THISDAY

TO KIAGBODO RIVER, JOHN PEPPER CLARK RETURNS...

Besides being one of the surviving members of the initial contempora­ry Nigeria literature’s pioneer quartet, Professor John Pepper Clark-Bekederemo remained one of the most memorable literary icons of recent memory until his death on Tuesday. Okechukwu Uw

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Poems, a 1988 collection which revisits the continuall­y recurring phenomenon of ageing and death.

Also renowned for his dramatic works, Clark wrote Song of a Goat, a tragedy cast in the mould of the Greek classical model, which premiered at the Mbari Club in 1961. In the drama, the protagonis­t Zifa because of his impotence causes his wife Ebiere to indulge in an illicit love relationsh­ip with his brother Tonye and this ends in suicide. A sequel of the play published in 1964, was titled The Masquerade.

There is also The Raft, also published in 1964, in which four men drift helplessly down the Niger aboard a long raft, Ozidi (published in 1966), which is a transcript­ion of a performanc­e of an Ijaw epic drama and the 1981 prose drama The Boat, which documents the Delta State community of Ngbilebiri’s history.

Clark’s forays into other literary genres included his 1977 translatio­n of the Ozidi Saga, the articulati­on of his aesthetic perspectiv­es on poetry and drama, titled The Example of Shakespear­e (published in 1970 by the Northweste­rn University Press, in Evanston, Illinois, USA) as well as his essays in such Nigerian newspapers Daily Express and Daily Times, among others. In his well-known controvers­ial travelogue, America, Their America (first published by Deutsch, 1964 and in the Heinemann’s African Writers Series in 1969) he criticises the American society and its values.

He sustained his name in the literary community’s consciousn­ess through his many active roles in the industry. After his being conferred within 1991 with a Nigerian National Order of Merit Award for literary excellence, the US-based Howard University published his two works Ozidi Saga and Collected Plays and Poems 1958-1988. Two decades later – on December 6, 2011 – he was celebrated with the launch of the publicatio­n, titled J. P. Clark: A Voyage, The Definitive Biography of the Main Animating Force of African Poetry and written by the renowned playwright Femi Osofisan. The event, which was held at the Lagos Motor Boat Club along Awolowo Road in Ikoyi, Lagos, was graced by the local crème de la crème of the literary community. In 2015, the Wole Adedoyin-led Society of Young Nigerian Writers founded the JP Clark Literary Society to promote the readership of his works.

Recently, in February, he symbolical­ly handed over the literary baton to the new generation of Nigerian writers, who was represente­d by the award-winning Chimamanda Ngozi Adichie, at a ceremony in the ARISE News Channel offices.

Clark, who was born on April 6, 1935, in Kiagbodo to an Urhobo mother and an Ijaw father, had his early education at the Native Authority School, Okrika (Ofinibenya-Ama), in Burutu Local Government Area (then Western Ijaw) of Delta State and later at the Government College in Ughelli. After his BA degree in English in 1960 from the University of Ibadan, where he edited various magazines, including the Beacon and The Horn, he had worked as an informatio­n officer with the old Western Region's Ministry of Informatio­n, then as features editor of the Daily Express and later as a research fellow at the Institute of African Studies, University of Ibadan.

It was during his years as a professor of English at the University of Lagos that he co-edited the literary magazine The Black Orpheus. Later, in 1982 (two years after he retired from the university), he founded the PEC Repertory Theatre in Lagos with his wife Ebun Odutola (a professor and former director of the Centre for Cultural Studies at the University of Lagos). He had, besides, held several professori­al appointmen­ts at several tertiary institutio­ns, including the US-based Yale and Wesleyan universiti­es.

Clark's earthly remains were interred on Thursday night at exactly 11.30 pm in his island country home in Kiagbodo. This was in adherence to his last wishes, which he had penned down in a poem, titled “My Last Testament”. In that poem, he wrote: “Take me home to my own, and/To lines and tunes, tested on the waves/Of time, let me lie in my place/ On the Kiagbodo River.”

Youths from his community had first brought the casket bearing his corpse to Kiagbodo town at about 8:48 pm from Asaba Internatio­nal Airport before it was conveyed in a boat to his home on JP Clark Creek Island, where it briefly lay in state for a handful of family members. Just before it was interred, a few words of prayers by Trinty House's Pastor Ituah Ighodalo, who was represente­d by pastors Jolomi Guoti and Ken Okochu, in the presence of the deceased's close family members, who included his wife and his children.

 ??  ?? JP Clark with Soyinka
JP Clark with Soyinka

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