Ang Pag-uusig, Ibong Adarna top Gawad Buhay with 12 nominations each
TANGHALANG PILIPINO’s Ang Paguusig — a translation of the classic 1953 Arthur Miller play The Crucible — received the most Gawad Buhay awards nominations for a stage show. With 12 nods, the theater company matched Ballet Manila’s dozen for its production of Ibong Adarna.
Tanghalang Pilipino used Miller’s play — set during the Salem witch trials as an allegory for the anti-Communist McCarthyism of the 1950s — to make its own commentary on current Philippine events.
The world premiere of Ballet Manila’s production, based on the 15th century Filipino epic poem about a magical bird, garnered nominations from musical directions, featured choreography by Gerardo Francisco and music by Diwa de Leon.
The 10th Gawad Buhay awards, granted by Philstage to honor the best of its members’ productions in the previous year, will be held on April 12 at Tanghalang Aurelio Tolentino of the Cultural Center of the Philippines. The nominations were announced through a Facebook Live event at the lobby of The Theatre at Solaire, hosted by Audie Gemora and Karla Gutierrez, Philstage president and treasurer, respectively.
Next highest on the nominations tally were Ballet Philippines’ restaging of its Filipino-themed The Nutcracker, choreographed by Edna Vida and Alice Reyes, with additional choreography by Adam Sage, with 11 nominations; and Repertory Philippines’ production of Sarah Ruhl’s play, In the Next Room, or the Vibrator Play, directed by Chris Millado, with 10 nominations.
In the musical category, 9 Works Theatrical and Globe Live’s production of Disney’s Newsies took the lead with nine nods. and Masha and Spike; Menchu LauchengcoYulo, Repertory’s Agnes of God; Giannina Ocampo, Repertory’s In the Next Room, or
the Vibrator Play; Mikkie Bradshaw-Volante, The Necessary Theatre’s Blackbird; Blanche Buhia, Tanghalang Pilipino’s Lukot-lukot, Bilog-bilog
• Male Lead Performance in a Play: Michael Williams, Repertory’s Vanya and Sonia and Masha and Spike; Joshua Spafford, Repertory’s In the Next Room, or the Vibrator Play; JV Ibesate, Tanghalang Pilipino’s Ang Pag-uusig; Bart Guingona, The Necessary Theatre’s Blackbird; Joel Lamangan, PETA’s Ang Buhay ni Galileo
• Outstanding Production of Existing Material for a Play: Repertory’s Vanya and Sonia and Masha and Spike, Agnes of God, and In the Next Room, or the Vibrator Play; The Necessary Theatre’s Blackbird; PETA’s Ang Buhay ni Galileo
• Outstanding Play - Original or Translation/Adaptation: Tanghalang Pilipino’s Ang Pag-uusig (WINNER)
• Outstanding Production for Children: No nominations
• Outstanding Ensemble Performance
for a Musical: Globe Live/9 Works Theatrical’s Newsies; Full House/Resorts World Manila’s Chitty Chitty Bang Bang
• Female Featured Performance in a Musical: Shiela Valderrama-Martinez and Aicelle Santos, Gantimpala Theater Foundation’s Maynila sa Mga Kuko ng Liwanag, The Musical;
Upeng Galang-Fernandez, PETA’s A Game
of Trolls; Joan Bugcat, PETA’s Tagu-taguan; Maronne Cruz, Repertory’s Hair
• Male Featured Performance in a Musical: Jef Flores, Globe Live/9 Works Theatrical’s Newsies; Baron Geisler, Tanghalang Pilipino’s Aurelio Sedisyoso; Floyd Tena, Gantimpala Theater Foundation’s Maynila sa Mga Kuko ng Liwanag, The Musical; Roi Calilong, PETA’s Tagutaguan; Reb Atadero, Full House/Resorts World Manila’s Chitty Chitty Bang Bang
• Female Lead Performance in a Musical: No nominations
• Male Lead Performance in a Musical: Gian “Moon” from Ballet Philippines’ A Gala Celebration; Eugene Obille, “Ang Sultan” from Ballet Philippines’ The Exemplars: Amada and Other Dances; Ronelson Yadao, “Songs of the Wayfarer” from Ballet Philippines’ The Exemplars: Amada and Other Dances
• Outstanding Modern Dance Production:
Ballet Manila’s Ibong Adarna; Ballet Philippines’ A Gala Celebration; Ballet Philippines’ Your Highness; “Ang Sultan” from Ballet Philippines’ The Exemplars: Amada and Other Dances; “Songs of a Wayfarer” from Ballet Philippines’ The Exemplars: Amada and Other Dances
• Outstanding Ensemble Performance for Classical Dance: Ballet Manila’s Don Quixote; Ballet Philippines’ Swan Lake; Ballet Philippines’
The Nutcracker
• Female Featured Performance in Classical Dance: Abigail Oliveiro, Ballet Manila’s Don Quixote; Veronica Atienza, Philippine Ballet Theatre’s La Bayadere; Stephanie Cabral, Ballet Philippines’ The Nutcracker
• Male Featured Performance in Classical Dance: Victor Maguad, “Grand Pas Classique” from Ballet Philippines’ A Gala Celebration; Victor Maguad, Ballet Philippines’ The Nutcracker; Peter San Juan, Philippine Ballet Theater’s La Bayadere; Gerardo Francisco, Ballet Manila’s Swan Lake
• Female Lead Performance in Classical Dance: Denise Parungao, Ballet Philippines’ Swan Lake; Kim Abrogena, Philippine Ballet
Theater’s La Bayadere; Denise Parungao and Jemima Reyes, Ballet Philippines’ The Nutcracker; Katherine Barkman, Ballet Manila’s Swan Lake
• Male Lead Performance in Classical Dance: Victor Maguad, Ballet Philippines’ Swan Lake; Victor Maguad, Ballet Philippines’ The Nutcracker; Elpidio Magat, Ballet Manila’s Snow White
• Outstanding Classical Dance Production: Ballet Manila’s Don Quixote; Ballet Philippines’ Swan Lake; Ballet Philippines’ The Nutcracker
• Outstanding Sound Design: Jethro Joaquin, Repertory’s Agnes of God; Jethro Joaquin, The Necessary Theatre’s Blackbird; Jaime