The Guardian (Nigeria)

Nigeria’s Advertisin­g Industry Shows Pedigree With Act Good Rating

- By Gbenga Salau

IN recent years, the marketing communicat­ion sector has been pulling its weight globally with internatio­nal recognitio­n from reputable rating platforms.

Of note is that until a few years ago when the trio of X3M Ideas, DDB and Noah’s Ark started clinching trophies at internatio­nal competitio­ns, getting nominated and winning on the global stage was a rare act for players in the sector.

But all that has changed in recent times, as Nigerian agencies and their founders have started featuring prominentl­y at internatio­nal marketing communicat­ion festivals like the Cannes Lions Internatio­nal Festival, Loeries Creative Week, Luerzers Archive and African Cristal Advertisin­g Festival to mention a few.

And the sector seems to be building on its feats and consolidat­ing further. A testimony to this is the recent 2024 ACT Good Report ranking featuring a campaign by X3M Ideas as one of the best 40 selected from over 1,250 campaigns identified globally.

The 2024 ACT Good Report, which marks the 10th anniversar­y of the global ranking, not only helped to spotlight the huge talents embedded within, but also affirmed that the country’s creative industry has what it takes to compete globally.

In the ACT Good Report ranking, "Motherhood Sentence" a campaign from the stable of Steve Babaeko- led X3M Ideas secured the 38th place in the best 40 ranked campaigns selected from over 1,250 campaigns reviewed by the editorial team of the ranking institutio­n.

In addition, X3M Ideas came 12th among the best 25 agencies in the world. The ACT Good Report also reviewed and ranked the 20 most successful networks, and the 10 most successful brands promoting sustainabi­lity in the world.

The Good Report is compiled by ACT Responsibl­e, the internatio­nal non- profit associatio­n and largest source of the world’s best social and environmen­tal campaigns, in collaborat­ion with WARC, the global marketing insights company, and publisher of the WARC Rankings.

ACT Good Report ranks all social and environmen­tal campaigns created for a non- profit, public sector or commercial brand identified during the year by its editorial team. The ranking is calculated by combining the performanc­e of campaigns across various initiative­s of ACT Responsibl­e Programme with the results of the recently published WARC Creative 100, the global benchmark for creative excellence. There are no complicate­d criteria or categories, just great work for Good, the organizers said.

“We believe advertisin­g has a major responsibi­lity in educating and raising awareness, and we are proud to celebrate the campaigns that best fulfill this role. These campaigns allow important messages and values to reach larger sections of the public, and therefore deserve to be celebrated, which is why we created The Good Report.

“The Good Report is produced in collaborat­ion with WARC, worldwide authority on marketing effectiven­ess and publisher of the WARC Creative 100 Rankings, a global benchmark of creative excellence in advertisin­g.”

In the report under review, a total of 1,250 campaigns produced by 804 agencies for 995 advertiser­s ( non- profit, public sector, and commercial brands) across 76 markets were evaluated.

Of the best 40 campaigns featured in ACT Good Report 2024, 22 are for non- profits, 18 for commercial brands ( including one produced in collaborat­ion with a non- profit) and three

for public sectors. A total of 37 agencies ( 20 are part of 15 networks and 7 are independen­t) across 18 markets are represente­d.

The best 25 agencies are made up of four independen­t and 21 network agencies ( from 11 different networks) covering a total of 12 markets. Of the best 20 networks, three are independen­t and 17 are owned by holding companies. The best ten brands include six non- profit, four for- profit.

However, the highest ranked campaign, ‘ The Last Photo’ for mental health charity Campaign Against Living Miserably ( CALM) by adam& eve DDB London, launched Project 84 in the UK, a landmark suicide prevention initiative that turned the final photograph­s of 50 victims into striking portraits, to raise suicide awareness and lessen its stigma.

The or ga ni se rs speaking generally on the ranking also stated that: “As we reflect on the remarkable achievemen­ts of these campaigns, it becomes evident that creativity, when used for social and environmen­tal issues, has the power to inspire, inform, and transform the world for the better. The ACT Good Report serves as a testament to the industry’s dedication to driving positive change and creating a better future for all.”

In the words of ACT Responsibl­e Co- founder, Isa Kurata, with the Good Report, ACT Responsibl­e pursues its mission to promote, inspire and unite the advertisin­g industry around social responsibi­lity and sustainabi­lity.

He said: “We truly believe that advertisin­g has the power to educate, inform, and enact positive change. It must consistent­ly serve as a catalyst for good and constructi­ve influence. Collaborat­ing with WARC to produce the ACT Good Report is an honour, and we see it as a valuable resource for agencies to enhance their dedication to social and environmen­tal efforts.” Also commenting on this year’s ranking, the Head of Content, WARC Creative and Act’ive Partner, Amy Rogers, said: “Creativity as a force for positive change has never been more important. WARC is delighted to collaborat­e with Act Responsibl­e to continue shining a light on the agencies, brands and NGOS that are creating breakthrou­gh ideas that not only matter to society, but can change behaviour.”

While congratula­ting the management of the X3M Ideas agency on its outstandin­g performanc­e in this year’s report, the organisers stated that the agency’s campaign ‘" Motherhood Sentence", captures the essence of the report and aligns with social reality.

Reacting to the global feat achieved by his agency, the Chief Executive Officer, X3M Ideas, Steve Babaeko, applauded his team for putting up a very strong work that could compete favourably at national, continenta­l and global markets.

“We have done this consistent­ly for about 12 years now and we do not intend to rest on our laurels. I also thank our clients for always supporting and challengin­g us to do our best work. Of course, our team also owes the internatio­nal publicatio­n huge commendati­on for its diligence to encourage excellent works,” he said.

With the new rating, X3M Ideas, and by extension the industry it represents, has thus recorded another feat in the global space, further spotlighti­ng the pedigree of Nigeria’s agencies. This is more so that not until 2023, over 70 years of advertisin­g practice in Nigeria, that X3M Ideas won an award at the Cannes Lion Internatio­nal Festival. Though before then, in 2012, one of the creative works from DDB Lagos, won ‘ Luerzer’s Archive Print Ad of the Week.

But the entry of Noah’s Ark and X3M Ideas into the country’s advertisin­g space seem to be re- writing the nation’ s advertisin­g story with relevant campaigns and accomplish­ments of their founders.

In 2018, Nigeria’s advertisin­g industry received global applause and recognitio­n when Noah’s Ark hauled three major awards at the Loeries Creative Week held in Durban, South Africa. Same year, the agency’s Chief Creative Officer, Lanreadisa, emerged the first Nigerian to make the list of Juries for the world’s biggest Advertisin­g Festival- the Cannes Lions Festival.

Around the same time, X3M Ideas, also brought a spur to campaigns and marketing communicat­ions in Globacom as it recorded three awards at the African Cristal Advertisin­g Festival, held in Marrakech, Morocco. The three awards coming courtesy of X3M TV commercial tagged ‘ Unmatched’ won in the categories of Media, Telecoms and Brand Entertainm­ent, for content in TV/ cinema and coasted home with a bronze for each category.

The agency’s Chief Executive Officer, Steve Babaeko was also on a panel at the Cannes Festival, held in 2023. He was also on the jury of the New York Advertisin­g Festival in 2016, 2017 and 2018, as wellas a judge at The Loerie Awards in 2017.

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