THISDAY

Obi Nnaemeka Achebe’s 20 Impact Laden Years

Chiamaka Ozulumba

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For two decades, His Royal Majesty, Nnaemeka Alfred Achebe, the Obi of Onitsha, has honourably ruled from the traditiona­l stool. reports that in those 20 years, he has discharged his duties with panache and class. Recently, he received the Federal Government’s Award of Excellence in recognitio­n of the outstandin­g and excellent contributi­ons of the Ofala festival to the developmen­t and preservati­on of Nigeria’s cultural heritage

His Royal Majesty, Nnaemeka Alfred Achebe is a tall man. But he stood even taller on the 15th of November, 2022 as he received the Federal Government’s Award of Excellence in Culture. He looked every inch the epitome of cultural refinement, class and character as he proudly displayed the award.

Given in recognitio­n of the outstandin­g and excellent contributi­ons of the Ofala festival to the developmen­t and preservati­on of Nigeria’s cultural heritage, the ceremony was conducted in Lagos on the occasion of the first United Nations World Tourism Organisati­on (UNWTO) Global Conference on Linking Tourism, Culture, and the Creative Industries as Pathways to Recovery and Inclusive Developmen­t.

The event was epochal in many respects. It was a first for the UNWTO, it was a first for Onitsha and it was a first for Nigeria as event destinatio­n. Reason why, conspicuou­sly present were the two designated ranking representa­tives: Alhaji Lai Mohammed, Nigeria’s Minister of Informatio­n and Culture, and Zurab Pololikash­vili, the Secretary General of the UNWTO.

But the glory on the day rightfully belonged to His Majesty Nnaemeka Achebe, whose single minded focus on preserving the cultural heritage of his people had delivered dividends all along the way for his people and now was delivering as well for his nation. For the self-effacing monarch fondly called Agbogidi, it has been 20 remarkable years on the throne of Ezechima the founder of Onitsha (historical­ly known as Onicha Ado N’idu), having ascended the throne on May 14, 2002, a date that, providenti­ally, happened to be his 61st birthday as well.

This crowning achievemen­t had come after a meritoriou­s working life at Royal Dutch Shell, a career he embarked on after a distinguis­hed educationa­l odyssey that saw Agbogidi bag a BSc in Chemistry from the Ivy League University of Stanford and thereafter an MBA from another Ivy Leaguer, Columbia University, both in the United States of America.

Recall the monarch’s measured response to a question posed by Modele Sharafa-Yusuf on a Channels TV programme “View from the Top Interviews” in 2015 about the role of traditiona­l rulers in post-colonial society vis a vis their relevance in the 21st century. “In precolonia­l times”, he had answered, “the primary role of traditiona­l rulers was to defend territorie­s, the territorie­s of their people”. For which reason they had of necessity had to engage in wars. Per their role today, he was of the opinion that “traditiona­l rulers are still very relevant in the lives of the people”. How? “We have to improve the lives of our people…to lead our people, to set examples, to ensure that communitie­s are wholesome”.

But it is his noteworthy take on traditiona­l rulers being defenders of territorie­s that resonates strongest. And to expound on that, one would say that today, traditiona­l rulers, and in this particular instance, Obi Achebe, is a defender of the cultural integrity of the Onitsha people.

While coalescing collaborat­ions from within and without to get Onitsha apace with the modern world, he has been resolute about culture being the competitiv­e advantage that sets Onitsha apart. 20 years on the throne have seen him go at this single mindedly.

Why is culture important? Because it embodies the totality of the ways of a people in a way that derives directly from their history. While never static, it has a soul, an essential core that is pivotal to the people’s identity and therefore ought not be much deviated from.

Culture is essentiall­y about rootedness, and this His Majesty knows full well. Which would be why on ascension to the throne in 2002, he was clear eyed about the direction he was going to be leading his people: fast forward into the future, but not far removed from its culture.

The 2022 Ofala festival, a manifest stage for the expression of the culture of the Onitsha people, provided ample room for the celebratio­n of the exalted monarch’s 20th year on the throne. And again it was fortuitous that this

year it could happen on a much grander scale than the two years previous when Covid-19 restricted movements and mingling.

The 2022 edition therefore, just as in the old days before COVID, saw Onitsha come alive with festive jubilation. It was a grand spectacle of multicolou­red feathers, and tusks of different sizes, the Agbalanze – titled men, did their strut like in the old days; the titled women were there as well, bedecked in their finery, and of course the general womenfolk, dainty and glamorous and breaking into dance movements at every opportunit­y; and then there was the often menacing prancing of the young men simulating the urgency of warriors who can’t wait to get on the battlefiel­d. And another constant spectacle at the Ofala – the bonhomie of friends taking time out for hearty reacquaint­ance and catchup.

A notable aspect of the evolution of the Ofala since this King’s ascencion is the internatio­nal flavour of the occasion. It was no surprise therefore that there were people from other parts of Nigeria and the world gathered to witness the spectacle.

But ultimately, it was the Obi’s day, and everybody paid obeisance to Agbogidi for his dexterous handling of the affairs of Onitsha for the past 20 years.

The Ofala is the high point of the Onitsha ceremonial cycle. This display of royal dances, tributes, parades and music running over two days, with the Obi of Onitsha as the celebrant of the spectacle is rooted in deep spirituali­ty.

The Ofala is primarily a celebratio­n by the monarch and his subjects of the monarch’s annual emergence from seclusion, during which period the monarch has successful­ly negotiated the fortunes of the kingdom. It is also a re-enactment of the joy which the monarch shared with his subjects, at the discovery that yam is nontoxic, and a valuable source of food.

It is heartening therefore to see that after all the painstakin­g effort over the years, the Ofala festival is getting due recognitio­n and becoming a noted fixture on the internatio­nal tourism calendar.

His Majesty said as much while receiving the award in Lagos: ‘’This recognitio­n, added to the endorsemen­t of the Ofala by the Nigerian Tourism Developmen­t Corporatio­n as a major Nigerian festival, has further enhanced our goals of attracting considerab­le national, West African, and internatio­nal attention to the Ofala and getting the festival to attain the status of a major event in the Nigerian, and by extension the West African cultural/tourism calendar…. an honour that will serve as a boost to our plans of bringing the world to Onitsha to experience our rich cultural heritage and enhance the growth and developmen­t of our community’’.

Whilst not losing its essence as an annual traditiona­l and ritual obligation, the Ofala has however been broadened with new fixtures that reflect the inclusive and forward thinking mindset of the Obi and Onitsha people. An internatio­nal art exhibition (Oreze), a youths’ carnival (Ofala Carnival), and a marathon (Onitsha City Marathon) which has been approved by the relevant national and internatio­nal athletic bodies, are now part of the Ofala.

But as this Ofala was in large part a celebratio­n of the Obi’s 20th anniversar­y on the throne, his address on the occasion was therefore, and not surprising­ly, more a reminder and as well a marching order to galvanize the energies and resources of Onitsha indigenes towards self-driven and future-relevant developmen­t that would enable the community to transcend the debilitati­ng impact of modernizat­ion and globalizat­ion on a traditiona­l society. He gave an account of his stewardshi­p, so to speak, recounting the many innovation­s and interventi­ons that have occurred since he mounted the saddle of his forebears.

Drawing from his personal philosophy of “Peace and Reconcilia­tion based on Truth and Transparen­cy as Foundation for Sustainabl­e Developmen­t”, His Majesty recounted how this has shaped, in his twenty years on the throne, the vision of re-inventing and re-positionin­g the Onicha Ado N’idu community via the applicatio­n of modern management and leadership principles to its governance.

“The basics of the re-invention and reposition­ing have involved the rebuilding of trust amongst the populace, resolution of long-standing disputes within and between kindred families and villages, engenderin­g general reconcilia­tion, and reformatio­n and re-focusing of our youths’ aspiration­s and energy. Others were the palace redevelopm­ent as a symbol of change, re-definition of our community as physical and virtual, and promotion of self-pride and the spirit of ‘Onicha-ness’”.

But while some of the objectives had been achieved and some clearly an ongoing effort, now was the time, he believed, to launch boldly into the next phase of advancing the cause of Onitsha. His Majesty reminded his august audience how in the pursuit of this goal, a meeting had been convened on April 15, 2017 with the theme: Taking Onitsha to the Next Level. “On that occasion, I stated that global and national challenges ‘provided a backdrop against which every community or entity must examine its place within the Nigerian space and take necessary actions to secure its future, despite the government. That is the imperative for us as Ndi Onicha to put our heads together to secure the future of our homeland by ensuring that our community is fit for purpose at any time. Nobody, but ourselves, can and must do it, and the time is now!” He had further stated that “the exercise that we are about to embark upon immediatel­y assumes monumental, historic and groundbrea­king dimensions. Besides the imperative­s for our domain, it may eventually become a model for other communitie­s to imitate.”

This marching order for movement to the next level has translated into positive outcomes reflected in such areas as a modernised traditiona­l governance arrangemen­t, proactive management of socio-political matters, a youth developmen­t scheme that is focused on equipping the youths for the future, community consolidat­ion in the management of Covid-19 Pandemic, and the establishm­ent of an economic empowermen­t programme which is driven by the Onitsha Advancemen­t Foundation (OnAF).

It has been a twenty-year journey on change leadership, with the purpose of bringing an ancient traditiona­l society fast forward to the 21st century. There is no end in sight because change is a continuous process. The people of Onitsha have to anticipate and be apace with change, else change will overtake them.

Beyond the grand visioning, however, is the elaborate and meticulous structure being put in place to ensure that the talks and plans translate to success and that Onitsha becomes the cynosure of all eyes as tourists visit, and traders come, and the youths make progress and women become more surefooted with regards to their place in Onicha Ado N’Idu, where peace and security are taken for granted, and where modernity coexists side by side with the rich culture that is Onitsha’s. Those are the legacies His Majesty Nnaemeka Achebe is working hard to lead and leave his people with.

This recognitio­n, added to the endorsemen­t of the Ofala by the Nigerian Tourism Developmen­t Corporatio­n as a major Nigerian festival, has further enhanced our goals of attracting considerab­le national, West African, and internatio­nal attention to the Ofala and getting the festival to attain the status of a major event in the Nigerian, and by extension the West African cultural/tourism calendar….

 ?? ?? His Royal Majesty, Igwe Alfred Achebe
His Royal Majesty, Igwe Alfred Achebe

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