The Freeman

A Tribute to Amorsolo

- EDITOR: ARCHIE MODEQUILLO By Yasunari Ramon Suarez-Taguchi and Luis Ruiz

When it comes to depictions of

the Philippine countrysid­e, the name Fernando Amorsolo easily comes to mind. His paintings have

been collective­ly been described by art lovers as “the true reflection­s of the Filipino soul.”

It’s only fitting, thus, that he was accorded the title of National Artist in the Visual Arts field in 1972, making him the very first to formally receive

the honor.

Amorsolo, as he is simply referred to within the country’s visual arts circle, is known for his detailrich paintings of traditiona­l Filipino celebratio­ns. The national honor he got is in recognitio­n of his significan­t contributi­on to the growth and developmen­t of the arts in the country. His works remains an inspiratio­n to budding artists who came only decades after him.

The use of natural light is noticeable in Amorsolo’s paintings. He is being credited to have developed the backlighti­ng technique called chiaroscur­o, which became his artistic trademark and his greatest contributi­on to Philippine painting. In a typical Amorsolo painting, figures are outlined against a characteri­stic glow, and intense light on one part of the canvas highlights nearby details.

The master painter is also remembered for being generous with his talent. Many painters that followed him have had been mentored by Amorsolo himself. And yet admiration for the man is not limited from among those with whom he had interacted while still alive.

Recently, Rustan’s – the department store chain – has launched a promotion as a tribute to the legacy of Amorsolo. It’s an Amorsolo capsule collection, dubbed “Rustan’s For The Arts: Amorsolo.” The promotion features a curated set of Amorsolo paintings digitally printed on various home accent pieces and apparel.

The limited-edition collection consists of various items ranging from commemorat­ive plates to hard-bound notebooks, all in Amorsolo’s characteri­stic style – his play on colors, his applicatio­n of the prismacolo­ring principles, and the scale and balance he observed in his compositio­ns. The items are, in a way, “the good Amorsolo put to better use.”

Through the Amorsolo collection at Rustan’s, homenakers don’t only get to have their own Amorsolo pieces at home, most of the pieces can also be put to practical use. These are not only good conversati­on pieces but also good stimuli for arts appreciati­on. as they also get to familiariz­e themselves with the inimitably that of Amorsolo’s – to have a firm grasp on the maestro’s creative diction and mastery and understand­ing of light, and the shades it molds.

During the 1950s until his death in 1972, Amorsolo would finish 10 paintings a month, on average. However, in his later years, his works had been affected by diabetes, cataract, arthritis, headaches, dizziness and the death of two sons. Amorsolo underwent a cataract operation when he was 70 years old, after which he continued drawing and painting.

 ??  ?? Pieces included in the limited-edition collection featuring the paintings ofNational Artist Fernando Amorsolo Sylvia Amorsolo-Lazo, daughter of Fernando Amorsolo and president of the Fernando C. Amorsolo Foundation, signed copies of the book “Amorsolo: Love and Passion” during the collection’s Cebu launch at Rustan’s on September 27.
Pieces included in the limited-edition collection featuring the paintings ofNational Artist Fernando Amorsolo Sylvia Amorsolo-Lazo, daughter of Fernando Amorsolo and president of the Fernando C. Amorsolo Foundation, signed copies of the book “Amorsolo: Love and Passion” during the collection’s Cebu launch at Rustan’s on September 27.

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