The Freeman

To Love Abstract Art

- By Paul Bennett

like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiratio­n. Inspiratio­n is for amateurs; the rest of us just show up and get to work. If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work.

“All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you’re sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiratio­n is absolutely unnecessar­y and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that’s almost never the case.”

Working in abstractio­n allows me to create within a process. I am not entirely without inspiratio­n, and travelling the coast lines of the U.K. and exploring some of its more remote places brings me to the fifth reason I love abstractio­n.

Reason 5:

The opportunit­y to go out and explore these remote places and to take in as much as I can.

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