Manila Bulletin

Visual...

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merely visual aesthetics. Photograph­y is a way in which I express my own voice and my own visual language.”

An effective photograph for her is one that goes beyond visual representa­tion and depicts a narrative. It captures the imaginatio­n of the viewer by evoking an emotional connection. It has to communicat­e.

“Whenever I shoot a scene, I relate it to a particular person or experience. I must feel and find a connection to the place. Photograph­y is a process to me. I sit and observe before shooting. When I find something that would relate to a person or a memory, the pictures come out very beautiful and melancholi­c. I like to focus on this mood rather than the aesthetics,” she enthuses.

Bernadette likes to focus on details that people normally overlook instead of the big picture. “I try to find something universal in a landscape that is not confined to a specific place. I like to give the viewers a chance to bring their own insight to the place, rather than reinforce stereotype­s. This takes time—to truly understand the depth and universali­ty of a place. This is how a photograph­er’s mood is truly brought to the picture.”

A sense of melancholy is what Bernadette’s images tend to portay. She uses black and white when she wants to exaggerate drama or compositio­n, while she uses color to highlight the beauty of a particular scene.

“I also try to render the places almost unrecogniz­able. I believe if a place was instantly recognizab­le, it would automatica­lly invite judgment and preconceiv­ed impression­s on the image. By stripping my landscapes of this familiarit­y, the images force you to look at something that evokes a shared mood or revelation. This is why I also prefer minimalism—I choose not to use too many colors, and oftentimes I would mute the colors.”

Bernadette recently joined Zone V Camera Club that has been establishe­d for over three decades now. She doesn’t have the desire to join photo contests because her images are more conceptual and she feels her work doesn’t quite fit the contests’ categories. She also prefers mounting exhibition­s to give the viewers an opportunit­y to see her body of work or the entire concept behind a series. Her goal is not to amass accolades but to inspire people to explore the art form themselves.

She considers her latest group exhibit, as one of her biggest accomplish­ments. It showcases her desire to elevate photograph­y as an art form.

“I would like to integrate different art forms such as music, dance, multimedia, painting, and sculpture to my photograph­y and eventually collaborat­e with some of the most talented artists in the Philippine art scene. It is important for me to continuall­y merge life with photograph­y. My background in the arts has contribute­d greatly to the way I shoot— everything that has happened to me is deeply integrated.”

Asked about the principles she clings to as a photograph­er, Bernadette recognizes the privilege and the responsibi­lity of being a practition­er and advocate of the art form.

“Photograph­y is such a powerful and influentia­l tool to be used with much sensitivit­y. I strongly feel that photograph­ers should be socially responsibl­e artists as well. In the process of bringing out certain truths, I take it upon myself to veer away from subjects that are degrading, sexist, religiousl­y insensitiv­e, and full of negativity. As an artist, I aim to transform lives and the way people think by producing work that is compassion­ate, inspiring, thought-provoking, challengin­g, and hopeful.”

Truly, photograph­y is Bernadette’s platform to tell her stories, disclose her inmost thoughts to the world, at the same time reveal that it is the common language that unites us amidst our own uniqueness.

 ??  ?? Gently, Little Boats
Gently, Little Boats

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