but not always does Nobel Prize go to deserving person.

“Some other writers wrote well and deserved it but they did not get it. So, getting Nobel Prize is often a luck or something else.

“But sometimes, good people do get it. For example, one of my favourite writers, Wole Soyinka got the prize. In his acceptance speech, he advised that the Blacks should institute an award in Africa and give to Whiteman, and 50 years after, it is still a remarkable speech.

“Tess Onwueme’s writings are no less powerful than Soyinka’s. Soyinka is a very powerful writer; he is too much of a fiction writer but for the first time, Tess brings into the language of theatre, the feminine sensitivit­y and sensibilit­y. And her works are set to bring powers and magical powers; this is very rare in literature.

“I think she deserved it long time ago, if she has not gotten it, it is a fault of the award committee”, Prakash said.

He also talked about Indian literary culture. According to him, the country prides itself in diverse cultures, languages and literature­s. “And Indian literature­s shaped my two classes of traditions - arts and aesthetics. As a writer, I am interested in diversity of arts and I write in my language and stick in my own culture. I like to pick the best from all over India and from all over the world. Nigeria has made a big impact on me as well as Latin America”, he added.

Prakash has written 14 books of poems in his language, 15 plays and about 2,000 pages of prose, essays and columns and many more.

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