Daily Tribune (Philippines)

Carbon capture machine fights global warming

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HELLISHEID­I, Iceland (AFP) — With Mammoth’s 72 industrial fans, Swiss start-up Climeworks intends to suck 36,000 tons of CO2 from the air annually to bury undergroun­d, vying to prove the technology has a place in the fight against global warming.

Mammoth, the largest carbon dioxide capture and storage facility of its kind, launched operations this week situated on a dormant volcano in Iceland.

It adds significan­t capacity to the Climework’s first project Orca, which also sucks the primary greenhouse gas fueling climate change from the atmosphere.

Just 50 kilometers from an active volcano, the seemingly risky site was chosen for its proximity to the Hellisheid­i geothermal energy plant necessary to power the facility’s fans and heat chemical filters to extract CO2 with water vapor.

CO2 is then separated from the steam and compressed in a hangar where huge pipes crisscross.

Finally, the gas is dissolved in water and pumped undergroun­d with a “sort of giant SodaStream,” said Bergur Sigfusson, chief system developmen­t officer for Carbfix which developed the process.

A well, drilled under a futuristic-looking dome, injects the water 700 meters down into volcanic basalt that makes up 90 percent of Iceland’s subsoil where it reacts with the magnesium, calcium and iron in the rock to form crystals — solid reservoirs of CO2.

 ?? AIZAR RALDES/AGENCE FRANCE-PRESSE ?? DANCERS of the indigenous opera group perform at the church of the town of San Javier in the Bolivian Chiquitani­a, Santa Cruz Department, Bolivia. A rare baroque opera written by an indigenous man and hidden for centuries at a church in the Bolivian Amazon came to life with a staging in its original dialect by the symphonic orchestra of the Amazon village of San Javier.
AIZAR RALDES/AGENCE FRANCE-PRESSE DANCERS of the indigenous opera group perform at the church of the town of San Javier in the Bolivian Chiquitani­a, Santa Cruz Department, Bolivia. A rare baroque opera written by an indigenous man and hidden for centuries at a church in the Bolivian Amazon came to life with a staging in its original dialect by the symphonic orchestra of the Amazon village of San Javier.

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