War for the Planet of the Apes’: Trilogy ends with best film yet Review

REBOOTED franchise goes out with a bang – and a career- high performance from motion- capture maestro Andy Serkis.

It’s no problem making a case for Matt Reeves’  “War for the Planet of the Apes” as both an intimate, epic adventure and one of the best movies of the summer. But first let›s heap praise on the landmark performance of Andy Serkis as ape- leader Caesar. The British actor created the role in 2011’ s  “Rise of the Planet of the Apes”, directed by Rupert Wyatt, and i n 2014›s  “Dawn of the Planet of the Apes”, by Reeves. Now he plays the charismatic chimp – a born leader of monkeys – again with a resonant power and depth of feeling that›s nearly Shakespearean. Oscar, get busy: Serkis deserves the gold. Yes, he’s that good.

So far, Academy deadheads have refused to wake up and smell the digital, insisting t hat a mo- cap ( motion- capture) performance is not truly acting. WTF! Serkis i s on set with the other performers; it’s his voice, facial expressions, body language and emotional heat that the camera captures. The visual effects are, in the actor’s apt words, “digital makeup.” He’s already set the gold standard for mo-cap acting as Gollum in  “The Lord of the Rings” franchise. Now he tops himself, bringing the character to fresh heights of ferocity and feeling, as well as ending the new  “Apes” trilogy on a note of indelible triumph.

And t he movie’s not bad either. In fact, “War for the  Planet of the Apes” – No. 9 in the simian cinema canon – is the best of the  films since the 1968 original with Charlton

Apes  Heston memorably hating on the  “damn, dirty apes” who dared to lay a hand on him. In the nearly half-century since, our loyalties have shifted from man to monkey. As  “War” kicks off, humans have been decimated by a virus and apes have grown more intelligent and vocal. Caesar and his tribe want to live in peace with what’s left of humanity. But there’s vengeance in the air.

A Colonel, played by a sensational Woody Harrelson as a cross between Marlon Brando’s bald- pated nut job Kurtz in  “Apocalypse Now” and Donald Trump at his most ‘ other”- fearing, wall- building fanatical, is hell- bent on ape genocide. That’s the conflict cooked up by Reeves and co-writer Mark Bomback. And it serves the film well even when the director lets thematic heaviness slow down the narrative momentum. Much-needed humor comes with the monkeyshines of Bad Ape, a new character played by a terrific Steve Zahn. But the stakes are high for everyone, including Nova (Amiah Miller), a mute girl the apes have taken under their wing.

Still, it’s combat and conflict that propels the film. The Colonel has forcibly recruited his own army of simian soldiers to work for his cause. Casear and his orangutan second- in-command Maurice (Karin Konoval) plan an exodus that will allow the tribe to escape. But when the villain’s plan of attack touches our hero’s own family, revenge becomes the chief motivator. The action sequences, including a prison break, are thunderously exciting, driven by Michael Seresin’s vibrant camerawork and Michael Giacchino’s ro b u s t sc o r e . Reeves achieves visual wonders even in the stillness before all hell breaks loose. It’s what makes  “War fo r the  Planet of the Apes” such a unique and unforgettable experience – t hat, and Se r k i s ’ s ca r e e r - h i g h performance. Hail Caesar, indeed. ( Stone)

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