The Philippine Star

JE VILLAROMAN: FROM GREENBELT TO MANDALUYON­G

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Je Villaroman is a 23-year-old freelance fashion photograph­er who graduated from De La Salle University in 2016 and pursued his education at the Internatio­nal Center of Photograph­y in Manhattan, New York.

He has done various stints with the world’s top modeling agencies, namely Wilhelmina Models, The Society New York, and New York Model Management. He is currently based in Manila and is associated with the country’s leading public relations firm.

THE DRIVE What do you do for a living?

JE VILLAROMAN: I do what I like to call PR shoots, but what I believe I am good at is editorial and fashion photograph­y. I also like to take photos of dogs because they are so cute. It’s also because I have a French Bulldog; he is two years old and his name is Taco. I always take photos of him during Christmas — he is my Christmas card.

Are you a regular Uber rider?

Yes, I like that the Uber rides are normally on time. I usually take Uber X. But if I can’t find an X, I go for a black — only if I am running late.

How did you get into photograph­y?

I have always taken pictures because I like taking photos of memories. I like seeing things. My mom bought me my first point-and-shoot when I was in grade school. And then when I got into college in La Salle, we had a course in photograph­y. It was just a general course for advertisin­g photograph­y; it covered food, fashion, portraitur­e and I fell in love with the portrait. So, when my friend lent me a lens that made everything in the background blurry and focused only on the faces, I fell in love with photograph­y then.

Latest work?

Estée Lauder asked me to shoot their breast cancer awareness campaign. They blasted it out on Instagram. It was a shot of 250 people in three days. That was a lot. I would have to take five frames per person. And, being the photograph­er that I am, I made sure that I communicat­ed with each of my subjects. I wanted to make sure that they were comfortabl­e on set because if they are not comfy on set it is going to look bad in the pictures.

But if it is an editorial kind of pictorial I can probably do three models with three layouts each.

How do you know if you have a good photo?

I believe that a photo is not just a picture of a face; rather, it is a connection between the subject and me. In fashion photograph­y the directors always have to make the clothes look good. But as a photograph­er I have to make the relationsh­ip between the person shooting and the person being shot come out.

If the clothes look good but the facial expression is not, then the photo will not be good. A good photo for me is when my subject and me connect. No matter what the person might look like.

What was it like living in New York?

It was like just rushing everything because staying in New York can break your mind, soul and body.

Most famous person you’ve shot?

Jake Cuenca. I shot him for an advertoria­l campaign.

Worst shoot?

I do have stories like that and it is crazy. There are some ladies in a shoot who are part of an awareness campaign and not the cover of Vogue in September. It is a problem when the models are so maarte.

Who are your favorite photograph­ers?

BJ Pascual and Mark Nicdao are probably the best photograph­ers in the Philippine­s. When I finally got into photograph­y and did research on the photograph­s I had kept from magazines as I was growing up, I noticed I had a lot of Mark Nicdao and Patrick Demarcheli­er photos. So, I figured that I actually did like photograph­y even at a young age — I just didn’t know it.

What else do you like taking photos of?

Dogs. I love taking photos of my dog. When we stop I want to show you the photos of Taco.

As Je is getting off, I stop for a bit so I can take a look at his cute French Bulldog Taco.

“I notice that you are fond of pets, and you look like the writer of pets from

The Philippine STAR. Also, you ask too many questions to be an Uber driver by profession.”

 ??  ?? Shooting lots of questions to photograph­er Je Villaroman
Shooting lots of questions to photograph­er Je Villaroman

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