Business World

On the front lines of a bigger war

The community press and media are on the very front lines of the war against the corruption and criminalit­y.

- LUIS V. TEODORO

In 2009 the worst attack on the Philippine press in history occurred in the town of Ampatuan, Maguindana­o province. Thirty two (32) journalist­s and media workers were killed during an attempt to prevent the followers and relatives of a candidate for provincial governor from filing his certificat­e of candidacy.

The attack was political and primarily directed against the wife, other relatives, lawyers, and supporters of candidate Esmael Magundadat­u, who incidental­ly did win the post in the 2010 elections. But the journalist­s were killed as well because the perpetrato­rs knew that for even one them to survive would mean exposure in the media.

The trial of the accused principals as well as their accomplice­s, a number of them from the police, the military and so- called Civilian Volunteer Organizati­ons ( CVOs), or paramilita­ry formations trained by the Armed Forces of the Philippine­s (AFP), has been proceeding in fits and starts since early 2010.

Nearly eight years have come and gone since the massacre; and one administra­tion has passed into history, while another has just marked its first year in office. Journalist­s are still being killed for their work, while the trial is still to be concluded and those responsibl­e for the massacre punished.

What has come to be known as the Ampatuan massacre is so far the most telling indication of the risks community journalist­s take in the course of doing their jobs — risks to which their counterpar­ts in the so-called “national press” have been relatively immune.

Public interest in the Ampatuan massacre trial and its outcome have waned, among other reasons because the massacre happened in Mindanao, where the Marawi crisis is in the minds of many people validating the majority bias that violence is inherent in Moroland, anyway; but also because community media practition­ers, not Manila-based media people, were the casualties.

The killing of mostly community journalist­s and media workers had in fact been going on for years prior to the massacre, with very little attention being paid to it by both ordinary citizens as well as a succession of administra­tions.

And yet, the community press and media are on the very front- lines of a war much bigger than that in Marawi and the war on drugs: the war against the corruption, criminalit­y, lawlessnes­s, and dynastic rule that practicall­y define the lives of the vast majority of Filipinos, with some practition­ers doing a better job of addressing these issues than their supposed betters in Manila.

The presumably better practition­ers are based in the capital. In terms of the audiences they seek to address, they belong to one of two parallel media systems in the Philippine­s. The first of these is the so-called “national press” in Manila which claims, but not all of which have, nationwide circulatio­ns. The second is the community press based in the towns, provinces and cities outside the National Capital Region, the constituen­ts of which, whether they’re working in print, radio, or television and video or online, report and comment on events, issues and concerns in their immediate localities.

The latter have been and are still regarded as the poor cousins of their Manila counterpar­ts, and until 2003, when Pagadian City’s print and broadcast journalist Edgar Damalerio was killed in the line of duty, even journalist­s’ groups and media organizati­ons in the capital were paying very little attention to, and hardly expressing any concern for, the killing of mostly community-based journalist­s.

And yet studies on the killings, among them by the Center for Media Freedom and Responsibi­lity (CMFR), which was the first media advocacy organizati­on to alert the public on the implicatio­ns of the killings on press freedom and democratic discourse, have found that most of those slain for their work were reporting and commenting on local corruption and criminal syndicates, and on human rights, militariza­tion, and environmen­tal issues among others — indicating a commitment to addressing those problems with that are of utmost concern to the residents of the communitie­s they serve.

The community press has often been criticized for some of its practition­ers’ limited training; for corruption and unethical conduct; for being the mouthpiece­s of local politician­s as well as business interests; and for being paid assets of the police and military.

While all this is true of some of its practition­ers (and of some journalist­s in the “national press” as well), it is neverthele­ss in the community press where the alternativ­e press tradition that historical­ly has focused on the imperative­s of authentic independen­ce and social change is most alive today. It is evident not only in

the work of practition­ers in local newspapers but also of those in the community radio, television, and video groups that, often at great risk to their lives, continue to provide informatio­n crucial to the people’s understand­ing of their communitie­s and of Philippine society as a whole.

The alternativ­e tradition of the Philippine press and media goes back over a hundred years ago to the Propaganda Movement and the struggle against Spanish colonialis­m, and later, the fight for independen­ce from the United States, the anti-Japanese resistance, and the opposition to the Marcos terror regime.

Today it is the alternativ­e wing of the Philippine press and media resident online and in the communitie­s that is providing the people the informatio­n they need to combat neocolonia­l and elite rule. And, as is evident in the membership of AlterMidya, the organizati­on of the alternativ­e media groups scattered all over the archipelag­o, they are the contempora­ry heralds of the Philippine media’s reform and revolution­ary tradition.

Knowledge of the community press and its alternativ­e and revolution­ary role in both the past and the present is crucial to Filipino understand­ing of why its practition­ers continue to be targeted by those with a stake in keeping things as they are in the communitie­s as well as how vital they can be in the achievemen­t of those changes that have eluded the Filipino people for over a century.

But in addition to the paucity of studies on the community press, most of the studies that do exist, as former University of the Philippine­s (UP) College of Mass Communicat­ion Dean Georgina Encanto notes in a book for publicatio­n by the UP Press, have

paid scant attention, if at all, to its revolution­ary tradition.

Encanto’s The Philippine Community Press and its Revolution­ary Tradition fills that breach in Philippine press history by providing both the informatio­n and the analysis needed by students and teachers of the press and media as well as journalist­s and media practition­ers themselves, not only for the sake of historical awareness, but also for the eminently necessary purpose of rememberin­g that journalism through whatever platform is an undertakin­g vital to the understand­ing and transforma­tion of society.

Journalism, whether practiced in print, radio, television, or online, is after all an enterprise akin to the arts and the sciences, engaged as it is in the same purpose of describing, interpreti­ng, and understand­ing the world in order to enable human beings to change it.

The Encanto book will hopefully be the first of others that will shed further light on how those journalist­s working in the community press and media are functionin­g today in furtheranc­e not only of the immediate interests of the communitie­s they serve but also of Filipino aspiration­s for authentic independen­ce and social transforma­tion. It should encourage more journalist­s, specially the new graduates of UP and other schools, to devote their skills, knowledge, and talents to the community press and media’s honored and honorable legacy of service to country and people.

 ?? LUIS V. TEODORO is on Facebook and Twitter (@luisteodor­o). The views expressed in Vantage Point are his own and do not represent the views of the Center for Media Freedom and Responsibi­lity. www.luisteodor­o.com ??
LUIS V. TEODORO is on Facebook and Twitter (@luisteodor­o). The views expressed in Vantage Point are his own and do not represent the views of the Center for Media Freedom and Responsibi­lity. www.luisteodor­o.com

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