Panay News

The visual poetry of Ilonggo artist Bryan Liao

-

HfgfalriEc­caeYkinde f rigrlileen­fotglhmeoe­cne trit onarnoigcm­d o eiweflfici­ctweahstit­ep– h oay tleelhttte­r eys msh:atoehrvlep­leas-mteeindeig­gnnettardo­nicfdsaiht­tmseaduain­oultwsdipt­isaelylnol­iacnntegi. ot–hngesildwa­enaddllwsb,aotrohede

dp s imhTT“” nol es– oa a iIcurnan” nadebl siioonwrg to s jgo hoo seafmtrose­iEeeiixtxr­moainrmttl­i awnIhea“srmactxxht­pateyttvm s aiTtaiapbe­nrhhnl nhanrselio­thve redeinhgoo­e, rots’iene ses uiaiteo rmyeimrseu­niixit rhoaloonao­eoa’ nrhsfsntsp­lhseio. taalo ntpgn artfesi eLwatefo tecfiuistt­ndhore rt2ieenloV­heoa nnrr u7oi safr- ypea rapi’ dtsbneuet– rd. luyati r etstieoyao’teal- oon psapesoili odceo nrgrhaslda­no ne s“vmtsseieot­neee soof me“xWeptlheoi­rnaargte t gectdB faens hrmspEhmrr­ol iao nandl,l” sbnhatahsr­iicesaseln­tlhydelleo­asorstkips­irntogfcro­efosmsr giralc– Lytaiy id tauiy‘, anseexa, AohPdmmast­avEoophsab­aambhihrrl­wnwoeoafaw­xeonanroao­ooeepfssun­dsertmclan­dL“otnuum i’lcgtea uThesTsyqo­rr eeho. umoi” eiamtdid tgehttioyf­mgr beoe nT asie m, wahemt” twfoegit0o seeoeim dhehodxela­mt: hatdn frpeope roh yiseicnWle­a u ms stnnbLiMde­wasi ie’awn messotettl­eee fhhiee toitmdl ois nowoynwtoa­sgi epwtpe iiteharhao­ca nfbtararta­liiiruSnao­decteiyr trieixhhgs­t eanipnIose­gpnrtplrnt­a y r onof yohehu2hmM­siste aoyreeedo. tticseetne­0het ir edma0p ntaeioboet­apda, a9a e enerlahysh­os .” emaeitcneh­ehh ouohpnlemi­p s eIaf l: , tltwnos nr st topsoieonB­l ler rmerddbc , dau

ii tt- rmul B“, bnraebheny pe otle e r8iunola‘ nlf, swwie, itte‘ - enc0h Es vt csuu.saictgi ytmftw eini ttf. essac‘ tde enprn roaba in, ad eogah ggl mnhatmoi ao hmockrihoa oi tas cgdm lsdetha arionnp hniopdvc aekin dtrspaeeta­nhdnei foiostrhtu­ttittual igenaonitt­oiuwiiniao­annnnihglc­gttmgawsgl­lnnhloooyg­ggeet-

. 2’ e0 iuncr“kogth, t gl s iy dlxl lv r,

Er, en t ncu i l’,,, s y 1 t au. ge ’ oo ’ sg eosc eegs wn h mt nria oo e onc w , h ou ni

g A PORTRAIT OF ONE i ieiun nt cg aa” s r sahis aarneoeooc­edmrb s , eas“rtmslsaiii­eiAridnkyy­geesssssrr, se enac, rnesynO gr etnih” l ef er l’,

ie s Lhs fa, e. novhehern tuwioelhbv­a a sbs si u erh b wiotothft o ahmlo“oteT, ods” shr he. spee feeasacacl­beuyt. tIu h btgaaorhtm mttshahsei­neisnmndgw­tilaoemrse­ffft t tnahuhtesa­nanlosgati­lavimionke­nyees

h o r iv es u o

e oLoAL““ucnrttrlds­mllI uineiliton- ssrwhsgoii­hutmfoyeof. ineohi niena tahaor sgntktgsoe­of adotit taliwbisoh aawfraiene­i nnhlphgoec­z. onnndtatd gsoloraopi­imereI” tndda uutbanaott esabwtho. lllstc eeIeb as I, re rieghg cpodEtt wsImxhnrhm­htxlitma hiihinapes­iuioopa sga fsmyelwlo fpnotsoya dfehabtb naimdaem leeouiatas­trc oelsdi’Islaig loghatntws­cmyk bmienc twomshospa aotutwttet­ua hnsaohhagc­tetnlteilw­i.’ndhdhlooke­eexcstttt- UNSTRAINED ABUNDANCE ompbtpophE­httpsfisie­tttihhhhue­xvliiiiarx­eosseomeee­raapmsepi teg t wt hre sill” re jgaht s ts rl iorh. s r et sa

cc okmc oi: kiratmdeo sabsdhp lhlleseead­t,iarktls h et zsnleasnoo­a tait epdset fortL idrI a aobhi sdrt p,” atawotaaom­hs gs “

onhrthcyee­e , ec sehd uo o. e tor ihrr eoh wiss tt ee Te e ws t’ ifty deei a c snpioe m

u“s a et hhh lewna yn

u n s y ossilin l,

g wtgspVHnhh­Eoeeriiuoi­uisfteesex­at pdtthvi“desfob tnfeppsahe­t rorhaarrih iuaaoenyle­tmemei aey fnetls twrdRfiot s, esesonaroc­losgeigtnw­nsfaknde dcgroih ctc didoaeeonc­Deomt

rl- nlis. siI ’ ars r ftr imnd. snathexrbi orrthAn yennpastat­eafttercur­onte iteblnod ptriieed lLtqolchle­y aola noIiwuftel­eviactlv nhuceoeiyk oiReogtrt, i haanvs aedvgo ahveegnnht­g i. hewomk / pe euAL aAronyd idtbetgp iwa nseu auodcpoeys­eie bfloiw mctoil n oa

sio l p e” – ca b hbdd BEe og ’,’ ” asdhjtj utuiuPra ietnhabsee­tssarsNhyg­geesrrtttl, r

, den w n edl f on usg

 ??  ??

Newspapers in English

Newspapers from Philippines