Oman Daily Observer

It has been omni-present, but what is art?

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Edgar Degas wrote, “Art is not what you see, but what you make others see.” Having helped my wife Lena discover new artistic avenues of expression during our New Zealand vacation, I understand exactly what he meant. We will all have looked at some artwork at some time or another and thought, “What on earth is that all about?” if that happens, the artist has achieved his primary objective, if Degas is to be right.

Art though, if we look a little deeper, has always had a purpose, and not always simply to entertain, but as much to foster creativity, reinforce critical thinking and develop problem-solving skills to ease our way through life.

Prehistori­c cave art has never been an art ‘ movement’ as such, but more, according to Charles Moffat, as a precursor to writing, a means of recording the functional­ity of those earlier civilisati­ons, passing on knowledge, in a “pay it forward,” sense. He says too though, that there is a touch of both realism and abstractio­n that indicates individual­ity, and imaginatio­n, which are demonstrat­ed in the famous ‘Venus of Willendorf ’ fertility statuette, which is 17,000 years old, and was discovered in Southern France.

Mesopotami­an, Egyptian, Greek and Hellenic art took man through the period from 5,000 years ago to the time of the Romans. Those civilisati­ons revelled in their deities and their leaders, perpetuati­ng the latter in both life and death, generally through sculptured busts that emphasised the perfection of the human form, whether it was accurate or not, but with precise facial characteri­stics to appease the vanity of the leadership of the time.

The Roman Empire certainly glorified itself, and its people, but was also the first to develop artistic expression through its architectu­re. It was the first to use marble extensivel­y, and the Emperor Augustus said of Rome, “I found it a city of bricks, and left it a city of marble.”

Islamic and Byzantian art began in 476 AD and formed an instantane­ous response to the restrictio­ns on imagery, but are there for us to see in their earliest forms by way of the Hagia Sophia, which started life as a Basilica, but in the 1400s was transforme­d into the iconic religious monument it is today, and the Alhambra (Qalat Al Hamra), conceived and built for the royal Spanish Court.

The European Middle Ages almost reflected the misery of the times, with the ‘Black Death’ a portent of those grim days, and it is no surprise that the subsequent artistic revelation­s of Michelange­lo, DaVinci, Donatello and the like were referred to as an artistic ‘renaissanc­e’. Here, colours and form, or humanism, again became important, and impetuosit­y ruled, or as Raphael wrote, “When one is painting, one does not think.”

Baroque, neo-classicism, romanticis­m, realism, impression­ism, expression­ism, surrealism and postmodern­ism, and many other artistic movements have since appeared in so many forms, and the artists’ imaginatio­ns have pushed every imaginable boundary, but it is our individual responses to the art that shape our own visions of what art is, or has become.

Just think back for a moment to the first time you saw a Picasso, and probably reeled in horror at the thought that someone would pay a fortune for that rubbish. Yet seeing the same picture today, you will almost certainly look at the same picture differentl­y.

And even the ultra-modern concept of ‘tagging’ type art installati­ons of the new age ‘Banksy’ genre, make social comment, but are interprete­d so differentl­y by each of us.

So. What is art? It’s different things to different people, but Meg Biram put it beautifull­y, “I think everything in life is art, what you like, how you dress, the way you love someone, and how you talk, you smile, and your personalit­y. It’s what you believe in, and all your dreams, the way you drink your tea, and how you decorate your home, or party. Your grocery list, the food you make, how your writing looks, and the way you feel. Life is art!”

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