On Equal Footing
Great art must come with vision and passion; but for art to make an impact, it needs someone to push the boundaries for it to be known. The participation of the Philippines in the Venice Biennale (after 51 years of absence) could not have happened without one person’s belief that the country is at par, culturally and artistically, with the rest of the world. Senator Loren Legarda is that person.
The effect of our participation may not still be felt by most of our countrymen. But on the world stage, it has already made a dent that in the coming years, with the support of the government and our talented artists and architects, may become an indelible mark that will bring accolades and respect to our country.
But let us go back to our cover lady, who makes her fifth cover, the most of any subject for Philippine Tatler, so far. She is a staunch advocate of causes that preserve the environment and promote Philippine culture— anything that will bring pride to the Philippines. This former broadcast journalist, a top one in her heyday before she entered politics, is a fierce and feisty champion of her causes, making her someone you would want to be on the same side of the fence with.
Last June, I went back to Venice with Loren. The Philippines found a premier spot in the Arsenale, one of the two main venues for the citywide Biennale, side by side with other countries and the host country Italy. In the story “Pride of Place” (p. 164), Loren recalled that, in 2015, she had told Paolo Baratta, the president of La Biennale di Venezia, that by the next Biennale, the Philippines would be in the Arsenale. And, with perseverance it happened. So Loren said: “Just dream because you never know: one day you will get it.” We at this magazine have been supporting her cause 200 per cent, and hope that nothing will stop the country’s participation in this major global exhibition.
Another unprecedented Philippine representation in the Biennale is the Fernando Zóbel: Contrapuntos exhibit, a first retrospective of any Filipino artist at the Biennale. The exhibit focuses on his works from 1956 to 1962, focusing on two of his important series Saetas and Serie Negra. It is, in a way, a celebration of Zobel’s unique artistry combining Eastern and Western ideas to express and evoke deep emotions, which enthralling art enthusiasts both here and abroad.
In this issue we also highlight some of the members of the International School Manila 2017 graduating class. They are bright shining stars about to fulfill their individual destinies. I am particularly heartened by the story of two of the ISM scholars, who may not have had the same privileged life as the other kids; yet through determination and talent, managed to break the surface and carve their own paths. Today, both are heading to Ivy League schools on full scholarships—one to Harvard and the other to Columbia University (“The Next in Line,” p. 192).
Next month marks our 16th anniversary. We can’t wait to share with you this issue that will celebrate the best of the country. For sure, it will be a keeper!