Manila Bulletin

C1 MAKING WAVES

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Arts (ILOMOCA), we talked lengthily about the recent Hacienda Nene massacre. For him, it was too close to home. Nune hails from Fabrica, Sagay, Negros Occidental. He is a social realist known for depicting the difficulty and despondenc­y in the sugarcane fields of Negros, the plight of the sakada and other marginaliz­ed members of the society, through his art. Of all the injustices in the country, he is mostly attached with peasant and fisher folk struggle, genuine agrarian reform, militariza­tion, and basic democratic rights, the problems he often saw growing up in Sagay. He is an activist, even a radical, he says, but instead of taking up arms or storming the streets, he uses art, his brush, to push for what he believes is right and just, to join the struggle of the marginaliz­ed.

In “Songs from the Sea,” Nune brings everyone to the coastal city of Sagay, his home. Inside the exhibit, the vibe of the rural community is felt, almost as if you are really there— buying fish from the fishermen, people-watching by the bay, feeling the wind on your skin. And it was the goal, according to Nune. The community is poor, the people are impoverish­ed, but he doesn’t want to show them with a clenched fist, no glorificat­ion. Instead, he humanizes them.

In his unique style, Nune shows the faces of ordinary fisher folk, their wives going to the flea market, old men lusting on young women, sugarcane workers resting by the field—a perfect illustrati­on of imperfect, feudal Sagay. He takes inspiratio­n from the community he helped create and continuall­y helps to develop. He gives back through art what he himself gained after over three decades of practice. “Gusto ko maging makulay ang buhay ng tao, kaya ginawa ko itong colorful. Kaya maliwanag ang kulay, kahit malung-

Nune hails from Fabrica, Sagay, Negros Occidental. He is a social realist known for depicting the difficulty and despondenc­y in the sugarcane fields of Negros, the plight of the sakada and other marginaliz­ed members of the society, through his art.

kot, mahirap sila (I want their life to be colorful, which is why I made it colorful in my works, that’s why I used bright colors. This is in contrast to their real situation),” Nune says.

The exhibit is a product of ILOMOCA’s commitment to promoting contempora­ry art from different parts of the country. The museum proudly embraces the distinctio­n as the first art institutio­n in Visayas and Mindanao, exclusivel­y dedicated to showcasing the works of mostly Filipino and Ilonggo artists within the realm of modern and contempora­ry art.

”Tonight marks another milestone for us at Megaworld Foundation as we celebrate the first year since we ventured into the intricate world of museum management, and already we are closing the year with yet another highlight exhibit,” says

vice-president and head of marketing and business developmen­t, Megaworld Lifestyle Malls. ”Nune Alvarado’s ‘Songs

Tefel Pesigan-Valentino,

from the Sea’ is a moving masterpiec­e that showcases the beauty of Filipino culture even in mundane everyday experience­s. This is only the beginning and we are committed to upholding the undeniable talent of local creative minds and the promotion and preservati­on of art in the entire region.”

“Songs from the Sea” runs until Dec. 15, 2018 at the Hulot Gallery in ILOMOCA

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