Tatler Philippines

Wonders of Creation

The latest exhibition by Van Cleef & Arpels explores the very origins of minerals and their transforma­tion into exquisite adornments. Charlene Co discovers some fascinatin­g tales

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s well as its striking size and beauty, the fancy vivid yellow briolette diamond hanging from the beak of a gem-encrusted bird brooch at Singapore’s ArtScience Museum has a fascinatin­g provenance. The spectacula­r 96-carat stone once belonged to the flamboyant Polish opera singer Ganna Walska, who was arguably more famous for her extensive jewellery collection and fondness for men—she married six times—than her voice.

The diva sold the gem and other jewels in 1971 at a Sotheby’s auction to fund renovation­s at her California­n estate. Van Cleef & Arpels outbid all rivals, which included Cartier, Boucheron, and Chaumet, and named the stone the Walska Briolette Diamond, later incorporat­ing it into the exquisite brooch. Whether by virtue of its provenance or its rarely seen quality and size, this gemstone tells a fascinatin­g story and sets the tone for Van Cleef & Arpels’ largest and most elaborate heritage exhibition to date.

Van Cleef & Arpels: The Art and Science of Gems brings together a carefully curated collection of jewellery from the maison’s archives, a few pieces on loan from private collectors and more than 200 mineral artefacts from the French National Museum of Natural History. The main objective of the extensive display, says ArtScience Museum executive director Honor Harger, is to take visitors on a “dramatic journey” of minerals, from their evolution in the depths of the earth to their transforma­tion into works of art.

Harger and experts from Van Cleef & Arpels and the Paris museum spent two years conceptual­ising and developing the exhibition storyboard. “Throughout the entire process, we were engaged in an open dialogue—proposing ideas and angles that would challenge a traditiona­l display,” Harger recalls. “The entire process required a very open-minded approach from all three institutio­ns, and the result speaks for itself. We have an exhibition that has the authority and authentici­ty that will transport visitors in the depth of time and of creation.”

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