“N

oor” is not one of the best films on journalistic ethics. It doesn’t do to the contemporary Mumbai media world what the Paul Newman-Sally Field starrer Absence Of Malice did 30 years ago. It pricks at the conscience in a rather undemanding way. “Noor” takes sly and slender satirical swipes at sensationalism in journalism, more delectable for its many jibes than the actual prick at the conscience.

The prick, when it comes, is not as solidly impact-filled as it should be. But by then, Noor has established her credentials for being an aimless adrift television journalist looking for a sense of purpose. That purpose’ kind of falls into her lap with a gentle thud. Of course Noor messes it up.