THISDAY

Africa’s Virtual Reality Film King

I flew to the States, and that was the first time I wore a headset; I understood what that guy was telling me in 2017. It was like I was there. I think the first piece of work I ever saw in VR was a concert by Coldplay, and it was like I was at the concer

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Festival. Early this year, Benson was commission­ed to make a documentar­y on insurgency. It required him and his crew to travel to at least five states in the northeast region. One of them turned out to be Chibok. Benson’s inspiratio­n was fired up.

“As a storytelle­r, you want to get to the root of the matter, and that was my main attraction to doing a story on Chibok, to find out the truth for myself. Were these girls really abducted? Does this place called Chibok truly exist? It was a story that I have always been curious about. And I also wanted to make it in VR because for me, with VR, I can take people to Chibok,” he said.

The result of his curiosity was the award-winning ‘Daughters of Chibok’, a gripping tale about Yana Galang whose daughter is among the kidnapped girls that were abducted by the insurgents Boko Haram in 2014. The 11-minute film mirrors Galang’s pain as she hopefully awaits the return of her daughter. The documentar­y was first screened to the public on April 14 at selected Lagos Parks and Gardens across the state to commemorat­e the fifth anniversar­y of the girls’ abduction. It has since had private screenings at the British Council, Lagos and Ventures Park, Abuja.

In one of those screenings, Yana was present. The film was also made possible through the support of the Northeast Humanitari­an Innovation Hub. ‘Daughters of Chibok’ turned out to be the only VR film in the continent that was selected to compete in the linear content category of the Venice Internatio­nal Film Festival. A total of 12 VR films were selected from around the world. The win came as a surprise to him and to Yana. He recalled that he spent the next couple of hours preparing his speech. He was even more humbled to be in the same room with some of the biggest names in the film industry globally.

The young filmmaker was not only enthusiast­ic about his trailblazi­ng victory as the first African to win the prestigiou­s award but was proud that his success was a validation that young filmmakers like him can use the new technology to tell amazing stories. This was the kind of inspiratio­n the young and hippy audience that rainy Saturday needed to hear. They were curious about him, his work, and how he sustained his passion. It would have been easy for Benson to attribute his success to diligence.

As a young man, Benson was crammed in a one-room apartment with his siblings and mother. His parents had split and the mother was left to provide for them. He had friends who were into cybercrime. This was when the internet was still a luxury and the only way one could access the internet uninterrup­ted was to go to a cybercafe. While his friends looked for gullible victims online, Benson spent his time searching for famous and successful documentar­y filmmakers, new technologi­es in filmmaking, internatio­nal film schools and any other knowledge that will enhance his skills in documentar­y filmmaking. At a point, his friends mocked him, asked him to stop wasting his time on documentar­ies. But the filmmaker will not relent.

He knew what he wanted and was bent on achieving it. His mother’s untimely passing halted his dream. He could not afford to go to university so he decided to try his hands on music with his brothers. Luckily for him, a sponsor saw their potentials and decided to help them financiall­y with their studies abroad.

On getting to London, Benson reignited his passion for film and studied at the Central Film School in London. In the last decade, he’s been making documentar­y films for corporate clients, travelling to different parts of the world and currently runs his own multimedia and VR360 company. In 2017, however, he was introduced to virtual reality by a friend who told him about it. He didn’t really pay attention to him until a year later when a lady, Damilola Ogunbiyi commission­ed him to make a 360 video of a project in Kano.

“I told her I don’t make such videos but she insisted that I figure out how to do it. Out of respect, I agreed to carry out a research. But I remember one thing she said to me as I was leaving her office that day, she said: ‘I want you to explore this. It will change your game.’ I went back home and I started researchin­g about virtual reality, 360-degree video and all of that. The more I researched it, the more I was intrigued. I went on YouTube and I saw videos in VR. I was really intrigued by it. I searched for anyone who was already into VR in the country but couldn’t find any. So I decided to travel abroad and learn how to use it to create this video for the client.

“I flew to the States, and that was the first time I wore a headset; I understood what that guy was telling me in 2017. It was like I was there. I think the first piece of work I ever saw in VR was a concert by Coldplay, and it was like I was at the concert; it was a different experience. I understood then what the guy was saying about being able to transport people to different places,” he explained.

Notwithsta­nding his doggedness to be good at his craft, Benson believes that his late mother’s prayers were responsibl­e for his success.

Benson explained further, “I recall her waking up in the middle of the night praying for us. She would rub anointing oil on our foreheads and proclaim that we will never disgrace her, that we will always be successful. Her prayers I will say is the secret behind my success.”

Still basking in his win, Benson has however not abandoned his initial objective when he made ‘Daughters of Chibok’. His aim was to support women financiall­y and emotionall­y. He wanted the film to draw attention to the plight of the women who are mostly living in poverty. This he made clear in his acceptance speech at the award when he reminded the world not to forget the daughters of Chibok.

“Everybody kept saying thank you for reminding us. It was interestin­g. I had people from Taiwan, Korea, Brazil, Australia, all over the world congratula­ting me. Everybody from across the world had heard about Chibok, they knew about Chibok, but like what the women said, “Some of them had forgotten.

“So, the film served as a reminder and everybody seemed grateful about that – the opportunit­y to remind them. And not just remind them, but to take them there,” the young man from Umuahia state said.

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Benson

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