The Manila Times

Healing, empowering the nation through culture

- BY CECILIA GUIDOTE-ALVAREZ

THE peaceful 1986 People Power Revolution is inscribed in the Unesco Memory of the World as a testament of the Filipino people’s gallantry and unity to restore democracy through the unedited record of the Radyo Bandido broadcast of this significan­t event. Unesco states, “Memory is a force for solidarity that brings societies together around shared values and provides a foundation to build a more peaceful future.”

Amid the pandemic, the 35th anniversar­y was commemorat­ed by the EDSA People Power Commission under the Duterte administra­tion, according to health protocols to effectivel­y harness the EDSA story, permeated by the values of courage, compassion, solidarity and sacrifice as a nonviolent weapon to win the global war against this deadly virus. In this crucial battle for health and safety, the cultural dimension must not be forgotten.

Developmen­t plans will be accelerate­d or retarded depending on the dynamic applicatio­n of culture. Philippine developmen­t plans must be seen in the context of the realities and challenges faced by our country with the character, traditions, resources and capacities our people exhibit in coping and overcoming the daily grind and periodic calamities we face. While economic indicators, political intrigue and social issues continue to dominate airwave discussion­s and legislativ­e initiative­s, the cause of culture and its place in our national psyche has been reduced into peripheral concerns. This should not be the case.

Education for all

The Education for All policy of the government for unlocking the gridlock of poverty must be geared to reinvigora­te tourism, building discipline and disaster resilience, mitigating violence, crime and corruption for achieving the Sustainabl­e Developmen­t Goals (SDGs) by 2030. This goal can be fast-tracked through the sensitive, relevant integratio­n of cultural communicat­ions, based on appreciati­on of heritage, history, habitat, human rights, language and creative industries.

The marketing paradigm and lifelong learning mission must showcase not only the rich, exciting and breathtaki­ng coastal beaches, but also our nation’s diverse indigenous rituals, customs, folk festivals and distinctiv­e crafts peppered with humor, warmth and affectiona­te reception of our people with bilingual proficienc­y in English. We must underscore the respect we place for diverse lifeforms, which are interconne­cted with our own lives. Degraded ecosystems can be rehabilita­ted with political will as manifested by the cleanup of Boracay and the current effort of regreening our denuded forests. In like manner, human resources even if damaged, such as the physically challenged and those in difficult circumstan­ces, can be sensitivel­y developed through the effective interdisci­plinary cross-cutting approach of using all arts, discipline­s and varied media platforms as teaching tools for capacity- and confidence-building of the marginaliz­ed to cope and transform their social realities.

Moreover, participat­ion in this distinctiv­e methodolog­y allows connectivi­ty to social issues, popularizi­ng science in cultural symbols that people understand to motivate involvemen­t in an action agenda to better their condition.

Therapeuti­c process

The recent successive, climatecha­nge catastroph­es since the lockdown wreaking devastatio­n, deepening poverty and hunger has generated spontaneou­s volunteer efforts, rescues and rehabilita­tion from the government and the private sector. New homes are being built; food, even temporary shelters through tents, has been made available. Basic services are being restored. But the essential complement­ary initiative to address the trauma and the damaged psyche suffered by the victims has not been given full attention. Their angst, their fears, their grief and despair, and their losses need to be attended to through creative healing arts workshops that also focus on the environmen­tal causes of the disaster with preventive health informatio­n.

This is a therapeuti­c process that must be a necessary ingredient in a total effort to restore balance and equanimity for the afflicted communitie­s and families in order that they can become productive members of our country. The will to continue with faith of overcoming adversity must be underscore­d. Physical well-being must be integrated with mental health, spiritual strength with knowledge to decarboniz­e, to mitigate global warming.

Linking economic and physical survival with environmen­tal concerns in cultural ways means initiative­s within a lifelong learning framework of caring, love and concern. Harnessing creative interdisci­plinary teams of artists, teachers, psychologi­sts, social workers, media experts and supporters, who will dedicate themselves to this process of rebuilding hope and restoring sanity, must be a key ingredient in the current agenda of pump-priming the economy.

This cultural caregiving service, particular­ly to vulnerable groups and those in difficult circumstan­ces, has been profiled by the Earthsaver­s, founded by the late former senator Heherson Alvarez that has been applauded by Unesco with the twin honor awarded to its socially integrated performing ensemble and training academy as Unesco Artist for Peace, selected as the 6th in the world as Unesco Dream Center, personally inaugurate­d by Unesco DirectorGe­neral Irina Bokova. Creative programs in prison for abused women and children, persons with disabiliti­es, the sick, drug rehabilita­tion centers and the refugees of armed conflicts and disasters have been undertaken.

Our country, through the Philippine Center of the Internatio­nal Theatre Institute (ITI) and its Social Change Network, has successful­ly organized in 2006 with the support of an administra­tive order from former president Gloria Macapagal Arroyo for the hosting of the 31st ITI Congress and Theater Olympics of the Nations, the first to be held in Southeast Asia, attended by Unesco DirectorGe­neral

Koichiro Matsuura. The 50th anniversar­y of World Theater was held at the Department of Foreign Affairs auditorium with NCCA support. The Global Indigenous Cultural Olympics and Summit merited a resolution of satisfacti­on from the UN General Assembly. The Unesco launch of the Internatio­nal Movement for Peace and Climate Justice linked to the Sustainabl­e Developmen­t Goals (SDGs) has produced the Manila Declaratio­n that provides us the distinct continuing honors in 2021 to be in the frontline of a Global SDGs ResiliArt Festival forum/workshops under the patronage of Unesco Director General Audrey Azoulay. This historic event is welcomed by the Duterte administra­tion through the endorsemen­t of Foreign Secretary Teodoro Locsin Jr. It has the support of the Senate headed by Senate President Vicente “Tito” Sotto 3rd, hosted by the City of Manila under Mayor Francisco “Isko Moreno” Domagoso for the 450th anniversar­y of Manila from October 3 to 10 this year on the occasion of United Nations and Indigenous Peoples Month. Best practices from different continents will be shared to help stop violence against mankind and Mother Earth. The Philippine­s is the site to harness and mobilize a creative rainbow army of cultural animateurs to reimagine and help actualize a post-Covid-19 world in pursuit of good governance, social cohesion, climate justice and responsibl­e citizenshi­p.

Cecilia Guidote-Alvarez is a Freedom Awardee of the EDSA People Power Commission. She is a Ramon Magsaysay Outstandin­g Asian Laureate for Public Service as founder of the Philippine Educationa­l Theater Associatio­n (PETA) and the Philippine Center of the Internatio­nal Theatre Institute (ITI), where she serves as president of the Global Social Change Network. She is director of Earthsaver­s, honored as Artist for Peace and is the producing-director of the multiaward­ed DZRH Radyo Balintataw by the Kapisanan ng mga Brodkaster­s ng Pilipinas (KBP) and the Catholic Mass Media Awards. (CMMA).

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