Daily Tribune (Philippines)

PLAYS UNTRIED, UNTESTED AND UNSTAGED

‘VLF is one of the many projects of CCP that creates a movement to make sure Philippine Theater continues to thrive.’

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This year’s Virgin Labfest (VLF) will be introducin­g new untried, untested and unstaged plays with the theme “pintog,” bursting with narratives discussing the intricate and luminal layers of the human experience.

Set A, with the sub-theme “dilemma,” will feature Hans Pieter Arao’s Vengeance of the Gods, Rick Patriarca’s Love on the Brain and Lino Balmes’ Ningas.

Vengeance of the Gods centers on the aftermath of a supernatur­al possession that happens in public. While the town mayor’s chief of staff tries to handle the situation, the father of the one possessed opposes him, trying to bring the staff along in his quest for justice.

Based on an event in Cagayan, Arao delves into his fascinatio­n with the continued trust, belief and credence still placed in folk beliefs even in this era of science and technology.

His fascinatio­n led him to explore that theme, saying that “it struck me that people still believe deeply in folk beliefs. So, I just wanted to explore that.”

Arao admits that his play doesn’t preach, but rather urges the audience not to forget. “If we forget, then how do we know there is even a problem,” said the playwright.

Love on the Brain follows two ex-lovers who realize the grueling reality of modern gay dating, and the implicatio­ns of dating someone with HIV. Through the play, the creative team hopes to educate the audience about HIV, and address the stigma about the sexually transmitte­d disease. More than that, it encourages the audience to protect themselves from misinforma­tion about the virus.

Director John Mark Yap and playwright Patriarca emphasize to the audience, especially those afflicted with HIV, that the disease doesn’t define them. “There’s more to you than being a person living with HIV. Yes, the virus is in you, but your life doesn’t revolve around that,” said Yap.

Ningas talks about the concept of definition. The story revolves around a woman asking a man to give her a name. “It was written for people who can’t decide if they want kids or not, so they can have their story out there,» Balmes said.

In a nutshell, the play is a kidversus-no-kids debate, where the characters show the struggles people go through to conform to societal expectatio­ns of building a family and having children.

Director BJ Borja believes that this social conversati­on is not exactly taboo, but it is not talked about much. “I think the legacy of VLF is to disturb the audience with the different aspects of life. VLF is one of the many projects of CCP that creates a movement to make sure Philippine Theater continues to thrive,” he said.

VLF 19: Pintog runs from 12 to 30 June at the Tanghalang Ignacio Gimenez (CCP Blackbox Theater).

Shows are at 2 p.m. and 8 p.m. Other components of the festival are at 5 p.m. at the Bulwagang Roberto Chabet, 3rd floor, Tanghalang Ignacio Gimenez.

For details on the schedule and ticket prices, visit the official social media accounts of CCP, Tanghalang Pilipino, The Writers’ Bloc and Virgin Labfest on Facebook, X, Instagram and TikTok.

 ?? ?? VENGEANCE Of The Gods
VENGEANCE Of The Gods
 ?? ?? NINGAS
NINGAS
 ?? ?? PINTOG
PINTOG

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