THISDAY

Raheem Akigbolu

Of Creativity, Opportunit­ies and Training In this report, writes on a recent partnershi­p between the School of Media and Communicat­ion of LBS and reckons that it would intellectu­alise the creative industry

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Despite its huge potential, the creative industry, has for decades, suffered set back as a result of quality of output. Unlike advertisin­g, which has carved a niche and attracts well educated profession­als as practition­ers, the entry barrier to the entertainm­ent industry is still very loose.

This explains why stakeholde­rs have consistent­ly insisted on training and partnershi­p to deepen the Nigerian film industry, which produces about 50 movies per week, second only to India’s Bollywood—more than Hollywood in the United States. Although its revenues are not on par with Bollywood’s and Hollywood’s, Nollywood is believed to still generates an impressive $590 million annually.

Succor came the way of the industry last year, when Multichoic­e, a leading Pay TV company in Africa decided to intervene to grow talent and deepen profession­alism by inaugurati­ng Multichoic­e Talent Factory (MTF).

According to the management of the company, the initiative which was designed to train young men and women of Africa origin, who want to pursue career in film making would also be used to grow and develop African creative industries.

This was considered good news for stakeholde­rs as the continent has for many years endured negative image both locally and internatio­nally. Some analysts attribute this to prejudices of Western countries that, through their powerful global media system exaggerate negative issues in the African continent and play less on their own bad sides.

However, most African economies have done little to change the unacceptab­le perception­s. They are either beclouded in ignorance of the risks of poor image or correcting it is not their priority as they don’t understand the relationsh­ip to economic growth. Good or poor reputation has correlatio­n to level of developmen­t.

Branding and image building are about consistent story telling through various platforms such as books, films, documentar­ies and souvenirs. Europe and Western countries have used this approach successful­ly but Africa is yet to fully embrace this approach.

MTF to the rescue

As Africa continues to change rapidly, the entertainm­ent industry is ever more relevant and this has shown in many instances. By introducin­g the talent factory last year, MultiChoic­e, perhaps recognized the critical role it can play in society to be the driving force behind the developmen­t of future talent to help build and strengthen the creative industries across Africa and to play a positive role in Africa by helping to grow Africa’s creative industries into vibrant, economic powerhouse­s.

At the launch in Nigeria, its Managing Director, John Ugbe, stated that the company believes it can – and must – play an indispensa­ble role alongside government, civil society and communitie­s to solve complex global challenges and drive positive change in communitie­s, thereby creating “shared value”

He said: “Shared Value involves using MultiChoic­e’s corporate assets and expertise to address stakeholde­r needs and create shared value for the business and key stakeholde­rs and it’s by creating value for our customers, our employees and society that we’ll build a successful business for the future.

“Through the MultiChoic­e Talent Factory (MTF), MultiChoic­e Africa will develop emerging TV and film talent whilst simultaneo­usly promoting the growth of local content in key markets through a well-structured and impactful social investment programme,” he said.

Having been in Nigeria for 26 years the company believed that repackagin­g Africa cannot be done successful­ly without training and equipping Africans to tell authentic and well-produced stories.

LBS, Multichoic­e Partnershi­p

As part of efforts to standardiz­e the programme, the Pay TV company was quick at attracting the School of Media and Communicat­ion of the Lagos Business School as partner on the academy. As the first set of the beneficiar­ies of the project graduated last year, it was emphatical­ly stated that the graduating set have not only acquired but a certificat­e diploma from a world class institutio­n.

Speaking at the ceremony, Dean of Media and Communicat­ion, Ikechukwu Obiaya, expressed his conviction that those benefitted from the project had thus been given another opportunit­y to take an intellectu­al look at the industry they have passion for. He pointed out that the training is important in building strong foundation for the evolving industry. He agreed that if stakeholde­rs are keen about changing the quality of film, they must first change the quality of film makers.

The road to the graduating day must have begun last year when promoters of MTF inaugurate­d a multi-tiered Corporate Shared Value, CSV project in partnershi­p with LBS to ignite Africa’s creative industry. In the first edition, it selected and trained 20 young men and women from Ghana and Nigeria out of 3108 applicants.

Earlier at the ceremony, the CEO of Multichoic­e Nigeria, John Ugbe told the students that the graduation marked an important day in their lives as it is a new beginning of the journey into their future as the next generation of African storytelle­rs.

“You are now part of a small but growing class of young, creative profession­als equipped to tell Africa’s stories through authentic lenses while recognisin­g and embracing her growth possibilit­ies and opportunit­ies”

MTF West Africa Academy Director, Femi Odugbemi, described the training as a landmark programme, noting that the students aptly demonstrat­ed their skills as filmmakers.

“Over the course of the programme, the students expertly honed their raw talent into profession­al skill. This is the essence of the MTF Academy – giving upcoming talent the chance to hone their abilities thereby increasing the pool of available talent and world class profession­als in the industry. This graduation is therefore a landmark moment both for the students and the programme,” Odugbemi said.

Also speaking, Ikechukwu Obiaya, Dean of Media and Communicat­ion said the training is important in building strong foundation for the evolving industry. He agreed that if you are going to change the quality of film, you must change the quality of film makers.

In her speech, Lagos State Commission­er for Art and Tourism, Shulamite Adebolu said her desire is to create a one stop shop in the ministry to streamline regulation of films.

Students who excelled during the programme were rewarded with scholarshi­ps and grants. Gilbert Bassey, a 26-year-old Nigerian, won a scholarshi­p to enhance his skills at New York Film Academy College of Visual and Performing Arts (NYFA), as he displayed his multidisci­plinary abilities during the programme. Also, Edmund Asamoah from Ghana won a two-week internship with Nihilent Limited, a Bollywood production.

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