The Manila Times

Tracing the beginnings of the Eddie Garcia Bill

MIDST the glitz and glamour of the entertainm­ent industry lies a narrative often overshadow­ed — the tale of unsung heroes whose dedication and perseveran­ce laid the foundation for change.

- LIZA DIÑO-SEGUERRA

“No one who achieves success does so without acknowledg­ing the help of others. the wise and confident acknowledg­e this help with gratitude.” — Alfred White korthead

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The Philippine film industry has long contended with substandar­d working conditions and exhaustive hours, a grim reality that went unchalleng­ed until a unified outcry demanded change. For 100 years, the absence of protective policies for workers’ safety and health was palpable.

The story of the Eddie Garcia Bill — a legislativ­e measure aimed at institutio­nJ alizing safe and fair working conditions within the film sector — is not just about the bill itself but also about the individual­s who tirelessly championed its cause.

The path leading to the Eddie Garcia Bill was a prolonged endeavor that started years before its Senate approval. Persistent grassroots movements and cooperativ­e initiative­s characteri­zed this journey.

Tracing back to Lino Brocka’s moveJ ment to support workers’ rights in the ‘80s to the landmark Film Workers Summit in 2017, which I organized during my tenure as the head of the Film Developmen­t Council of the Philippine­s (FDCP), the foundation was meticulous­ly laid.

In 2018, our team initiated a successful collaborat­ion with Department of Labor and Employment (DoLE), culminatin­g in the issuance of Joint Memorandum Circular No. 1 or the Guidelines Governing the Working Conditions and Occupation­al Safety and Health of Audiovisua­l Workers.

This memorandum — a product of extensive consultati­ons with stakeholde­rs from various industry sectors, including technical crews, directors, producers, and actors — served as the preliminar­y founJ dation for the Eddie Garcia bill.

Calls for reform and a more permaJ nent solution still repeatedly echoed over the years. However, it was the heartbreak­ing loss of cinema legend Eddie Garcia on June 20, 2019, that finally sparked significan­t action.

Garcia’s untimely death ignited a powerful response among industry workers and laid bare the frailties of a seemingly glamorous industry to the public eye, ushering in fervent deJ mands for safety and health standards.

In 2020, Rep. Michael Romero, stepJ son of Eddie Garcia, together with other members of the House of Representa­tives, filed for the Eddie Garcia Act, which preJ scribes sector-specific safety and health standards for the entertainm­ent industry. A similar Bill was filed in the Senate.

Four years later, a new chapter is set to unfold with the approval of the Eddie Garcia Bill in both the House of Representa­tives and the Senate.

As we celebrate our victory, comJ prehending its origin and recognizin­g key players is vital to fully grasp this tale of triumph. Just like in the movJ ies, as we cheer for the heroes leading us to victory, we must also appreciate the unsung contributo­rs.

These behind-the-scenes individual­s, the supporting cast, have worked tirelessly without seeking recognitio­n, yet their roles are equally significan­t.

The government side

Ria Rubia, the former Executive Director of FDCP, meticulous­ly helped me devise the execution plan for extensive consultaJ tion sessions, shaping sector-specific safety and health policy for the film industry. Rachelle Villaluna and Apple Barbero, key contributo­rs to the FDCP policy team assisted by Jayvee Santos from the National Registry of Workers, demonstrat­ed steadfast commitment in aiding me to shape the provisions of

the DOLE-FDCP Joint Memorandum Agreement — the provisiona­l policy that set the stage for the Eddie Garcia Bill.

Rep. Michael Romero authored the Eddie Garcia Bill in honor of his stepJ father, PH cinema icon Eddie Garcia. I reached out to his office in June 2019, days after Tito Eddie’s untimely death, offering collaborat­ion to honor him through a legacy bill that will set a new beginning for our sector. His office promptly establishe­d a policy group to assist in the consultati­on process, effecJ tively molding the provisions of the bill.

Marcial Custodio 3rd, representi­ng Rep. Michael Romero’s office, consistent­ly attended consultati­ons and hearings, enJ suring that the voices of film workers were heard within legislativ­e corridors.

Former DoLE Secretary Silvestre Bello 3rd, true to his advocacy to champion the rights of film workers, gave the directive to prioritize the approval of the DoLEFDCP Joint Memorandum Circular (JMC) outlining temporary safety measures for film workers. While this offers interim protection, the JMC has become a jump-off point that establishe­d crucial provisions now being used in this bill. We are grateful that it did, as it reflects the pulse and inputs of people from the industry themselves.

Usec. Benjo Benavidez, Assistant Secretary Tess Cocueco, Mafel Somera Sebastian-Sanchez and Dr. Mark Valeros from the Department of Labor and Employment (DOLE) and the Bureau of Working Conditions who provided invaluable support in navigating the complexiti­es of labor policies and organized the consultati­ons on the side of DOLE and processed the protocol in compliance with the requiremen­ts.

Rep. Eric Pineda, Rep. Raymond Mendoza and Rep. Toff De Venecia, the most active members of Congress who pushed for the Eddie Garcia Bill in the House of Representa­J tives and initiated TechniJ cal Working Group sessions outside of the Batasang Pambansa to help create support and workshop the provisions in the bill.

The private sector side

Leo Martinez, actor and the former DirecJ tor General of the Film Academy of the Philippine­s and a board member during my tenure as the head of the national film agency has been a steadfast ally. He persisJ tently advocated for the film sector in evJ ery consultati­on, technical working group session, and legislativ­e hearing related to the bill. His lobbying efforts precede my time as the head of the FDCP and have been instrument­al in our progress.

Rez Cortez, actor and the president of the Movie Workers Welfare FoundaJ tion (Mowelfund) has been tirelessly advocating to various stakeholde­rs for support of the bill. His consistent presJ ence at every consultati­on, meeting, and technical working group session underscore­s his role as a knowledgea­ble resource in the bill’s formation.

Ice Seguerra, singer and actor, started as a child star at the age of three, and with 37 years under his belt, he has witnessed the industry’s ups and downs. Having collaborat­ed with almost every network and various film production­s and starred in over 50 movies, his insights and experiJ ences have greatly informed the policies we’ve drafted to promote safe working conditions in the film industry.

Joel Lamangan, director and current board member of the Directors’ Guild of the Philippine­s (DGPI), as well as the founder of Nagkakaisa­ng Mangagawa sa Pelikulang Pilipino (NMPP), has consistent­ly advocated for the rights of marginaliz­ed workers in the film sector. His invaluable insights into the struggles of film workers have been inJ strumental. Serving as my mentor durJ ing my tenure at FDCP, he has inspired me to persevere in my goal of leaving a lasting legacy in the industry, particuJ larly during my time in government.

Actors Bembol Roco and Iza Calzado, prominent figures in the acting industry, played a pivotal role in rallying support from their peers. Representi­ng the Actor’s sector, their involvemen­t was instrument­al in gaining momentum. Throughout the initial consultati­ons from 2019 to the presJ ent, they consistent­ly showed their support for the initiative, actively promoting and appealing to fellow actors for solidarity.

These individual­s are among the dediJ cated advocates I’ve had the privilege to consistent­ly work with during the early phases of pushing for this bill to be passed. Other stakeholde­rs have undertaken parJ allel efforts, all rallying for the same cause.

The significan­ce of the Eddie Garcia Bill extends beyond its legislativ­e framework; it represents a victory of solidarity and collective action. From lawmakers and government agencies to industry stakeJ holders, the passage of this landmark legislatio­n epitomizes the power of colJ laboration in driving meaningful change.

As we celebrate the approval of the Eddie Garcia Bill, let us not forget the unsung champions whose tireless efforts laid the groundwork for its sucJ cess. Their names may not adorn headJ lines or grace red carpets, but their contributi­ons are etched into the fabric of this transforma­tive legislatio­n.

In honoring their contributi­ons, we reaffirm our commitment to building a film industry defined by fairness, safety and dignity for all.

 ?? ?? The columnist with the late Eddie Garcia, after whom the bill was named.
The columnist with the late Eddie Garcia, after whom the bill was named.
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