Sun.Star Cebu

ARCHITECTU­RAL STRETCHING FOR LIFE

- BY KARL ARIES EMERSON F. CABILAO, UAP NELIA G. NERI CHERRY ANN T. LIM Managing Editor [Special Pages & Features] Editorial Consultant

It was a holiday. But when they were supposed to be relaxing at a beach or at the mall with family or friends, these architects were busy with their pencils and watercolor brushes.

Formed through their common passion for manual sketching and watercolor paintings, this group of Cebuano architects, dubbed “Arkisketch­ers Cebu,” aims to put life back into what they consider as the “dying art” of architectu­ral sketching.

Arkisketch­ers Cebu was conceptual­ized during the chapter presidents’ meeting, which was part of the activities of the United Architects of the Philippine­s’ (UAP) Joint Area Assembly in Iloilo.

“Architect Jojo Partosa and I were brainstorm­ing for a UAP Regional District activity. It turns out that one of his chapter members, Clint Ponsica, who came back from Singapore, was a member of Urban Sketchers Singapore. We also noted that a few of us were already doing outdoor sketches and paintings on our own, individual­ly. That’s when everything fell into place,” narrates architect Loloy Castro, one of the group’s convenors. He then called for a meeting with UAP District C1 director, Augusto Lee, with other “outdoor sketchers” including Partosa, Richie Vios and Ryan Cabanlit, wherein they planned out their first outdoor sketching stint.

Unlike the Urban Sketchers of Singapore, who do a “sketch walk” for 45 minutes to an hour in every location, Arkisketch­ers Cebu chooses one place for each session, wherein they stay there for around three hours doing what they do best. The first sessions of the group were held in important historical and tourist districts of Cebu, attracting a handful of architects, young and old. They usually schedule their sessions on non-working holidays.

“I am very fortunate to have found a group of architects who have the same hobby as mine. As an architect, sketching with them has not only honed the skills that we got during our college days but it also allowed us to learn from each other especially from colleagues who have been sketching and painting for more years than us,” says architect and college instructor Ryan Cabanlit, who considers sketching as one of the things that kept him interested in architectu­re during his student days.

Next year, the group will be showcasing their works in an exhibit at Robinsons Galleria on Feb. 16-22. What makes this all worth visiting is that it is for the benefit of the Cancer Warriors Foundation. Talk about architects using their creative talents to help those who are in need.

Drawing, done by the hand, has always been the most effective design communicat­ion tool for architects. Every stroke contains the essence of their hard-thought concepts and their souls as designers. However, with numerous drawing softwares emerging, it is clearly evident even with many architectu­re students today that their keenness toward picking up their pencils, coloring markers, watercolor brushes and doing a straight manual drawing continue to fade. In time for this year’s National Architectu­re Week, Archisketc­hers Cebu’s positive spirits are keeping the enthusiasm toward manual architectu­ral sketching and watercolor paintings alive among architects and future architects.

 ??  ??
 ?? by Ryan Cabanlit by Josephril Partosa ?? I.T. PARK VIEW PARDO CHURCH
by Ryan Cabanlit by Josephril Partosa I.T. PARK VIEW PARDO CHURCH
 ??  ?? GIANT CHRISTMAS TREE under constructi­on inside the Fuente Osmeña rotunda by Richie Vios
GIANT CHRISTMAS TREE under constructi­on inside the Fuente Osmeña rotunda by Richie Vios
 ?? by Aliver Escaño ?? FORT SAN PEDRO
by Aliver Escaño FORT SAN PEDRO
 ?? by Loloy Castro ?? TAOIST TEMPLE
by Loloy Castro TAOIST TEMPLE

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