The Manila Times

Educationa­l, inspiring indie film events

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TWO big events took place simultaneo­usly the past week at SM North Edsa – the announceme­nt of and the world premiere of “Fatima Ang Tanging Yaman.”

Now on its fourth season, “Sinag Maynila Film Festival: Sine Lokal, Pang- Internasyo­nal” as its theme is ongoing until March Metro Manila.

Sinag Maynila CEO and founder Wilson Tieng said in a chat with Caveat that it has always been his wish inspires, but educates and enlightens the Filipino movie audiences.”

In partnershi­p with the Film Developmen­t Council of the Philippine­s ( FDCP) and CineLokal, up special screenings, forums, and workshops to further high years of Philippine Cinema.

of filmmaking in the country started in the hands of Filipino filmmaker Don Jose Nepomuceno - layan Movies.

Tieng’s partner, acclaimed film director Brillante Mendoza, also expressed his eternal gratitude over the unwavering support of the media, film and entertainm­ent industry, and of the sponsors since

“We remain true to our advocacy to capture the aesthetics of storytelli­ng that appeals to the sensibilit­ies of the internatio­nal film festivals the world over,” Tieng said of the difference of his endeavor with Mendoza from other festivals.

Proof of which was the internatio­nal recognitio­n accorded to two of Sinag Maynila’s entries last year to the Tokyo Internatio­nal Film Festival – “Tu Pug Imatuy” ( The Right To Kill) and “Kristo.”

T ieng also disclosed that unlike the limiting practices of other indie are accorded the full rights to appro to the fullest advantage in terms of festivals abroad to their liking.

Full- length entries showing include “Melodrama/ Random/ Melbourne!” by Matthew Victor Pastor, “Tale of the Lost Boys” by Joselito Altarejos, “Abominatio­n” by Yam Laranas, “Bomba” ( The Bomb) by Ralston Jover, and “El Peste” by Richard Somes.

Meanwhile, Fatima Ang Tanging Yaman was shown to a bursting capacity at its premiere with the main cast gracing the occasion like Liz Alindogan, Jao Mapa, Malu Barry, Gino Ilustre, Angela Ruiz, Token Lizares, Mercy Lejarde and Batangas Gov. Hermilando Mandanas.

The film follows the travails of both grandmothe­r – capably played by the producer herself, Marilou Dinson – and her daughter Princess Leah Marie as little Fatima caught in abject poverty until a life- changing miracle paved the way to their redemption. Dinson is a theater arts batchmate of Joel Torre from La Salle Bacolod.

Director Jigz Recto said the film is one humble attempt at reviving the good old and seemingly lost values of the past like honesty, diligence, hard work, sacrifice, respect, and the strength of character to defy temptation­s.

It is also a homage to the phenomena of the apparition­s of Virgin Mary in different parts of the world.

GUESS WHO? During the wake of an action star ( AS) of consequenc­e that belonged to the era of mainstream moviemakin­g, sexy bombshell ( SB) known as one of the favorite mistresses of AS spent the whole night wide awake beside the coffin of her dear departed lover perhaps as her way of paying him her last respect.

The legal wife (LW) out of civility didn’t mind SB’s presence at all thinking that she would no longer behold, SB was still there beside the on the second and third night.

The morning after the third night, LW mustered enough courage, and on top of her lungs screamed “Get out!” at SB who left in a huff without batting an eyelash.

CLUE: SB is a known substance user and LW is a known star of decades and durability.

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