Sun.Star Cebu

ARCHITECT’S BEST: A HOME FOR PARENTS

- KARL ARIES EMERSON F. CABILAO, FUAP / Writer

Contrasts evoke a different kind of aesthetic. The convergenc­e of contradict­ory elements in design creates interest and vigor in buildings, a quality that was already in the design consciousn­ess of architects especially during the post-modern era of architectu­ral history.

While the simplicity and reduction of a building down to its most simple elements practiced during the so-called age of modernism of the early 1900s resounding­ly answered the issues on economy and practicali­ty of building, the style soon gained its harshest of critics. Monotony and lifelessne­ss became serious issues in the design. Different architects then presented their own interpreta­tions of how to bring back life and variety in their works.

Fast forward to the present, a young Cebuano architect has religiousl­y carried with him, the lessons in architectu­ral history and theory to his fledgling practice. Architect Kurt Joseph Orillo has just completed one of the first and most important commission­s of his career—a house for his parents which is located inside a subdivisio­n in Talisay City—reflecting a “modern” contempora­ry minus the humdrum consequenc­es of a minimalist approach.

“Throughout the design process, the concept brought about an oxymoron: private yet open (design),” said Orillo, as he started to elaborate on his work. “It was essential to have privacy from the outside of the property while still maintainin­g the feeling of openness inside of it. The goal was to avoid the feeling of being caged (inside the building) despite having a perimeter fence,” he added. The minimal obstructio­ns and the prevalence of glass sliding doors inside the house promote the

modernist principle of interpenet­ration of exterior and interior space.

The flexible 90-square-meter interior was a plus especially for his parents, who regarded the house as somewhere they would finally settle down. Together with its single-storey set-up (thus, no stairs which could be a physical hassle to old people), the house enhances convenient mobility and accessibil­ity to the different areas and rooms. Coupled with the use of durable materials like concrete and steel and the “classic” black and white hues, the house is expected to preserve its stylish character through many years. The architect calls it “futureproo­f” design.

The choice of materials used in the building exterior provided for another oxymoronic display of design elements. The usually heavy-looking concrete and steel were made to look lightweigh­t in the massing of the building. “The horizontal planes of the facade were intended to appear to be levitating. This was mainly brought about by how the elements and materials were arranged in the design. The

 ??  ?? TOILET AND BATH
TOILET AND BATH
 ??  ?? INTERPENET­RATION of interior and exterior space is achieved through a free plan and prevalence of openings.
INTERPENET­RATION of interior and exterior space is achieved through a free plan and prevalence of openings.
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 ?? CONTRIBUTE­D FOTOS / ?? HEAVY + LIGHT. Inspired by the 1920’s modern architectu­ral movement, this residence designed by a young Cebuano architect harmonizes privacy of spaces and openness in its planning as well as creates a “lighter” impression on the otherwise heavy-looking...
CONTRIBUTE­D FOTOS / HEAVY + LIGHT. Inspired by the 1920’s modern architectu­ral movement, this residence designed by a young Cebuano architect harmonizes privacy of spaces and openness in its planning as well as creates a “lighter” impression on the otherwise heavy-looking...

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