The Manila Times

Architectu­re the global Filipino way

- Abaca, capiz, hibi bahaykubo.

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We can be more creative in adapting the rich Filipino culture and biodiversi­ty and interpreti­ng these into architectu­re, design and planning.

Biophilic, biomorphic architectu­re

The Philippine­s is so rich with land flora, fauna and marine biodiversi­ty. In fact, it is No. 1 in marine biodiversi­ty and has the third longest coastline in the world, longer than the mainland United States.

Biophilic architectu­re involves design using the unique context and geography of the environ - tions of biomorphic architectu­re is “the design of buildings directly human body and anatomical structure with chosen materials to create aesthetic harmony.” It is design taking inspiratio­n from the form of organic species.

The design of our buildings can take inspiratio­n from the waves - guita, sea shells, pearls, natural landscape, and indigenous plants and animals. We could also incorporat­e the use of materials that are naturally abundant in our country like bamboo, cocotimber, and rattan, among others.

Tropical fusion

The ancient Philippine­s was a melting pot of cultures and tribes. From the migration of the Malays from South Asia, trade from Central Asia and East Asia, and the conquest by Spanish- Europe and the Americas, the Philippine­s time and time again assimilate­d with various cultures.

With the rich diverse culture and design styles and character can - ing on water and the column patterns using and weaves. Rattan tables, chairs, and lamps can be designed according to indigenous patterns as well. Indigenous tribal houses can also be given a modern expression, and it does not need to be

While the aesthetics is a fusion of forms it should also integrate well with the tropical climate of the Philippine­s. Our cities, especially central business districts, need not

Towards a national identity

Is there a Philippine Architectu­re, or something that may be described better as architectu­re in the Philippine­s? This is a strong sentiment among many Filipinos since we as a people are continuous­ly looking for our identity as a nation.

Or is it instead proper to say that Filipino architectu­re could be found in the mixing of the various tradesmen, Malay, the Chinese, Spanish, Dutch, American and - ences that the millions of Filipino expatriate­s bring back home to our country? There are more countries that have Filipino expatriate­s than the number of member countries of the United Nations.

We are one young nation. Glob assimilate­d with our local culture. National identity, I believe, is taking form in the strength of the culture while being able to assimilate to the strengths of other cultures. There should be a balance. It is being able to design inclusive buildings that can inspire unity, or bring unity in diversity.

National architectu­re for me is architectu­re that can bring a community together because of good planning, architectu­re, and design. We can also highlight Filipino hospitalit­y in planning and design, in such a way that buildings, places, and communitie­s encourage social interactio­n and care for one another, even if the people are strangers to each other. This, I believe, is the global Filipino way.

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