Philippine Daily Inquirer

Internatio­nal Bamboo Organ Festival pays tribute to Mañosa, renovator of Las Piñas church

But renovation in the 1970’s criticized by some heritage conservati­onists

- By Dexter R. Matilla and Lito B. Zulueta @Inq_Lifestyle

On the 200th anniversar­y of the Church of Las Piñas that he renovated in the early 1970’s, National Artist for Architectu­re Francisco T. Mañosa, who passed away Feb. 20, was honored by the Internatio­nal Bamboo Organ Festival on its gala night on Feb. 21.

The renovation from 1972 to 1974 by Mañosa of the St. Joseph Parish Church resulted “in a unique setting for the yearly internatio­nal bamboo organ festival,” said parish priest Rev. Augusto Pulido.

The festival, which is running till Feb. 27, has been displaying the LED image of Mañosa and his contributi­ons to the church and the festival.

Pulido said he would say a Mass for Mañosa.

According to Pulido, the church “underwent a restoratio­n of what (were) still possible to restore in the 1970’s: “the three altar tableaux, terracotta floor, tabernacle, and baptismal font.”

“The renovation became one of the first projects of Mañosa where he made extensive use of local material,” Father Pulido said.

Mañosa is generally acknowledg­ed “the father of neovernacu­lar architectu­re,” which advocates the use of local materials and local design motifs in contempora­ry design.

In the case of Las Piñas church, bamboo was used for the ceiling, chandelier­s, and pews, the parish priest said. Capiz was used for the stained windows and lampshades.

Controvers­y

The renovation was not however universall­y acclaimed.

In particular there were criticisms on the removal of the limestone plaster of the church.

Mañosa had blamed the “depressing state” of the church to its “heavily plastered walls.”

But heritage conservati­onists said Baroque Spanish churches had been exactly plastered to protect the walls from the elements.

Friar and native Filipino builders had made the plaster from a mixture of lime, sand and water to coat and protect the surface of churches.

The protective coating was called “palitada” and it was used to hide surface imperfecti­ons and gave a flat, even façade. It protected the structure from erosion.

The removal of the plaster showed the lineaments of the bricks inside and endowed Las Piñas church with the patina of ancient, even romantic, remoteness.

With encouragem­ent from then first lady Imelda Marcos who was promoting the country as an exotic tourism destinatio­n, other churches soon followed and removed their own limestone plaster.

200th anniversar­y

It was only at the turn of the 21st century when the churches, such as San Agustin in Intramuros, the oldest church in the Philippine­s, started restoring their plaster.

Some heritage conservati­onists did not support Mañosa’s national artist nomination allegedly because of the “bad example” he set when he had the plaster removed from the church of Las Piñas.

Ironically Mañosa passed away on the 200th year of the church of Las Pinas.

Legendary Spanish Augustinia­n Recollect friar Fr. Diego Cera (1762-1832) finished building the church in 1819.

A natural scientist, chemist and organist, Cera was also the builder of the famous Bamboo Organ of Las Pinas, the only one of its kind in the world.

Cera likewise constructe­d the organs of the Manila Cathedral and the old Recollect church in Intramuros.

At the patio of the church in Las Piñas is a statue of Fray Cera by National Artist for Sculpture Napoleon Abueva.

44th year

For its 44th edition, the Internatio­nal Bamboo Organ Festival opened on Feb. 21 with the music of Johann Sebastian Bach.

Featured were “Magnificat” by Bach and other works of the Baroque period (Telemann, Charpentie­r, Buxtehude), as performed by Johann Trummer (organ, Austria), Manu Mellaerts ( trumpet, Belgium), soloists Stefanie Quintin, Sherla Najera, Michelle Mariposa, James

Conde, Ervin Lumauag, Christophe­r Arceo, Mark Abesia, the Villancico Vocal Ensemble, and the Manila Baroque Ensemble, conducted by Beverly Shangkuan-Cheng.

Other featured performers: organist Mauro Goia (Italy) and trumpeter Manu Mellaerts (Belgium) on Feb. 23, with OPM artists Klarisse de Guzman and Nyoy Volante.

Tonight Feb. 25 will be the organ recital by Viviane Loriaut (France).

Tomorrow Feb. 26 will be the Philippine-Korean Friend- ship Night with organists Dong-ill Shin and Yang-hee Yun, Hyo-young Kim (saenghwang) and Rachel GerodiasPa­rk (soprano).

Closing concert on Feb. 27 will feature Las Piñas Boys Choir celebratin­g its 50th anniversar­y at the San Ezekiel Moreno Oratory.

Tickets are at P600, P400, and P200 on Feb. 25 and 26; and P200 on Feb. 27. Tickets available at SM Tickets and TicketNet.com.ph.

Call Bamboo Organ Foundation at 8257190, 8200795.

 ?? –PHOTOS BY LESTER BABIERA ?? Manunugtog Kawayan, a band that uses bamboo-based musical instrument­s, welcomes guests on opening recital of the Internatio­nal Bamboo Organ Festival, now on its 44th edition.
–PHOTOS BY LESTER BABIERA Manunugtog Kawayan, a band that uses bamboo-based musical instrument­s, welcomes guests on opening recital of the Internatio­nal Bamboo Organ Festival, now on its 44th edition.
 ??  ?? World-famous Las Piñas bamboo organ
World-famous Las Piñas bamboo organ
 ??  ?? French organist Viviane Loriaut will peform tonight.
French organist Viviane Loriaut will peform tonight.
 ??  ?? National Artist for Architectu­re Francisco T. Mañosa (1931-2019)
National Artist for Architectu­re Francisco T. Mañosa (1931-2019)
 ??  ?? Interior of St. Joseph Parish Church, which hosts the annual internatio­nal bamboo organ festival.
Interior of St. Joseph Parish Church, which hosts the annual internatio­nal bamboo organ festival.
 ??  ?? Statue of Recollect friar Fr. Diego Cera by Napoleon Abueva
Statue of Recollect friar Fr. Diego Cera by Napoleon Abueva

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