Paradise

London calling

PNG designers show their wares to the world

- Diana Wilkins ITATIE ITATIE garments are for sale via Facebook and Instagram. IG: @Itatiebout­ique Facebook: Itatie

It’s a great time for Pacific fashion. Pacific-origin designers are killing it worldwide, from hometown fashion weeks to Australia’s Pacific Runway and, now, the prestigiou­s London Pacific Fashion Week (LPFW). Held in the same week as London Fashion Week, LPFW attracts Pacific-origin designers and models and is an excellent chance for the designers to promote their brands and style. In the past few years, PNG designers have been impressing at LPFW, and winning awards and accolades from industry peers. LPFW 2019 features three of PNG’s finest designers and Paradise caught up with them before they jetted off for the September event.

Originally from the Collingwoo­d Bay area, Oro Province, and now based in Hong Kong, Wilkins launched her label in November 2017.

“Fashion design had always been a hobby. I was able to turn my hobby in to a full-time business when the youngest of my sons left home for university. I had free time again,” she says.

“My ethnic roots are a big influence – ITATIE is inspired by my tribal culture and is for the woman who wants classic, simple elegance with traditiona­l motifs. Fashion is expression of my identity, culture, values and faith.”

What made Wilkins decide to show at LPFW?

“I wanted to take the step into a bigger pond, out of the home region of the Pacific. LPFW was the place to go, a home away from home surrounded by other Pacific designers including others from PNG. I really want to enter the UK market and I feel that LPFW is an excellent platform and gateway.

“My LPFW19 collection is called ‘Redeem’. It’s a women’s evening-wear collection, white with tribal motifs, symbolisin­g beauty from ashes. Ash is one of the elements used as dye on traditiona­l

tapa (bark) cloth by the tribes of Collingwoo­d Bay.”

How has the LPFW theme ‘Climate change in the Pacific’ inspired the collection?

“The motifs in my designs are inspired by bark from trees. One of the biggest contributo­rs to climate change is de-forestatio­n, it is the second-largest cause of global warming according to Earth Day Network.

“This hits home for me as the ethnic communitie­s of Collingwoo­d Bay and other parts of Papua New Guinea have lost large portions of their forests due to extensive logging.

“The red and clay colour of my motifs symbolise the Earth and black symbolises the condition of the Earth. White symbolises redemption. If every citizen of this planet did his or her part, we may help our Earth redeem its health.”

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