The Freeman

“From The Ground Up”

By Yasunari Ramon Suarez Taguchi

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One way or another, students become the drivers of their education. Visual translatio­ns of this truth in learning served as the heart of the exhibit “From the Ground Up.” a show which mainly showcased the works of ten up-andcoming talents. Essentiall­y a group show that featured the thesis projects of 10 graduating fine arts students, the exhibit was staged in the tail-end portions of June at the Jose T. Joya Gallery of the University of the Philippine­s Cebu.

One way or another, realm of creative thought and students become the drivers enlightenm­ent. Works that fall of their education. Visual in the abstract expression­ist, translatio­ns of this truth in neo-expression­ist and learning served as the heart contempora­ry surrealist of the exhibit “From the tiers dominated most of Ground Up.” a show which the show, while it also had mainly showcased the works pieces that were made with of ten up-and-coming talents. unconventi­onal mediums and Essentiall­y a group show that materials. featured the thesis projects Steered by the uphill of 10 graduating fine arts climb metaphor implied by students, the exhibit was its title, the show brought staged in the tail-end portions a number of art’s constant of June at the Jose T. Joya learning truths to light. The Gallery of the University of most poignant asserts that the Philippine­s Cebu. times of crises have never been

It was the first in-venue a roadblock for artists, and it exhibit to be held at the gallery also intimated that looking and after temporaril­y closing due seeing are intertwine­d with to the pandemic, and is also comprehens­ion and cognition distinct in being a show that in the grand scheme of things. featured works that were made In a time when visual by fine arts students who informatio­n is becoming were the first to experience more powerful than verbal the blended in-venue and informatio­n, the show online learning environmen­t alternativ­ely directed viewers of UP Cebu, apart from being to many not-so-often-talkedabou­t graduates of the new senior truths. high school program. Metaphoric­ally, it

Contempora­ry in tone conveyed the idea that growth yet traditiona­l in terms of is pointless if it isn’t coupled inflection, the show tapered with direction, and that the its curatorial leanings in precepts of moving up in letting its exhibiting talents life isn’t about progressin­g serve as the navigators of towards a destinatio­n but is their jaunts and forays in the really a process of becoming.

 ?? ?? “Maybe My Peace of Mind isn’t Peaceful at All,” Jessa Terez, mixed media
“Maybe My Peace of Mind isn’t Peaceful at All,” Jessa Terez, mixed media
 ?? ?? “Three Figures of the Self,” Belle Maurice, oil on canvas
“Three Figures of the Self,” Belle Maurice, oil on canvas
 ?? ?? p“The Scream,” Paulette Neri, oil on canvas.
p“The Scream,” Paulette Neri, oil on canvas.
 ?? ?? “Rebirth,” Belle Maurice, oil on canvas
“Rebirth,” Belle Maurice, oil on canvas
 ?? ?? t“FUD,” Jenny Abear, mixed media
t“FUD,” Jenny Abear, mixed media

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