The Freeman

Barong Perfecting the

By: Yasunari Ramon Suarez Taguchi Fashion’s affinity with pageantry once again took a nuanced turn in Cebu this May with the many beauty tilt preliminar­ies and finals nights that were held within the month.

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From several candidate press presentati­ons to the successful staging of various regional legs, Cebu’s establishe­d and up-and-coming designers have been busy dressing many pageantry misters and misses in turn.

One of the more noteworthy of fashion-meets-pageantry events took place last May 12 during the course of this year’s one-nite-only Gabii Sa Kabilin. Billed the “Barong Filipino” pre-pageant night of Ginoong Pilipinas 2023, it was held at the Casa Gorordo Museum grounds, and it drew all sights to a series of barongs that were conceptual­ized to push for contempora­ry iterations of the traditiona­l Barong Tagalog.

The brainchild of Ginoong Pilipinas 2023 executive producer Dexter Alazas, the event mainly had the Ginoong Pilipinas 2023 entrants model a curated set of barongs that were made with a mix of traditiona­l and contempora­ry fabrics like polycotton.

As a highlight of this year’s holding of the pageant (which had its finals night last May 20), the occasion was primed as a standalone feature that stitched an inclusive quality to the traditiona­l “Barong Tagalog” as “Barong Filipino” through a novel use of fabrics that made for more contempora­ry, future-forward designs.

Presented in two parts, the first part of the event had the Ginoong Pilipinas 2023 entrants model barongs that were made by designers affiliated with the Cebu campus of the Fashion Institute of the Philippine­s. The second part had the gentlemen model barongs that were made by designers of their choosing, and the ensembles presented in both segments largely ran by the perfecting, as opposed to needlessly reinventin­g principle in design.

In the compendium of design concepts and mores, the “perfecting, as opposed to reinventin­g principle” often uses the wheel as an example – arguing that there’s no point trying to reinvent the wheel because its core design has worked for centuries. Perfecting it, however, is another story. Given the barong’s endearing standing as the formalwear item for men in Filipinian­a couture, the occasion brought it upon itself to tread into what can be had in perfecting the barong as opposed to needlessly reinventin­g it – priming it as the “Barong Filipino” that blends the de facto with the de jure in molding something that’s altogether new.

 ?? ?? Marvin Barnego (Lapu-Lapu) for Reysan Ornopia of the Fashion Institute of the Philippine­s - Cebu
Marvin Barnego (Lapu-Lapu) for Reysan Ornopia of the Fashion Institute of the Philippine­s - Cebu
 ?? ?? Larz Kent Dawson (Cebu) for Steven Cyrus Serdina of the Fashion Institute of the Philippine­s - Cebu
Larz Kent Dawson (Cebu) for Steven Cyrus Serdina of the Fashion Institute of the Philippine­s - Cebu
 ?? ?? Fritz Arvi Dormentes (Bacolod) for Sam Cuta of the Fashion Institute of the Philippine­s - Cebu
Fritz Arvi Dormentes (Bacolod) for Sam Cuta of the Fashion Institute of the Philippine­s - Cebu
 ?? ?? Christian Jay Arivas (Bukidnon Valencia) for Jun Leonard Rodrigo
Christian Jay Arivas (Bukidnon Valencia) for Jun Leonard Rodrigo
 ?? ?? Joachim Boniel Sivertsen (Talisay) for Protacio Empaces
Joachim Boniel Sivertsen (Talisay) for Protacio Empaces
 ?? ?? Margarito Roldan (Bantayan Island) for Edwin Rosas Visda
Margarito Roldan (Bantayan Island) for Edwin Rosas Visda
 ?? ?? Jerricho Ponce (Cavite) for Edwin Rosas Visda
Jerricho Ponce (Cavite) for Edwin Rosas Visda

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