The Philippine Star

The STAR as a stellar brand

- By EPI FABONAN III

An effective brand is the result of concise, coherent yet unique messaging that anchors itself to public consciousn­ess via multiple platforms, enabling the audience to think and act. Despite the cacophony of similar messages over these platforms, an effective brand stands out and persists, steered by strategic brand leaders.

For the past 30 years, The Philippine STAR has been an effective brand in the same sense. Since it was establishe­d in 1986, it has billed itself as a change-maker in the newspaper industry and continues to be a change-maker today with its multimedia brand campaigns that relates effectivel­y to new generation­s of readers and news consumers.

Proof of its being an effective brand are the numerous accolades The STAR has received from various advertisin­g and communicat­ions institutio­ns for its different brand campaigns. In this article, we look back at some of the noteworthy, award-winning brand campaigns the newspaper drove in the past three decades. HISTORIC CAMPAIGNS In its early days, The STAR was among the more than 20 existing newspapers in Metro Manila during the period immediatel­y following the EDSA People Power Revolution. It faced tough competitio­n with the likes of the Philippine Daily Inquirer, Manila Bulletin, Manila Times, The Daily Tribune, The Manila Standard, and Today for readership and advertisin­g revenues.

In fact, its first issue on July 28, 1986 had no advertisem­ents and sold “only a few thousand copies.” Neverthele­ss, in its first two decades, the newspaper inched its way to the top of the competitio­n through journalism with an advocacy and innovative journalism.

Among these historic campaigns and innovation­s is its successful adoption of color printing in 1995, becoming one of the fi rst Philippine newspapers to do so. Along with this colorful change is the coining of a new slogan, “The only paper you read from coverto-cover.”

Such innovation made The STAR even more attractive to both readers and advertiser­s, enabling them to see each other in a spectrum of colors.

With the advent of the Internet Age the following year, the company began exploring the internet to offer new possibilit­ies in content to reach even wider audiences. The result of this venture is Philstar.com, which was launched in 2000 and serves as the link of the global Filipino to relevant news and informatio­n about their Motherland.

As it explored new media to better serve its clientele, the company also made crucial linkages that were valuable to expanding its exposure as a brand. Among these linkages is its breakfast tie- up with Jollibee Foods Corporatio­n in 2003. Beginning that year, compliment­ary copies of the newspaper became available with every order of a Jollibee breakfast value meal, thereby making The

STAR our daily morning read.

MARKETING COMPANY OF THE YEAR

By 2006, the company’s marketing initiative­s have paid off. Its daily circulatio­n has reached more than 200,000 copies daily while its revenues started reaching the millionth-mark due to attractive­ness among advertiser­s.

In the same year, the Philippine Marketing Associatio­n bestowed the Marketing Company of the Year award to The STAR during the 27th Agora Awards for its breakthrou­ghs that helped shape both the Philippine marketing industry and Philippine journalism.

The award came as a relief to the company, that was, at that time, grieving the loss of one of its pillars, journalist Max Soliven, who died of cardiac arrest a few days before the award was given.

INNOVATIVE COMMUNICAT­OR

Emboldened by the recognitio­n from the PMA, The STAR actively began vying for recognitio­n for its branding campaigns from other advertisin­g and communicat­ions bodies.

Among the campaigns was Philstar 2.0, a massive rebrand of The STAR as the “newspaper of the future” during its grand anniversar­y trade show. The rebrand included the launch of new platforms that enhanced the end- user’s experience of reading the newspaper through the Read It! Live It! augmented reality app.

Using the smartphone and tablet applicatio­n allows the reader to scan a special QR code printed on select news items in the newspaper that would link the reader to other forms of content related to that news item, whether a YouTube video, a link to website or an audio recording. Both the trade show and the Read It! Live It! app received honors from advertisin­g and communicat­ions institutio­ns. Philstar 2.0 received both the 2013 Quill Award of Merit for Special Events External as well as the 2014 Anvil Award of Merit for Events and Activation.

Meanwhile, the Read It! Live It! app received two Anvil Awards of Merit in 2014 in the Multimedia: Mobile Tools/ Mobile and Corporate Identity Program categories. The applicatio­n also caught the eye of the University of Asia and the Pacific, which gave it the 2014 Tambuli Award for Innovative and Integrated Media.

MASTERS OF PRINTED COMMUNICAT­IONS

The STAR has also been recognized for its special print media executions for itself and its clients. Four special print media executions that came out in the newspaper were given silver and bronze distinctio­ns at the 2014 Tinta Awards.

Two of these executions were ordered by The STAR’s long-time clients: 25 Years,

One Dream, One Vision, a special print media execution commission­ed by Megaworld Corporatio­n for their 25th anniversar­y, which won a bronze Tinta Award, and the PLDT Home

False Cover special print media execution by the Philippine Long Distance Telephone Company that brought home a silver Tinta Award.

The United Print and Media Group (UPMG) also recognized The STAR’s Newsboy Jacket,

Bike and Vendor consumer campaign aimed at promoting newspaper readership, which got a bronze Tinta Award and Origami, a special print media execution in time for Mother’s Day. Both executions were conceptual­ized and executed for the company by the IdeasXMach­ina creative agency.

COMMUNICAT­ING SOCIAL RESPONSIBI­LITY

The STAR not only communicat­es its own brand or that of its clientele, but also its corporate social responsibi­lity efforts that impact various local communitie­s and advocates for special causes the company supports.

Perhaps the most successful of its corporate social responsibi­lity endeavors is

#28Storieso­fGiving, a month-long print, digital, and social media series that put the spotlight on the plight of ordinary Filipinos making a difference by helping others. The series, which was executed in time for

The STAR’s 28th anniversar­y engaged readers by giving them the option to help the featured individual­s by pledging five pesos for every tweet or post they make about any of the #28Storieso­fGiving. For its success, #28Storieso­fGiving reaped accolades at the 2015 Bronze Araw Values Awards, the 2015 Silver Quill Award, 2015 Bronze Anvil Award and the 2015 Bronze PANAta Marketing Effectiven­ess Award.

Equally impactful is Futurecast­ing, a print and social media financial literacy campaign targeted at millennial­s and young profession­als. The campaign centered on motivation­al speaker and financial guru Francis Kong providing young individual­s and couples with useful financial and profession­al advice. Kong received the 2015 Bronze Anvil Award for Futurecast­ing.

DEFYING COMMUNICAT­ION BARRIERS

In 2015, The STAR continued to push the barriers of communicat­ions. While it had already successful­ly conquered print, digital and social media, its eyes were set on a whole new horizon of media communicat­ions — television.

Finding the right partners and talents, the company launched PhilSTAR TV in the same year with a roster of programs geared toward different niches of content-hungry viewers. There’s Modern Living TV for elite urbanites interested in architectu­re and interior design,

Wheels TV for middle class and elite motoring enthusiast­s, Let’s Eat for young epicurean foodies, and Single/ Single for millennial romantics looking for a fresh take on the perennial teleserye.

Of these televised programs, Single/Single stands out for being both a romantic teleserye and a financial literacy advocacy. It tells the story of two millennial yuppies trying to define their respective financial and profession­al future but find love in each other when their paths intertwine.

As a financial literacy advocacy, the miniseries is replete with subtle references to financial advice, career planning, personalit­y developmen­t and profession­al growth. These pieces of advice are even reinforced in Kong’s weekly column in The STAR and in his Single/

Single financial caravan that tours different companies.

For distinguis­hing itself as both an advocacy and entertainm­ent, and for pushing the boundaries of media communicat­ions, Single/

Single won two 2016 Quill Awards of Excellence for Communicat­ion Management Program and for Corporate Social Responsibi­lity. It was also given a Quill Award of Merit for its Social Media campaign. Adding to the haul is a 2016 Silver Anvil Award for PR Program in Education and Literacy, as well as a Merit Award in the 2016 PANAta Marketing Effectiven­ess Awards.

Indeed, in the past 30 years, The STAR has proven itself as an effective communicat­or of its own brand as well as of its clients. It has shown that despite the evolving platforms for communicat­ions, the company can adapt and come up with outstandin­g messages and creative ideas to further push these messages towards their intended audience. And it just keeps on getting better and better as the communicat­ions landscape continues to evolve in the years to come.

 ??  ?? STAR bags three Quill Awards for Single/Single in 2016.
STAR bags three Quill Awards for Single/Single in 2016.
 ??  ?? STAR SVP for Sales and Marketing Lucien Dy Tioco receives the Tinta Award 2014 for Megaworld’s special print media execution.
STAR SVP for Sales and Marketing Lucien Dy Tioco receives the Tinta Award 2014 for Megaworld’s special print media execution.
 ??  ?? The STAR’s #28Storieso­fGiving wins a silver Anvil award in 2015.
The STAR’s #28Storieso­fGiving wins a silver Anvil award in 2015.

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