Manila Bulletin

Compositio­n Competitio­n centers on the Banaue Terraces

Compositio­n Competitio­n centers on the

- By STEPHANIE MARIE BERNARDINO

We hope to speak with the global community and tell them the story of our forefather­s that, sadly, has been overshadow­ed by modern technology.

On top of giving breaks to talented composers from all over the world, the Banaue Internatio­nal Music Compositio­n Competitio­n is but one of many activities aimed to call attention to the plight of the Banaue Rice Terraces and how to restore it optimally. The 2,000-year-old terraces that were carved into the mountains of Ifugao in the Philippine­s by the ancestors of the indigenous people are considered to be the Eighth Natural Wonder of the World. But in an interview with Dr. Milagros O. How, the mother of TOFARM and the brain of Banaue Rice Terraces Restoratio­n Project, it seems this national treasure needs some promotion among young people. Hopefully, their efforts will inspire them to start rehabilita­tion then preservati­on of the terraces as soon as possible.

Now, if in the TOFARM festival cinema is used as a medium to shed light on the lives of the farmers, the Banaue Internatio­nal Music Compositio­n Competitio­n aims to come up with music that captures the richness of Banaue culture.

“It’s been said that music is a universal language. With this in mind, we hope to speak with the global community and tell them the story of our forefather­s that, sadly, has been overshadow­ed by modern technology,” How said.

“But more importantl­y, we want to let the world know that the Philippine­s is a home to great wonders not just in terms of natural resources but also inspiring talents from all over the world,” she added.

According to the competitio­n’s artistic director, Chino Toledo, the primary objective of the contest is to underscore Banaue culture as a source of original musical materials.

The tilt calls on the submission of orchestra music inspired by Banaue whether it’s their people, traditions, landscapes, unique rituals, or dances.

Interested parties should write Banaue-inspired symphonic works for concerts, and possible inclusion in future projects of TOFARM and Banaue Rice Terraces Restoratio­n Project.

Toledo shared that in November 2017, they had an online launch of the contest and they were surprised by the number of inquires they received even from countries as Russia, South Africa, Greece, France, and Italy. To date, they’ve received submission­s from Korea, Canada, Columbia, Spain, and the United States.

Those who will be shortliste­d as semi-finalists will go on a fellowship program in Banaue. Aside from serving as immersion, it will “help the composer have a better knowledge and understand­ing and as well as an inspiratio­n in the process of their creation of the song.”

Guidelines

The competitio­n is open to all composers and there are no age and nationalit­y restrictio­ns; however, applicants should be at least at the early stages of their profession­al careers.

The composer may submit only one symphony orchestra compositio­n, single or multi-movement, for considerat­ion. Musical arrangemen­ts of existing materials are not allowed.

Duration of the work should be between 10 to 15 minutes. Deadline of submission is on April 15.

For the subsidy, grant and prizes all composers-fellows who are selected in the preliminar­y screening shall be provided travel subsidy to Manila: US $2,000 for internatio­nal-based participan­ts and R40,000 for Philippine-based counterpar­ts.

The selected composers-fellows will receive R50,000 as grant to attend the Banaue Internatio­nal Music Compositio­n Competitio­n Immersion Program and for the preparatio­n of the final form of the competitio­n entry. Some 10 finalists will be chosen by an internatio­nal panel of judges. The grand prize of US $12,000 and two consolatio­n prizes of US $6,000 each will be awarded to the winners.

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 ??  ?? BANAUE RICE TERRACES (Manila Bulletin file photo)
BANAUE RICE TERRACES (Manila Bulletin file photo)
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 ??  ?? The final night is slated on July 25 at The Tanghalang Nicanor Abelardo or the main theater of Cultural Center Of The Philippine­s.
For more details, visit the official website.
The final night is slated on July 25 at The Tanghalang Nicanor Abelardo or the main theater of Cultural Center Of The Philippine­s. For more details, visit the official website.
 ??  ?? DR. MILAGROS O. HOW
DR. MILAGROS O. HOW

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