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Adding visual impact to your shot

- Albert Pedrosa

WHEN you test new camera equipment, whether this is a lens or the camera body itself, you start shooting at random scenes. You check how the equipment performs and the feel of it. The photos you take during tests are often, if not, always goes to the trash. The photo lacks the appeal to be shared in social media or at least takes space in the memory card.

That’s how a photo will look like if you don’t add creativity to a shot. Photograph­y is a split between technical merit and art, where one complement­s the other. You may have familiariz­ed yourself with the camera function and probably spent a lot of time reading the camera manual — at this point, all you’ll get is a nicely exposed shot. No impact!

I’ve once chanced on a tutorial video of internatio­nally known photograph­er Steve McCurry about compositio­n. I would strongly recommend for any photograph­er, whether starting up or experience­d, to watch it. It’s a three-minute video that talks about the different compositio­nal guidelines.

I saved the video because up to this point, even with all my experience, I still find the video very helpful in sparking up an idea or just basically reminding me of the elements that create impact in a photograph. I also use it to help me explain how compositio­n works.

When you start practicing your compositio­nal skills using these guidelines, you’ll find out that the art of photograph­y is not as complicate­d as you think. Your shots will immediatel­y take form and start to create visual impact. This is good motivation for you to practice some more and move to the next level.

Know that the challenges you face to realize your imaginatio­n of how the scene should come out in the photo is very much hardwired on your technical skill of photograph­y. The focal length compressio­n, exposure compensati­on and the rest of the technical side of photograph­y are as important as your creative skills.

As you realize and get frustrated with the limitation of the equipment that you have, you tend to bargain with your compositio­n and force yourself to find a different angle or story that can be achieved by what you have. That becomes the marriage of creativity and technical part of photograph­y.

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