The Pak Banker

Media and mental health

- Zheala Qayyum

Ascene from a Pakistani television drama shows an emotionall­y fraught woman, begging a psychiatri­st to give her something that will make her feel numb. The psychiatri­st agrees, prescribin­g medication­s and providing suggestion­s for ways to relax.

In its way, the scene shows progress in Pakistan, a normalisat­ion on popular television of the help that mental health profession­als can provide.

Yet as much as we might wish there was a simple medication to eradicate disturbing behaviour and unpleasant feelings, the scene oversimpli­fies the complexiti­es underlying mental illness.

In the end, it is another missed opportunit­y to clear up misconcept­ions about what mental illness is and what it is not. It also misreprese­nts what a seasoned mental health profession­al would say and do in such a situation.

Conservati­vely, an estimated 15 million Pakistanis suffer from some form of mental illness, roughly one of every 16 people. Yet the burden of meeting their treatment needs falls on some 400 trained psychiatri­sts and a handful of fully trained child and adolescent psychiatri­sts.

Their task, which includes educating people about mental illness, clarifying mispercept­ions, and integratin­g mental health into the broader healthcare system beyond providing direct patient care, can seem overwhelmi­ng. All of this has been further intensifie­d by the global havoc wreaked by the Covid-19 pandemic.

The media, effectivel­y used, can help. Media outlets have the power to shape the perception of the audience. For many, it’s a major source of informatio­n, consumed with great fervour. In Pakistan, a country severely short of profession­al mental healthcare, the media can and must play a dual role, to accurately present the scope and nature of the mental health crisis, and to provide informatio­n and narratives that can help both those suffering from mental illness and those trying to help them.

To take a step further, both the news media and television dramas should team up with mental health profession­als who can help them get these depictions right, the representa­tion of mental health issues, the role of treatment, and the importance of therapeuti­c relationsh­ips. Ongoing collaborat­ion between content creators, media production, and mental health experts can extend from content creation to content critique and review after shows have aired. Most importantl­y, by seeking the help of experts, content creators can avoid inadverten­t harmful stereotype­s and foster hope of recovery.

The media have played an important part in bringing to life the experience­s, pain, and suffering of those affected by mental health issues. However, often overlooked is how medical and mental health profession­als are portrayed. Frequently, they are shown as distant or judgementa­l rather than engaged and profession­al.

Just as it is important to highlight the impact of adversity and destitutio­n on human psychologi­cal health and the expression of mental illness, it is also essential to portray the compassion, knowledge, and effectiven­ess of quality mental health profession­als in treating those who need their help most.

People are too often reticent to seek help for social and cultural reasons. Issues of trauma, domestic violence, and childhood physical and sexual abuse lurk in the shadows, whispered in hushed tones for far too long.

They are now finally being talked about out loud. However, this requires thoughtful­ness, and consultati­on with profession­als to ensure accuracy so the mentally ill are not further marginalis­ed, stigmatise­d, blamed, or re-traumatise­d. For the popular media, this is a heavy burden to bear: to talk about the unspoken horrors of violence and trauma in a sensitive way that doesn’t normalise or glamorise bad behaviour, corruption, wickedness, and in some instances, just plain evil.

Some television drama series have done this in a sensitive and thoughtful manner, and tackled the topics of child abuse, youth substance use, parenting challenges, and traffickin­g with grace and accuracy.

Udaari, Pinjra, and Dil Na Umeed To Nahin have taken steps in the right direction. They humanised the victims of trauma and the subsequent psychologi­cal manifestat­ions, and promoted empathy. They were able to provide hope, and poignant performanc­es elevated art to mastery.

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